Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies Originales de Pierre-Auguste Renoir". Although the official edition was to have been 950, it is reported that approximately 1/3 of the impressions were never issued. Image size: 6 7/8 x 5 inches (175 x 125 mm); total sheet size 13 x 9 3/4 inches (330 x 250 mm). Signed in the plate with Renoir's stamped signature (not hand-signed).

Condition: there is foxing to the paper.

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this lovely impression on cream laid paper is from the rare 1906 first edition of "Histoire des Peintres Impressionnistes" by Theodore Duret, published in Paris by Floury. Plate size: 7 1/4 x 5 3/4 inches (185 x 145 mm); the total sheet size is 10 x 7 3/4 inches (255 x 195 mm). Not signed.

Medium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression, printed in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodore Duret. Plate size: 6 5/8 x 4 3/8 inches (170 x 112 mm). A good impression on wove paper with plate tone. Not signed.

Medium: original soft ground etching. This is a lifetime impression printed in 1914 on laid paper and published in Berlin by Bruno Cassirer for Theodore Duret's "Die Impressionisten". Plate size: 5 3/8 x 3 3/4 inches (138 x 96 mm). Sheet size: 9 x 6 inches (226 x 155 mm). Not signed.

Condition: there are printer's creases to the paper, with age-toning and a few spots of foxing.

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler". Printed on cream laid paper with the full margins and the Van Gelder Zonen watermark. Plate size: 7 1/4 x 5 5/8 inches (185 x 143 mm); the total sheet size is 12 1/2 x 9 5/8 inches (320 x 243 mm). Not signed.

Medium: original woodcut. Printed in Germany in 1917 for Die Aktion; this impression is from the deluxe edition of 100 on Bütten laid paper. Catalogue reference: Schapire 202. Image size: 6 1/4 x 8 1/2 inches (158 x 212 mm). Sheet size: 9 x 12 inches (230 x 305 mm). There is a different woodcut and printed text on verso, as published. Embossed with the publisher's dry stamp in the margin at the bottom right. Not signed.

Medium: original lithograph. Catalogue reference: Salomon 27. This lithograph was executed by K X Roussel in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 x 8 3/4 inches (150 x 220 mm). Sheet size: 10 3/4 x 15 inches (273 x 383 mm). Not signed.

Condition: there is a crease in the paper near the top right and a few spots of foxing in the margins.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 1/2 inches (408 x 290 mm). There is poetry text (composed by Walasse Ting) on the back side, as issued. Not signed.

Medium: original etching and drypoint. The English title is "The Big Sister". Catalogue reference: Sanchez and Seydoux 1913-10. This charming Theophile Steinlen etching was published in Paris in 1913 by Gazette des Beaux-Arts. The plate measures 8 3/4 x 6 1/8 inches (220 x 155 mm). It is good impression on laid paper bearing the watermark of the printer Eugene Delatre. Signed in the plate, not hand-signed.

Condition: the left margin is narrow with a small crease.

Medium: mezzotint. Catalogue reference: Hardie 95. Executed in 1913 by Sir Frank Short after J. M. W. Turner and signed in pencil by Sir Frank Short. Printed on chine-collé paper in an edition of 50. Plate size: 10 7/8 x 15 3/4 inches. Some consider that Sir Frank Short was at his best when interpreting J. M. W. Turner.

Condition: some age-toning and discoloration to the paper.

Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Signed in pencil by Richard Seewald and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is one of the deluxe signed edition of 300 printed on laid paper. The image measures 5 1/2 x 7 inches (140 x 175 mm); a fine impression with full original margins.

Medium: serigraph / silkscreen. This magnificent print was published in Milan in 1954 by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Sheet size 12 1/2 x 8 1/2 inches (318 x 220 mm). In good condition, with some age-toning at the top of the sheet. Signed in the plate (not by hand).

The Movimento arte concreta (Concrete Art Movement), also known as MAC, was founded in Milan in 1948 by a group of Italian artists with their own unique aesthetic; principal among them were Atanasio Soldati, Gillo Dorfles, Bruno Munari and Gianni Monnet. The print offered here is a product of this movement, which brought together a number of artists who contributed original lithographs or serigraphs to this 1954 project. Among the artists represented in this portfolio were: Enrico Baj, Enrico Bordoni, Joe Colombo, Nino Di Salvatore, Gillo Dorfles, Asger Jorn, Plinio Mesciulam, Gianni Monnet, Bruno Munari, Bruna Pecciarini, Mauro Reggiani, Atanasio Soldati and Luigi Veronesi. Vintage original prints by many of these artists are rarely encountered today.

Medium: original linoleum cut. This linocut by Italian Futurist Gino Severini was printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 1/2 inches (317 x 240 mm). Signed in the plate (not hand-signed).

Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is printed in sanguine ink on wove paper. Plate size: 8 x 5 3/4 inches (203 x 140 mm). Not signed.

