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Medium: 12 lithographs (after the gouaches). A beautiful collection of lithographs, printed in 1962 at the Mourlot atelier for "Jerusalem Windows". These were executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills, and he created a different composition for each of the Twelve Tribes of Israel. Image size (each): 11 5/8 x 8 1/2 inches (295 x 215 mm). Sheet size (each): 12 3/4 x 9 1/2 inches (325 x 243 mm). Not signed.

Condition: there is some age-toning to the paper.

Medium: original color woodcut. Catalogue reference Roethel 201. Printed in 1939 for the art revue XXe Siecle (issue number 5-6) and published in Paris by San Lazzaro. Sheet size: 9 1/2 x 12 1/2 inches (240 x 318 mm). Signed in the plate (not hand-signed).

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro". The English title of this work is "Woman and Birds in the Night". The publisher's inscription is printed on verso. Size: 11 x 8 1/2 inches (278 x 214 mm). Not signed.

Condition: there is foxing, wear and soiling to the paper.

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). There is printed text on the back side, as published. Not signed.

Medium: watercolor on paper. Signed near the bottom left corner. Size: 7 1/2 x 14 inches (188 x 355 mm). Lucille Fox Delano (1902-1987) was best known for California art. Condition: there is foxing on the back side of the paper, but this is not evident on the surface of the painting.

Medium: original lithograph. Catalogue reference: Way 88. Printed in 1897 and published in London for The Studio. Sheet size: 11 x 7 3/4 inches (282 x 197 mm). This impression on cream wove paper is embossed with The Studio dry stamp in the margin. Signed in the plate with Whistler's butterfly monogram signature (not hand-signed).

Medium: original linoleum cut. This linocut by Italian Futurist Gino Severini was printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 1/2 inches (317 x 240 mm). Signed in the plate (not hand-signed).

Medium: original lithograph. Catalogue reference: M 365. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9 3/8 inches (325 x 238 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 366. Executed by Chagall for the Jerusalem Windows portfolio and printed in Paris in 1962 at the atelier Mourlot. Size: 12 3/4 x 9 3/8 inches (325 x 238 mm). Not signed.

Medium: original lithograph. The catalogue reference is Mourlot 401. Printed in 1963 at the Mourlot Freres atelier and published in the "Chagall Lithographe II" catalogue raisonne. Sheet size: 12 1/2 x 9 1/2 inches (318 x 240 mm). Not signed.

Condition: this work had been framed at one time by a previous owner, resulting in discoloration to the paper.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left side of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left side of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original woodcut. Catalogue reference Roethel 111. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 6 1/2 x 8 1/4 inches (165 x 213 mm). Sheet size: 12 1/2 x 9 1/2 inches (317 x 240 mm). Signed in the plate (not hand-signed).

Condition: there are pinholes from the publisher's original binding along the left edge of the sheet, with stains in the margin in this area.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left side of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed for the inside back cover of the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on wove paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (303 x 221 mm). Signed in the plate (not hand-signed).

Condition: there is age-toning to the paper and the edges of the sheet have been trimmed. There is a different lithograph on the back, as published.

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. Printed in 1965 by Mourlot Freres in an edition of 1000 on Arches paper for the "L'Atelier Mourlot" catalogue. Size: 10 x 7 3/8 inches (255 x 187 mm). Not signed.

Medium: embossed engraving. Printed in 1897 and published in London for The Studio. Image size: 5 x 3 3/8 inches (130 x 85 mm). Sheet size: 11 x 7 5/8 inches (282 x 193 mm). This impression on cream wove paper is embossed with The Studio dry stamp in the margin. Signed in the plate (not hand-signed).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was published in commemoration of the 1932 Olympics, held that year in Los Angeles. Image size: 12 x 9 inches (305 x 230 mm). Sheet size: 16 1/2 x 12 1/2 inches (415 x 310 mm). This photo shows the entire image and much of the margin. Signed in the plate (not hand-signed).

Condition: there is age-toning and foxing to the paper (primarily in the margin).

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: trimmed margin (left side, not affecting the composition).

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (135 x 80 mm). Not signed.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (136 x 80 mm). Signed in the plate, not by hand.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (135 x 80 mm). Signed in the plate, not by hand.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (136 x 80 mm). Signed in the plate, not by hand.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 inches (136 x 78 mm). Signed in the plate, not by hand.

Medium: original etching. Printed in 1926 on Montgolfier wove paper in an edition of 1260 for "Le The du Capitaine Sogoub" and published in Paris by Au Sans Pareil. The artist's name is sometimes spelled Gontcharova. Plate size: 5 1/4 x 3 1/8 inches (133 x 80 mm). Signed in the plate, not by hand.

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This piece was executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills, and he created a different composition for each of the Twelve Tribes of Israel. Image size: 11 5/8 x 8 1/2 inches (295 x 215 mm). Sheet size: 12 3/4 x 9 1/2 inches (325 x 242 mm). Not signed.

Medium: lithograph (after the gouache). Printed in 1962 at the Mourlot atelier for "Jerusalem Windows". This was executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills, and he created a different composition for each of the Twelve Tribes of Israel. Image size: 11 5/8 x 8 1/2 inches (295 x 215 mm). Sheet size: 12 3/4 x 9 1/2 inches (325 x 242 mm). Not signed.

Medium: original lithograph. Printed in 1912 and published in Berlin by Bruno Cassirer for Kunst und Kunstler. This impression is printed on cream paper. Sheet size: 12 x 9 inches (308 x 232 mm). Signed in the plate, not hand-signed.

Medium: original lithograph. Printed on laid paper by Anstalt Eigner in 1925 for the Ganymed portfolio "Das funfte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R. Piper & Co. in an edition of 900. Size: 7 5/8 x 10 3/4 inches (195 x 273 mm). Signed in the plate; not hand-signed.

Medium: original serigraph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). There is printed text on the back side, as published. Signed in the plate, not hand-signed.

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. Sheet size: 8 7/8 x 7 3/8 inches (225 x 188 mm). This is a richly inked impression, and now quite rare. Not signed.

Condition: the margins have been trimmed.

Medium: lithograph (after Miro's drawing). Printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 3/8 inches (317 x 240 mm). There is printed text on the back, as published. Signed in the plate (not hand-signed).

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (378 x 553 mm). There is a center fold with text on the back side, as published. Not signed.

Condition: there are stitch holes along the center crease from the publisher's binding.