Medium: original etching. Catalogue reference Delteil 1. This impression on cream laid paper was published by the Gazette des Beaux-Arts in 1903. Plate size: 4 7/8 x 7 inches (125 x 180 mm). Not signed.

Condition: there is foxing in the margins.

Medium: etching (etched by Gustave Greux after the Corot painting). Published in Paris by L'Art ca. 1880, this splendid impression was printed by Francois Lienard on japon paper, and tipped (lightly mounted along the top by the publisher onto a sheet of heavy Bristol paper). The image measures 5 3/4 x 8 1/8 inches (148 x 205mm). Unlike the final published state, this special impression is signed in the plate by both Corot and Greux (not hand-signed).

Medium: etching (etched by Théophile Narcisse Chauvel after the Corot painting). Published in Paris by L'Art ca. 1880 and printed by Francois Lienard on japon paper, and tipped (lightly mounted along the top by the publisher onto a sheet of heavy Bristol paper). The image measures 7 3/8 x 10 1/2 inches (188 x 265mm). Signed in the plate (not by hand).

This magnificent impression before letters was pulled from the plate before lettering was added for the final published state.  A lucky find!

Medium: etching. Etched by Henri Guerard after Corot. Printed in Paris on laid paper by Eudes and published by the Gazette des Beaux-Arts ca. 1880. Image size: 5 1/2 x 8 inches (140 x 204 mm) with irregular margins, as shown in the second photo. Signed by Corot in the plate, not by hand.

Medium: etching. Catalogue reference: Sanchez and Seydoux 1892-13. Etched by Henri Guerard after Corot. Printed on wove paper in Paris by Eudes & Chassepot and published by the Gazette des Beaux-Arts in 1892. Image size: 5 1/4 x 8 inches (140 x 203 mm). Plate-signed by Corot, not hand-signed.

Medium: etching (etched by Theophile Narcisse Chauvel after the Corot painting). Published in Paris by L'Art ca. 1880 and printed by Francois Lienard on watermarked laid paper. The image measures 7 3/8 x 10 1/2 inches (188 x 265mm). Signed in the plate (not by hand).

Condition: there is some age-toning and discoloration to the margins.

Medium: etching. Etched by Felix Bracquemond after Corot. Printed in Paris by Delâtre and published by the Gazette des Beaux-Arts in 1861. Image size: 4 7/8 x 5 3/4 inches (122 x 145 mm). This impression was printed on chine-collé paper. Signed in the plate, not hand-signed.

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 3 3/4 x 6 1/2 inches (102 x 163 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching. Etched by Laguillermie after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 4 3/4 x 5 3/4 inches (120 x 145 mm). Signed in the plate (not by hand).

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 3 3/4 x 6 inches (97 x 152 mm). Signed in the plate (not by hand).

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 4 1/4 x 6 1/2 inches (108 x 165 mm). Signed in the plate (not by hand).

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 4 1/8 x 6 3/4 inches (105 x 170 mm). Signed in the plate (not by hand).

Medium: etching. Etched by Laguillermie after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 3 1/2 x 5 3/8 inches (90 x 136 mm). Signed in the plate (not by hand).

Medium: etching (after the painting). Etched by Charles Courtry after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 4 5/8 x 5 3/4 inches (115 x 145 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 5 3/8 x 6 1/8 inches (135 x 157 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 4 1/2 x 6 1/4 inches (155 x 115 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 3 3/4 x 6 1/4 inches (95 x 160 mm). There is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Condition: there is minor soiling in the margins.

Medium: etching. Etched by Favier after Corot. Printed in Paris by Chardon Wittmann on cream wove paper and published in 1911 by the Revue de l'art ancien et moderne. Plate size: 8 3/4 x 6 3/4 inches (225 x 170mm). Signed by Corot in the plate (not by hand).

Condition: there is creasing and a stain in the margin near the top edge of the sheet.

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 4 3/4 x 6 inches (120 x 150 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 4 5/8 x 6 1/2 inches (115 x 165 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.

Medium: etching (after the painting). Etched by a French engraver after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 3 3/4 x 6 1/2 inches (95 x 165 mm). In good condition with good margins; there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed (the Corot plate signature is barely discernible beneath the image near the bottom left).

Medium: etching (after the painting). Etched by French artist Henri Lefort after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is 6 x 4 5/8 inches (152 x 115 mm). In good condition with good margins (there is some rippling to the paper); there is a platemark but it is not shown here in this photo. Signed in the plate, not hand signed.