Medium: lithograph with pochoir coloring (after the 1885 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Image size: 4 1/2 x 9 inches (115 x 227 mm). Sheet size: 14 1/2 x 10 1/2 inches (370 x 265 mm). Not signed.

Condition: there is foxing in the margin beneath the image.

Medium: pochoir (after the drawing in sanguine). Printed in 1923 in an edition of 150 on Arches paper at the atelier Jacomet and published in Paris by Bernheim-Jeune for the rare "Renoir, peintre du nu" portfolio. Size: 15 x 11 inches (383 x 277 mm). Not signed.

Condition: there are bumps to the corners of the sheet, and the publisher's binding strip remains attached on the back side.

Medium: etching (etched by Jacques-Felix Schnerb after the Renoir painting). Printed in 1908 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 3/4 x 5 3/8 inches (173 x 137 mm). Signed in the plate, not hand-signed.

Condition: the margin is narrow on the left side.

Medium: original etching and drypoint. The English title is "The Big Sister". Catalogue reference: Sanchez and Seydoux 1913-10. This charming Theophile Steinlen etching was published in Paris in 1913 by Gazette des Beaux-Arts. The image measures 8 1/2 x 6 inches (218 x 151 mm). It is good impression on laid paper bearing the watermark of the printer Delatre. Signed in the plate, not hand-signed.

Condition: the margins are trimmed on three sides to just inside the plate.

Medium: original etching and drypoint. Catalogue reference: Hardie 367. Signed in pencil. Executed in 1910, this is a nice impression with plate tone printed on laid paper. Plate size: 7 1/4 x 12 1/2 inches (183 x 317 mm).

Condition: there is a faint mat stain.

Medium: original color woodcut. Catalogue reference JH 771. Published in 1919 for Genius. Image size: 9 1/2 x 7 inches (240 x 178mm), on wove paper with full margins.
This print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst, a deluxe art revue founded in 1919 in the aftermath of The First World War. Europe was devastated by the War, both physically and psychologically, and Expressionist art was attempting to create a new artistic idiom, and Richard Seewald was an important member of this movement. This is a good impression from the first (and rarest) year of Genius. Not signed.

Medium: etching and drypoint (after the painting). This beautiful piece was etched by Emile Lequeux after Renoir, and published in Paris in 1904 by Gazette des Beaux-Arts; and is referenced in the Sanchez & Seydoux catalogue (entry 1904-14). A good impression printed by Charles Wittmann on chine-collé paper, with a platemark (not shown here in this photo); the image measures 6 1/2 x 5 3/8 inches (165 x 138 mm). Signed in the plate, not hand-signed.

Condition: there is some waviness to the paper.

Medium: original xylograph. Printed in 1956 and published in Milan by Groupe Espace for the very rare 1956-57 volume of Documenti d'Arte d'Oggi. Image size: 10 1/4 x 8 1/4 inches (263 x 211 mm). Sheet size: 12 3/4 x 8 3/4 inches (320 x 220 mm). Not signed.

Condition: there is creasing to the margins, not affecting the image.

Medium: original xylograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, and published in Milan by Groupe Espace. Image size: 10 1/8 x 8 3/8 inches (258 x 212 mm). Sheet size: 12 3/4 x 8 3/4 inches (320 x 220 mm). Not signed.

Condition: there is creasing to the margins, not affecting the image.

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Sheet size: 14 1/2 x 10 1/2 inches (370 x 265 mm). Not signed.

Condition: there are a few spots of foxing.

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one composition on the front and a different original composition on the back (see the second photo). Printed on laminated paper with a center fold. Size: 11 x 14 inches (280 x 360 mm). Not signed. This work is now scarce.

Medium: original lithograph. The title means "Dance". Printed in 1920 on a light brown tinted wove paper for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 inches (275 x 200 mm). An impression of this same original print can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Condition: there is some wear to the paper (most notably along the right edge of the sheet). No margins (as issued).

Medium: serigraph / silkscreen. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Size: 12 1/2 x 8 1/2 inches (317 x 218 mm). Signed in the plate (not by hand).

Condition: some minor wear to the surface.

Medium: original lithograph. Printed in 1958 and published in Milan by Groupe Espace for the very rare Documenti d'arte d'oggi. Size: 12 1/2 x 16 1/2 inches (318 x 420 mm). This work was published as a folded sheet with a center fold. Signed in the plate; not hand-signed.

Condition: minor creasing.

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 22 3/4 inches (408 x 580 mm). There is poetry text (composed by Walasse Ting) beneath the image and on verso, as issued. Not signed.

Note: This work was printed on two separate sheets which do not join together perfectly.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Sheet size: 16 1/4 x 22 3/4 inches (408 x 580 mm). Image size: 16 1/4 x 18 inches. There is a center fold and poetry text (composed by Walasse Ting) to the right of the lithograph and on verso, as issued. Not signed.

