Medium: original woodcut. Signed in pencil. Catalogue reference: Hofmaier 282 IV BB. Printed in Germany in 1923 for the very rare Kunst der Gegenwart portfolio, published in Munich by Marées-Gesellschaft, R. Piper & Co., with the Marées-Gesellschaft blindstamp in the margin. The printer was Fritz Voigt, of Berlin. This impression is one of 220 printed on cream wove paper from a total edition of 300 (consisting of 220 on wove and 80 on japon paper). The image measures 13 3/4 x 13 inches (350 x 331 mm); the total sheet measures 20 1/2 x 18 1/2 inches (520 x 472 mm) with full original margins and deckle edges.

In very good condition; with minor creasing near the edges of the sheet and a tiny pinhole in the space above the figure's right eye (hardly visible).

This is one of several portraits of a mysterious woman called "Naila" that were done by Max Beckmann. It is now known that Naila was Dr. Hildegard Melms, and that Beckmann had an affair with her in 1923, the same year he executed this print. This important German Expressionist woodcut can be found in the permanent collections of the Art Institute of Chicago, the Brooklyn Museum and the Museum of Modern Art (MoMA).

Medium: original etching and drypoint with aquatint and roulette. This is an exquisite impression on japon paper, of what is arguably the most famous Felix Buhot etching. Executed in 1879 and published in Paris in 1881 for L'Art; the catalogue reference is Bourcard/Goodfriend 128. Image size: 9 1/2 x 13 3/4 inches (240 x 350mm). Signed in the plate with the Buhot monogram signature (not by hand). A good price for this impression on special paper, before letters and apart from the standard published edition.

Medium: original etching and drypoint with aquatint and roulette. "L’Hiver a Paris" is also known as "La Neige a Paris".  Executed in 1879 and published in Paris in 1881 for L'Art; the catalogue reference is Bourcard/Goodfriend 128. Image size: 9 1/2 x 13 3/4 inches (240 x 350mm). Signed in the plate with the Buhot monogram signature (not by hand). A fine impression on watermarked laid paper of this iconic Buhot etching.

Medium: original etching and drypoint. Catalogue reference: Seeber 194. This impression on japon paper is annotated "trial proof" and pencil-signed and titled in the margin, with George Burr's monogram signature. The published edition consisted of 40 numbered impressions. Plate size: 6 7/8 x 9 7/8 inches (175 x 250 mm). American Impressionist George Elbert Burr is best known for Southwestern Art scenes such as this, and his etchings have become increasingly sought-after.

Condition: In very good condition save for a faint mat stain, and with full original margins.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Michel Casse and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Enrico Baj.

Medium: original lithograph. Catalogue reference: Bouvet 82. This is an interpretation by Pierre Bonnard of one of Paul Cezannes's compositions, published in Paris in 1914 by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). The image size is 8 3/4 x 3 1/4 inches (148 x 83 mm) and the total sheet with full original margins measures 15 x 11 inches (383 x 280 mm). Not signed.

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in a limited edition of 999. Size: 7 7/8 x 9 1/8 inches (200 x 232 mm). Not signed.

Condition: minor wear along the top edge of the sheet.

Original lithograph. Printed in Paris in 1938 for the very rare XXe Siecle (issue No. 4). Size: 12 1/2 x 9 3/4 inches (320 x 248 mm). Not signed.

Condition: there are pinholes from the publisher's original binding along the left edge and some creasing.

Medium: original lithograph. Published in 1963 as the frontispiece of the "Braque Lithographe" catalogue raisonne, and printed in Paris by Mourlot Freres. The sheet measures 12 1/2 x 9 1/2 inches (315 x 240 mm). Signed in the stone (not by hand).

Medium: original color etching with embossing. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A magnificent, rich impression, one of 150 printed on Johannot wove paper. The full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Medium: original etching and aquatint with drypoint. Catalogue reference Bourcard/Goodfriend 154. This work is also known as "Le petit enterrement". Printed in 1902 on laid paper and published by Revue de l'art ancien et moderne. Plate size: 3 1/2 x 4 1/2 inches (87 x 113 mm). Signed in the plate with the Buhot owl monogram signature (not hand-signed).

