Medium: original etching. This impression on laid paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. Plate size: 4 3/4 x 8 3/4 inches (120 x 225 mm). Sheet size: 5 5/8 x 9 1/2 inches (143 x 242 mm). Signed in the plate, not hand-signed. Condition: the margins have been trimmed and there is foxing to the paper.
Medium: etching (etched by Jules Jacquemart after Vermeer). This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Image size: 6 1/2 x 6 inches (166 x 153 mm). Signed in the plate, not hand-signed.Condition: there is soiling in the margins and an old library stamp on verso.
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Image size: 9 1/4 x 5 3/4 inches (235 x 148 mm). Signed in the plate; not hand-signed.Condition: there is age-toning to the paper. This work was published as a folded sheet with a horizontal center crease.
Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Image size: 6 3/4 x 5 1/2 inches. Signed in the plate (not hand-signed).
Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Image size: 5 x 7 1/2 inches (125 x 190 mm). Signed in the plate (not by hand).
Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on cream laid paper was published in Paris by L'Art in 1880. The image measures 5 1/2 x 4 3/4 inches. Signed in the plate, not hand-signed.
Medium: original etching. This impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Plate size: 11 1/4 x 8 1/4 inches (285 x 208 mm). Signed in the plate (not hand-signed).Condition: there is foxing to the paper, mostly in the margins.