Medium: original lithograph. This original James Rosenquist lithograph was printed in 1975 for XXe Siecle (issue number 44) and published in Paris by San Lazzaro. Size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not signed.

Medium: original woodcut. This bold and striking Expressionist woodcut was printed in 1920 for Genius. Image size: 9 1/2 x 7 inches (240 x 180 mm). This original Rouveyre print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but was influential on German art and culture between the Wars. Signed in the plate, not by hand.

Condition: there is a crease (top right).

Medium: lithograph with pochoir coloring (after the 1883 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Image size: 8 x 11 inches (208 x 280 mm). Sheet size: 10 1/2 x 14 1/2 inches (265 x 370 mm). Not signed.

Condition: there is foxing to the paper on back of the sheet, some of which shows through.

Medium: original etching and aquatint. Catalogue reference: Sanchez and Seydoux 1904-19. Printed in Paris on laid paper and published in 1904 by Gazette des Beaux Arts. Plate size: 3 1/2 x 6 5/8 inches (88 x 163 mm). Not signed.

Medium: etching. Etched by H. Lefort after Rousseau and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 3 1/4 x 5 inches (83 x 128 mm). Signed in the plate, not hand-signed.

Medium: original lithograph by artist Regina Cassolo Bracchi, better known simply as Regina. Printed in 1955 for the very rare Documenti d'Arte d'Oggi. Size: 8 1/2 x 12 1/2 inches (218 x 318 mm). Signed in the plate, not by hand.

Condition: there is some age-toning to the paper.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 11 1/4 inches (408 x 290 mm). There is poetry text (composed by Walasse Ting) on the back side, as issued. Not signed.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 x 11 1/2 inches (408 x 290 mm). There is poetry text (composed by Walasse Ting) on the back side, as issued. Not signed.

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 1/2 inches (408 x 290 mm). There is poetry text (composed by Walasse Ting) on the back side, as issued. Not signed.

Medium: original lithograph. Catalogue reference: Jentsch 91. This impression on wove paper was printed in 1919 for Das Kestnerbuch, an important collection of original prints published during the height of the German Expressionist movement. Image size: 5 1/2 x 7 1/4 inches (135 x 185 mm). Sheet size: 8 1/2 x 11 inches (220 x 280 mm). Signed in the plate (not by hand).

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. Printed in 1986 by Imprimerie Arte for the art revue Noise (issue number 6) and published by Maeght in an edition of 2000. Size: 14 1/2 x 21 1/4 inches (370 x 540 mm). Not signed.

Condition: this work was issued as a folded sheet with a different lithograph printed on back. There are stitch holes along the center crease from the publisher's binding.

Medium: etching (after Rembrandt). This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This impression on laid paper was printed in Paris for the Gazette des Beaux-Arts (circa 1880). Image size: 4 1/4 x 3 1/4 inches (108 x 82 mm). With original Rembrandt etchings bringing very high prices, faithful copies such as this have become quite collectible.

Medium: lithograph (after Renoir). Printed in 1921 and published in Paris by Henri Floury. Sheet size: 10 x 7 3/4 inches (256 x 196 mm). Signed in the plate, not hand-signed.

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Sheet size: 14 1/2 x 10 1/2 inches (370 x 265 mm). Not signed.

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Sheet size: 14 1/2 x 10 1/2 inches (370 x 265 mm). Signed in the plate, not hand-signed.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 11 1/2 x 15 3/4 inches (293 x 398 mm). Signed in the plate, not hand-signed.

Condition: the paper was cut by the publisher in such a way as to partially crop the plate signature.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x 11 3/4 inches (397 x 297 mm). Not signed.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 13 1/2 x 10 inches (345 x 255 mm). This work was mounted by the publisher (along the top edge) onto a larger support sheet. Not signed.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 12 1/2 x 9 inches (318 x 233 mm). This work was mounted by the publisher (along the top edge) onto a larger support sheet. Not signed.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 12 1/2 x 10 1/8 inches (315 x 257 mm). This work was mounted by the publisher (along the top edge) onto a larger support sheet. Not signed.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 13 1/4 x 9 3/4 inches (335 x 247 mm). This work was mounted by the publisher (along the top edge) onto a larger support sheet. Not signed.

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 9 1/2 x 12 1/2 inches (240 x 318 mm). This work was mounted by the publisher (along the top edge) onto a larger support sheet. Not signed.

Condition: there is some creasing near the top.

Medium: original physiognotrace engraving. This is one of the delightful engravings executed by French artist Charles Balthazar Julien Fevret de Saint-Memin, who was famous for his portraits of important Americans of the of the late 18th and early 19th Centuries. Saint Memin pioneered a technique called Physiognotrace (or Physionotrace) Engraving which produced remarkably lifelike portraits before the advent of photography. Plate size: 2 3/4 x 2 5/8 inches (70 x 68 mm). Sheet size: 10 x 7 inches (253 x 177 mm). Printed on cream wove paper; the date of printing of this impression is not known. The inscription reads "Drawn & engraved by St. Memin Philadelphia". Not signed.