The Weary One
Medium: lithograph. Published in Berlin in 1916 by Paul Cassirer for Der Bildermann. Printed on wove paper; the image measures 11 9/16 x 8 9/16 inches (293 x 217 mm) with full original margins. There is another lithograph on back, as issued. This work is in the permanent collection of MoMA (The Museum of Modern Art) in New York. Signed in the plate (not by hand).

Medium: original lithograph. Printed by Mourlot Freres in 1947 for Verve (volume 17-18 "Couleur de Bonnard"). Sheet size: 13 3/4 x 10 inches (345 x 252 mm). A nice impression on watermarked Marais wove paper with fresh, unfaded color. Signed in the plate, not by hand.

Condition: there is a vertical crease near the left edge of the sheet.

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 4 1/2 x 7 1/4 inches (117 x 182 mm). Signed in the plate, not by hand.

Condition: there is soiling in the margins and an old library stamp on verso.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Sheet size: 15 x 11 inches (377 x 277 mm). Not signed.

Condition: there is minor creasing near the bottom right corner.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Sheet size: 15 x 11 inches (377 x 277 mm). Not signed.

Condition: there is minor creasing near the bottom left corner.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Sheet size: 15 x 11 inches (377 x 275 mm). Not signed.

Condition: there is no margin on the left side, as printed; plus there is minor creasing near the bottom right corner.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Image size: 11 x 10 1/2 inches. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as issued. Not signed.

Condition: there is minor creasing near the bottom left corner.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Image size: 13 x 9 3/4 inches. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as issued. Not signed.

Condition: there is minor creasing near the bottom left corner.

Medium: mezzotint engraving (engraved by John Jones after the William Redmore Bigg painting). The full title is "Dulce Domum or the Return from School". This magnificent print was published in London in 1790 by the painter himself. The image is 17 1/2 x 24 inches, the plate size is 19 x 24 3/4 and the full sheet measures 22 x 28 inches.

Condition: discoloration and a tear to the margin; old glue remains near the top edge of the sheet; and most notably, several scratches and skinned spots to the surface of the paper. Due to its imperfect condition this rare print is offered at a very attractive price.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Image size: 12 1/2 x 10 1/4 inches. Sheet size: 15 x 11 inches (377 x 277 mm). There is text on the back side, as issued. Not signed.

Condition: there is minor creasing near the bottom left corner.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Image size: 13 1/4 x 9 3/4 inches. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as issued. Not signed.

Condition: there is minor creasing near the bottom corners of the sheet.

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon oil painting that was executed the same year for a Paris exhibition. Image size: 13 1/4 x 9 3/4 inches. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as issued. Not signed.

Condition: there is minor creasing near the bottom right corner.

Medium: original lithograph. Printed in 1965 by Mourlot Freres in an edition of 1000 on Arches paper for the "L'Atelier Mourlot" catalogue. Size: 10 x 7 1/4 inches (255 x 186 mm). Signed in the plate (not by hand).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 135 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Signed in the plate (not hand-signed).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 135 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Signed in the plate (not hand-signed).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 135 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Not signed.

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 133 mm). Sheet size: 10 1/2 x 7 5/8 inches (267 x 195 mm). Signed in the plate (not hand-signed).

Medium: original etching. Printed in 1984 on Cartiere Magnani paper at the atelier of Bruce Chandler in an edition of 1500. This work was executed by Leonard Baskin to illustrate the Arthur Miller classic "Death of a Salesman" and published by The Limited Editions Club. Plate size: 7 1/8 x 5 1/4 inches (183 x 133 mm). Sheet size: 10 1/2 x 7 7/8 inches (267 x 200 mm). Signed in the plate (not hand-signed).

Medium: original lithograph. Printed in 1929 and published by the art and literary revue Byblis in an edition of 100. Sheet size: 11 x 8 1/4 inches (278 x 208 mm). This work is by French artist Robert Etienne Bonfils (1886-1971). Signed both in the plate and in pencil, and numbered 6/100.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (227 x 283 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (230 x 280 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 x 11 inches (205 x 280 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 10 x 9 inches (258 x 225 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (297 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 12 1/4 x 6 1/2 inches (310 x 163 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (300 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 3/4 inches (220 x 300 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Not signed.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 1/2 x 10 3/4 inches (220 x 273 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 7 x 11 3/4 inches (177 x 303 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).