Medium: original physiognotrace engraving, 1799. This is one of the delightful engravings executed by French artist Charles Balthazar Julien Fevret de Saint-Memin, who was famous for his portraits of important Americans of the of the late 18th and early 19th Centuries. Saint Memin pioneered a technique called Physiognotrace (or Physionotrace) Engraving which produced remarkably lifelike portraits before the advent of photography. Plate size: 2 3/4 x 2 5/8 inches (70 x 68 mm). Sheet size: 9 3/4 x 7 inches (250 x 177 mm). The inscription reads "Drawn by Valdenuit & engraved by St. Memin New York". Printed on cream wove paper; the date of printing of this impression is not known. Not signed.

Condition: A previous owner's annotation at the bottom of the sheet identifies the subject of this portrait.

Medium: original physiognotrace engraving, 1802. This is one of the delightful engravings executed by French artist Charles Balthazar Julien Fevret de Saint-Memin, who was famous for his portraits of important Americans of the of the late 18th and early 19th Centuries. Saint Memin pioneered a technique called Physiognotrace (or Physionotrace) Engraving which produced remarkably lifelike portraits before the advent of photography. Plate size: 2 3/4 x 2 5/8 inches (70 x 68 mm). Sheet size: 9 3/4 x 7 inches (250 x 177 mm). The inscription reads "Drawn & engraved by St. Memin Philadelphia". Printed on cream wove paper; the date of printing of this impression is not known. Not signed.

Condition: there is an old water stain in the margin, not affecting the image. A previous owner's annotation at the bottom of the sheet identifies the subject of this portrait.

Medium: lithograph (after the drawing). This composition was executed by Paul Signac in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 8 x 4 1/2 inches (245 x 240 mm). Sheet size: 15 x 10 1/2 inches (378 x 268 mm). Not signed.

Condition: there is foxing and discoloration to the paper.

Medium: lithograph (after the painting). Printed by Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as issued. Signed in the plate, not hand-signed.

Medium: lithograph (after Renoir). Printed in 1951 at the atelier Mourlot using the same number of stones as the original, in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as issued. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Image size: 6 1/8 x 8 1/4 inches (158 x 210 mm). Sheet size: 9 1/4 x 12 5/8 inches (235 x 320 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Medium: etching. Etched by Charles Bertaut after Rousseau and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 4 1/4 x 6 5/8 inches (108 x 168 mm). Signed in the plate, not hand-signed.

Condition: there is creasing through the center of the etching.

Medium: etching. Etched by Alfred Brunet-Debaines after Rousseau and published in 1890 in an edition of 200 and printed on a japon-style paper. Image size: 3 1/2 x 5 1/4 inches (90 x 131 mm). Signed in the plate, not hand-signed.

Medium: original etching and drypoint. Catalogue reference: Delteil 86. This lovely drypoint was executed by Raffaelli in 1909 and published in Paris by H. Floury. Plate size: 3 1/4 x 4 5/8 inches (85 x 118 mm), on wove paper. Not signed.

Condition: some age-toning and minor soiling to the margins.

Medium: original lithograph. Printed in 1912 and published in Berlin by Bruno Cassirer for Kunst und Kunstler. This impression is printed on cream paper. Sheet size: 12 x 9 inches (308 x 232 mm). Signed in the plate, not hand-signed.

Medium: etching (after Rembrandt). Also called "Les trois Mendiants". This is not an original Rembrandt etching, but is a good copy (by artist unknown) etched after Rembrandt. This impression on laid paper was printed in Paris by L. Eudes for the Gazette des Beaux-Arts (circa 1880). Image size: 6 1/2 x 5 inches (165 x 128 mm). With original Rembrandt etchings bringing very high prices, faithful copies such as this have become quite collectible.

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. Image size: 8 x 6 1/4 inches (207 x 157 mm). Sheet size: 14 3/4 x 11 inches (375 x 280 mm). Not signed.

Condition: there is some waviness to the paper.

Medium: original etching. This Hermann Struck etching was printed in 1919 and published in Berlin by Paul Cassirer. Plate size: 8 x 5 3/4 inches (205 x 145mm). A good impression on wove paper. Signed in the plate (not by hand).

Condition: there is age-toning to the margins and a pinhole near the bottom right.

Medium: silkscreen / serigraph. Printed in 1955 and published by Groupe Espace in Milan for the very rare Documenti d'Arte d'Oggi (1955-56). The image measures 4 x 6 inches (100 x 150mm). This work was attached by the publisher onto a support sheet. Not signed.

Medium: original lithograph by artist Regina Cassolo Bracchi, better known simply as Regina. Printed in 1956 for the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 220 mm). There is text on verso, as issued. Signed in the plate (not by hand).

Condition: there is aging to the paper.

Medium: pochoir (after the painting) for Georges Rouault's magnificent "Visages" portfolio, beautifully printed in 1969 by Daniel Jacomet on Chiffon de Mandeure wove paper in an edition of 450. The image size is 11 x 6 1/2 inches (275 x 170 mm) and the total sheet measures 18 x 13 inches (455 x 335 mm). Not signed.

Medium: pochoir (after the painting) for Georges Rouault's magnificent "Visages" portfolio, beautifully printed in 1969 by Daniel Jacomet on Chiffon de Mandeure wove paper in an edition of 450. The image size is 9 1/4 x 7 inches (235 x 175 mm) and the total sheet measures 18 x 13 inches (455 x 335 mm). Not signed.

Medium: pochoir (after the painting) for Georges Rouault's magnificent "Visages" portfolio, beautifully printed in 1969 by Daniel Jacomet on Chiffon de Mandeure wove paper in an edition of 450. The image size is 10 3/4 x 8 1/2 inches (275 x 213 mm) and the total sheet measures 18 x 13 inches (455 x 335 mm). Not signed.

Medium: pochoir (after the painting) for Georges Rouault's magnificent "Visages" portfolio, beautifully printed in 1969 by Daniel Jacomet on Chiffon de Mandeure wove paper in an edition of 450. The image size is 12 x 9 inches (305 x 230 mm) and the total sheet measures 18 x 13 inches (455 x 335 mm). Not signed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1958 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 1/4 inches (305 x 209 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. Printed in 1921 and published in Germany for GENIUS: Zeitschrift fur Werdende und Alte Kunst. Sheet size: 13 3/4 x 10 inches (350 x 255 mm). Not signed.

Condition: there are old tape mounts on the back (not affecting the image).

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Sheet size: 12 5/8 x 9 1/4 inches (320 x 237 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Condition: there are areas of discoloration to the paper.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 11 7/8 x 8 1/2 inches (300 x 218 mm). Signed in the plate (not hand-signed).

Condition: the edges of the sheet have been trimmed.

Medium: original etching. Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 by Cassell and Company. The plate size is 5 x 11 7/8 inches. Signed in the plate (not by hand).

Medium: etching. Etched by Leon Richeton after the Erskine Nicol painting. A richly inked impression printed in Paris in 1882 by F. Delarue on cream laid paper and published in New York for the "A Group of Etchers" portfolio. Plate size: 11 3/4 x 8 3/8 inches (300 x 207 mm). Not signed.

Medium: original lithograph. Printed in 1920 on a light brown tinted wove paper for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 inches (275 x 200 mm). An impression of this same original print can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Medium: offset lithograph (after the drawing). A rare and interesting work for collectors of Raphael Soyer. This is an actual birth announcement, designed by the artist for his friends. The lithographed inscription reads, "Dr. and Mrs. Arnold Lieber announce the birth of their son David. May 17, 1962". The total sheet measures 9 1/4 x 5 3/4 inches. Not signed.

Condition: there is a natural crease in the center where it was folded, and a small stain near the right edge of the sheet.

Medium: original lithograph. This fascinating work by Symbolist artist Ary Renan shows a young lady, perhaps personifying Vanity, attracted to her own reflection as a moth is drawn to a flame; note the way her dress resembles a moth. This impression on chine-collé paper was printed by Lemercier and published in Paris by Gazette des Beaux-Arts in 1895. Image size: 7 1/2 x 5 1/4 inches (190 x 133 mm). Signed in the plate, not hand-signed.

Condition: there is some rippling to the paper.

Medium: lithograph (after the original). This lithograph was executed by Renoir but remained unpublished during his lifetime. This impression was printed by Mourlot Freres in 1951 in an edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (315 x 243 mm). Signed in the plate, not hand-signed (the plate signature was added by the publisher).

Condition: there is age-toning and discoloration to the paper, with some creasing in the margins.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original etching and drypoint. Printed in 1909 and published in Paris by Henri Floury. Plate size: 8 1/4 x 5 5/8 inches (212 x 143 mm). Not signed.

Medium: original etching and drypoint. Catalogue reference: Delteil 86. This impression on wove paper was printed in 1909 and published in Paris by Henri Floury. Plate size: 5 3/4 x 8 3/4 inches (145 x 223 mm). Not signed.

Medium: original etching and drypoint. Catalogue reference: Delteil 76. Printed in 1909 and published in Paris by H. Floury. Plate size: 8 3/8 x 6 1/2 inches (212 x 165 mm). Not signed.

Condition: the margin is narrow on the left side.

Medium: pochoir (after the watercolor). Issued in a limited edition of 600 in 1949, printed in Paris by the atelier Dreux-Barry in cooperation with the Musée Rodin. The total sheet measures 17 1/2 x 12 1/2 inches (450 x 325 mm); the image measures 12 1/4 x 9 1/2 inches (315 x 240 mm). Signed in the plate, not hand-signed.

Condition: there is some waviness to the paper.

Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is from the unsigned edition printed on laid paper. The image measures 5 1/2 x 7 inches (140 x 175 mm); a fine impression with full original margins. Not signed.

Medium: original etching. Printed in Germany in 1925 for the rare Ganymed "Das funfte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The etching was printed by Franz Hanfstaengle, of Munich. This impression on thin wove paper is from the unsigned edition of 900 (the total edition was 1000, of which 100 were signed). The plate measures 5 x 7 1/4 inches (125 x 185 mm) with full original margins. Signed in the plate (not hand-signed). In fine condition. This piece is in the permanent collection of MoMA (The Museum of Modern Art).

Medium: original etching. Published in Paris in 1906 for the Revue de l'art ancien et moderne. This is a magnificently rich, dark impression on laid paper. Sheet size: 11 1/2 x 8 inches (295 x 200 mm) with no margins. Signed in the plate (not by hand).

Medium: lithograph. Printed by Mourlot and published in Paris by Teriade for Verve (Volume 1, Number 5/6), in 1939. Verve was founded in 1937 to showcase original prints by the leading artists of the day, with outstanding technical quality. There is another lithograph on verso, as issued. The total sheet size is 13 5/8 x 9 7/8 inches (347 x 250 mm). Signed in the plate (not by hand).

Condition: the sheet has been trimmed somewhat.

Medium: engraving and mezzotint (engraved in London circa 1880 after the Italian Baroque painter Salvator Rosa (also known as Salvatore Rosa). A nice impression on wove paper, with delicate mezzotint tone. Plate size: 7 5/8 x 11 1/8 inches. Not signed.

Condition: there are a few spots of foxing.

Medium: lithograph (after the painting). Printed in Paris in 1962 for Derrière le Miroir for "Der Blaue Reiter" issue (No. 133-134) and published by the atelier Maeght. The image measures 9 1/4 x 12 3/4 inches and the full sheet is 11 x 15 inches. There is printed text on verso, as issued. Signed in the plate, not by hand.

Medium: original lithograph. This print was issued for XXe Siecle in 1973, published in Paris by San Lazzaro. Sheet size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. The plate size is 6 3/4 x 10 inches (253 x 175 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Condition: there is foxing in the margin.

Medium: lithograph (after the gouache) for Georges Rouault's "Divertissement" portfolio, created by the artist for this project. Published in Paris in 1943 by Teriade in an edition of 1200. The lithograph was mounted by the publisher onto a larger support sheet of Arches paper. The image size is approximately 11 x 8 inches and the total sheet size is 16 x 12 1/2 inches. Signed in the plate (not by hand).

Medium: lithograph (after the gouache) for Georges Rouault's "Divertissement" portfolio, created by the artist for this project. Published in Paris in 1943 by Teriade in an edition of 1200. The lithograph was mounted by the publisher onto a larger support sheet of Arches paper. The image size is approximately 11 x 8 inches and the total sheet size is 16 x 12 1/2 inches. Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1970 for the art revue Derriere le Miroir (issue number 185) and published in Paris by Maeght. Size: 15 x 33 inches (375 x 832 mm). This large lithograph was published as a folded sheet with two folds. Not signed.

Condition: a previous owner has affixed tape on the back along one of the folds.

Medium: lithograph (after Renoir). Printed in 1951 at the atelier Mourlot using the same number of stones as the original, in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (318 x 243 mm). There is text on the back side, as published. Signed in the plate; not hand-signed.

Condition: there is some age-toning to the paper.

Medium: original etching and drypoint. Executed in 1895; catalogue reference Delteil 24. This impression on laid paper was printed in 1895 for Gustave Geffroy's "La Vie Artistique". Plate size: 5 1/2 x 3 3/4 inches (145 x 95 mm). Signed in the plate, not hand-signed.

Condition: there is some creasing in the margins.

Medium: original etching and drypoint. Catalogue reference: Delteil 16. Printed in 1909 and published in Paris by Henri Floury. Plate size: 5 1/2 x 7 3/4 inches (142 x 197mm). Not signed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: etching (etched by James Fagan after the William de la Montagne Cary painting). Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 10 5/8 x 7 5/8 inches (270 x 194 mm). Signed in the plate; not hand-signed.

Condition: there is discoloration and a small tear in the margin, not affecting the etched image.

Medium: etching (etched by Alexander Schilling after the William Keith painting). Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 8 x 12 inches (208 x 307 mm). Signed in the plate; not hand-signed.

Condition: there is a water stain in the margin, not affecting the etched image.

Medium: etching (etched by Paul Rajon after Rembrandt). This impression (with retroussage) was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 7 1/4 x 6 inches (190 x 151 mm). Not signed.

Condition: there is foxing in the margins.

Medium: etching (etched by Paul Rajon after Rembrandt). Printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 7 1/4 x 6 inches (190 x 151 mm). Not signed.

Condition: there is foxing in the margins.

Medium: heliogravure (after the etching). Printed on laid paper; the date of printing is unknown. Image size: 3 7/8 x 4 3/4 inches (100 x 121 mm). There is a platemark surrounding the image, as with an actual etching. Signed in the plate (not by hand).

Medium: heliogravure (after the etching). This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 6 1/2 x 6 inches (165 x 150 mm). There is a platemark surrounding the image, as with an actual etching. Signed in the plate (not by hand).

Medium: lithograph after Renoir (in black). Printed at the atelier Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as published. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.

Medium: lithograph after Renoir (in sepia). Printed at the atelier Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as published. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: pochoir (after the watercolor). Printed in Paris in 1944 on laid paper in an edition of 300 for the cover of the rare "La Varende" portfolio. Image size: 7 3/4 x 6 inches (198 x 152 mm). Sheet size: 16 x 12 inches. Published with printed text both above and beneath the image. Please note, this listing is for the front cover only and does not include any other prints from this edition. Signed in the plate (not by hand).

Condition: there is some rippling to the paper (mostly in the margins).

Medium: lithograph. Printed in 1939 at the Mourlot atelier for the front cover of the art revue Verve (Volume 1, Number 4) and published in Paris by Teriade. Size: 14 x 10 1/4 inches (355 x 262 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Signed in the plate (not by hand).

Condition: as this was the actual cover, there is minor wear.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: engraving (after the drawing). Printed in 1938 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 3/8 inches (317 x 238 mm). There is printed text above the image and on the back, as issued. Not signed.

Medium: engraving (after the drawing). Printed in 1938 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 3/8 inches (317 x 238 mm). There is another composition on the back, as issued. Not signed.

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Not signed.

Larry Rivers was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 18 inches (303 x 455 mm). There is a center fold, as issued.

Medium: etching. This impression on laid paper was printed circa the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 3/4 x 3 3/4 inches (145 x 95 mm). Not signed.

Medium: etching. This impression on laid paper was printed circa the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 1/2 x 3 1/2 inches (143 x 94 mm). Signed in the plate.

Medium: etching. This impression on laid paper was printed circa the late 18th or early 19th century, although the exact date of printing is unknown. The plate size is 5 3/4 x 3 3/4 inches (145 x 96 mm). Signed in the plate.

Medium: original etching. This impression on laid paper was printed by A. Salmon and published in Paris by L'Art ca. 1880. Size: 11 x 8 3/8 inches (image) -- 280 x 212 mm. Signed in the plate, not by hand.

Medium: original etching. Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 8 x 12 inches (208 x 305 mm). Not signed.

Condition: there is soiling in the margins, not affecting the etched image.

Medium: etching. Etched by James D. Smillie after this charming pastoral composition by Barbizon artist Charles Emile Jacque. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Image size: 7 5/8 x 6 3/8 inches (194 x 162 mm). Signed in the plate, not by hand.

Medium: original etching. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 6 x 11 3/4 inches (150 x 300 mm). Signed in the plate (not by hand).

Condition: there is some soiling in the margin.

Medium: lithograph (after the pencil drawing). This composition was executed by the artist Albert Andre (1869-1954) and is a fascinating portrait of Impressionist master Renoir at work. Printed by Mourlot in 1951 in an edition of 3000. Image size: 9 x 6 3/4 inches (225 x 170 mm). Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.

Medium: original etching. This etching from "The Hawthorne Portfolio" was printed in 1884 and illustrates a scene from Nathaniel Hawthorne's novel "The Marble Fawn. Plate size: 5 1/2 x 3 1/8 inches (143 x 80 mm). Signed in the plate (not by hand).

Medium: original etching. Published in London in 1901 for "The Art Journal". Printed on cream wove paper, the image measures 7 x 9 3/4 inches. Signed in the plate, not by hand.

Condition: there is age-toning to the paper.

Medium: original etching and drypoint. Printed 1921 at the Munich atelier of Franz Hanfstaengle for the Ganymed portfolio "Das dritte Jahrbuch der Marees Gesellschaft" and published by Marees-Gesellschaft, R. Piper & Co in an edition of 900. Plate size: 5 3/4 x 5 3/4 inches (145 x 145 mm). Not signed.

Condition: there is foxing to the paper and the margins have been trimmed.

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. Image size: 8 1/2 x 6 7/8 inches (218 x 175 mm). Not signed (the artist's name is printed in text beneath the image).

Condition: there is some creasing and wear.

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. Size: 9 3/8 x 7 3/4 inches (240 x 195mm). Not signed (the artist's name is printed in text beneath the image).

Condition: there is soiling to the paper.

Medium: heliogravure. This classic Felicien Rops engraving is from the 1908 edition, published in Paris by Henri Floury for L'Homme et L'Artiste by Camille Lemonnier. Printed on cream wove paper, the plate size is 8 3/4 x 6 inches (226 x 155mm). Not signed.

Medium: heliogravure. This classic Felicien Rops engraving is from the 1908 edition, published in Paris by Henri Floury for L'Homme et L'Artiste by Camille Lemonnier. Printed on cream wove paper, the plate measures 7 3/4 x 6 inches (195 x 155mm). Signed in the plate, not by hand.

Medium: original lithograph. Executed for Derriere le Miroir (No. 160) in 1966, and published in Paris by Maeght. Sheet size: 14 1/2 x 10 3/4 inches (370 x 270mm); with text on verso, as issued. Not signed.

Condition: some soiling in the margin on the right.

Medium: original lithograph. Printed in 1966 for Derriere le Miroir (No. 160) and published in Paris by Maeght. Size: 14 3/4 x 10 3/4 inches (373 x 270 mm). There is text on verso, as issued. Not signed.

Condition: there is a small bump to the top right corner of the sheet (not affecting the image).

Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. Signed in the plate, not by hand.

The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.

Medium: original lithograph. Printed in 1982 for the front cover of Derriere le Miroir (issue number 250) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Signed in the plate, not by hand.

Condition: as this was the actual cover, there is some soiling to the paper.

Medium: etching. Etched by James D. Smillie after the Frederick Arthur Bridgman painting. Printed in 1888 and published by Estes & Lauriat. Image size: 7 5/8 x 6 3/8 inches (195 x 160 mm). Signed in the plate (not by hand).

Medium: lithograph (after the drawing). Published in London in 1896 for the scarce Volume 8 of "The Studio". Printed on brown-tinted smooth wove paper with The Studio blindstamp in the margin. Sheet size 11 1/4 x 8 inches (285 x 205 mm). Signed in the stone (not by hand).

Condition: there is some age-toning to the paper.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times) -- now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original lithograph. Printed on watermarked wove paper in 1920 for Das Graphische Jahrbuch, published in Darmstadt, Germany. Sheet size: 8 1/4 x 6 1/4 inches (210 x 162 mm). Signed in the stone (not by hand). Walter Ruttmann (1887-1941) is perhaps best known as an avant-garde film director.

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). There is printed text on the back side, as published. Not signed.

Medium: original lithograph. Executed for Derriere le Miroir (No. 171) in 1968, and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a center fold and text on verso, as issued. Not signed.

Medium: original lithograph. Executed for Derriere le Miroir (No. 171) in 1968, and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a center fold and text on verso, as issued. Not signed.

Medium: original lithograph. Executed for Derriere le Miroir (issue number 171) in 1968, and published in Paris by Maeght. Sheet size: 15 x 11 inches (380 x 267 mm). There is text on verso, as issued. Not signed.

Medium: original linoleum cut. Printed in 1954 and published in Milan by Groupe Espace for the very rare Documenti d'Arte d'Oggi. Image size: 7 x 5 inches (180 x 135mm). There is no margin on the right side, as published. Not signed.

Condition: there is foxing along the bottom of the sheet.

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). There is printed text on the back side, as published. Not signed.

Medium: original lithograph. Published in Paris by Teriade for Verve (Volume 1, Number 1), in 1937. Verve was founded in 1937 to showcase original lithographs by the leading artists of the day, with outstanding technical quality. Size: 14 x 10 inches (sheet). Abraham Rattner was one of four artists asked to contribute original prints to this debut issue of Verve (along with Miro, Leger and Bores). Signed in the stone (not by hand).

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000 on the occasion of the 1955 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association, and these sponsors gave the artists complete creative freedom of expression. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed for the inside back cover of the 1956 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on wove paper in an edition of 2000. Size: 12 x 9 inches (303 x 227 mm). Signed in the plate (not hand-signed).

Condition: there is wear and creasing to the paper and the edges of the sheet have been trimmed. There is a different lithograph on the back, as published.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1956 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1956 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 3/4 x 7 1/4 inches (273 x 182 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 3/4 x 7 1/4 inches (273 x 182 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 1/4 x 6 3/4 inches (258 x 173 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 9 5/8 x 6 3/4 inches (246 x 173 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 3/4 x 7 inches (274 x 177 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 3/4 x 7 inches (274 x 177 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: collotype (after the drawing). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a scarce portfolio. Image size: 10 1/2 x 6 1/2 inches (267 x 166 mm). Sheet size: 13 1/4 x 9 1/4 inches (338 x 235 mm). Signed in the plate (not by hand).

Medium: etching (etched by Paul Rajon after Leon Bonnat). Printed in 1882 on laid paper and published by Estes and Lauriat for the Nature and Art portfolio. Image size: 8 1/2 x 6 1/4 inches (214 x 160 mm). Signed in the plate (not hand-signed).

Condition: there are stains in the margin.

Medium: lithograph (after Renoir). Printed at the atelier Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as published. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.