Hans Hartung lithograph, 1971
Medium: lithograph. Printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 205 mm); the image measures 6 7/8 x 6 7/8 inches (175 x 175 mm). There is printed text above the image, as issued. Not signed.
Morris Hirshfield lithograph
Medium: lithograph (after the painting). Printed in 1951 for the art revue Derriere le Miroir (issue number 35) and published in Paris by Maeght. Image size: 3 1/4 x 10 5/8 inches (82 x 270 mm). Sheet size: 15 x 11 inches (377 x 277 mm). There is text above the image and on verso, as published. Signed in the plate (not by hand).
Maurice Henry original lithograph
Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.
Mariano Hernandez original lithograph
Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.
Hans Hartung lithograph, 1971
Medium: lithograph. Printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 206 mm). There is text on the back side, as issued. Not signed.
Condition: there is a small bump to one corner of the sheet.
Victor Higgins "My Gateway" | Taos Society
Medium: offset lithograph (after the painting). Printed c. 1970 for the Taos Society of Artists portfolio. Size: 19 x 23 inches (480 x 580 mm). Signed in the plate (not by hand).
Bertram Hartman original lithograph
Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Childe Hassam chromolithograph "A Favorite Corner"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 6 x 3 1/2 inches (135 x 85 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "A Shady Seat"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/4 x 3 3/4 inches (135 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "The Altar and Shrine"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 4 3/4 x 3 3/4 inches (120 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "The Piazza" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 1/4 x 2 1/2 inches (105 x 63 mm). Sheet size: 7 x 4 1/4 inches. Not signed.
Vlastislav Hofman original linocut "Raskolnikow"
Medium: original linoleum cut. Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the image measures 6 1/4 x 4 1/4 inches (160 x 105mm). Not signed.
Condition: there is some foxing to the paper.
Jacques Herold original lithograph, 1974
Medium: original lithograph. This was issued for XXe Siecle (issue No. 43, devoted to the art of Salvador Dali and Surrealism) 1974, published in Paris by San Lazzaro. Sheet size 12 x 8 7/8 inches (305 x 225mm). Not signed.
Condition: the margins have been trimmed.
Carl Hofer pochoir "Pierrot"
Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the rare Ganymed "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The image measures 7 x 5 1/2 inches (177 x 140 mm) with good margins. The artist Carl Hofer is also known as Karl Hofer. Signed in the plate, not hand-signed.
Carl Hofer pochoir "Pierrot"
Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the rare Ganymed "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The image measures 8 x 5 1/2 inches (200 x 135 mm) with good margins. The artist Carl Hofer is also known as Karl Hofer. Signed in the plate, not hand-signed.
Childe Hassam chromolithograph "Palazzo Giustiniani" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 x 2 1/2 inches (100 x 65 mm). Sheet size: 7 x 4 1/4 inches. Not signed.
Childe Hassam chromolithograph "Gondoliers" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 3 3/4 x 2 1/2 inches (95 x 65 mm). Sheet size: 7 x 4 1/4 inches. Not signed.
Childe Hassam chromolithograph "A Regatta" | Venice
Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 3 1/2 x 2 1/2 inches (90 x 65 mm). Sheet size: 7 x 4 1/4 inches. Not signed.
Reinhoud d'Haese original lithograph
Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.
Al Held lithograph, 1967
Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Not signed.
Al Held was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 18 inches (303 x 455 mm). There is a fold in the middle and a Frank O'Hara poem incorporated into the composition.
Al Held serigraph "White Goddess" 1973
Medium: silkscreen / serigraph (after the painting). Printed in Munich in 1973 and published by Rolf Simons. Size: 9 x 7 3/8 inches (228 x 187 mm). Not signed.
Hans Hofmann original lithograph, 1950
Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
C. B. Hopfer etching "Portrait of Charles V and his Brother Ferdinand"
Medium: original etching on iron. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 7 3/4 x 10 3/4 inches (198 x 273 mm). Not signed.
Condition: there is soiling to the paper and an old library stamp on verso.
Childe Hassam chromolithograph "From the Doorway"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 4 1/2 x 3 3/4 inches (117 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "Home of the Humming-bird"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/2 x 3 3/4 inches (137 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "In the Garden"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 4 3/4 x 3 3/4 inches (120 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "Poppy Bank in the Early Morning"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/2 x 3 3/4 inches (137 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "Sunset and the Pinafore"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/2 x 3 3/4 inches (137 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "The Bride"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/2 x 3 3/4 inches (137 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Childe Hassam chromolithograph "The Garden in its Glory"
Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/2 x 3 3/4 inches (137 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).
Al Held serigraph "White Goddess" 1967
Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). Not signed.
Auguste Herbin serigraph "Nue"
Medium: serigraph / silkscreen. Printed in 1964 on thin wove paper by Imprimerie Mazarine and published in Paris by Galerie Denise Rene for the rare exhibition catalogue "Hard Edge". This work was attached by the publisher onto a larger support sheet. Herbin was one of several artists who contributed silkscreens for this project (after their own paintings). Image size: 7 x 6 inches (190 x 155 mm). Not signed.
Condition: there is minor wear.
Auguste Herbin pochoir "Non"
Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui in an edition of 1500. The sheet size, including margins: 9 1/4 x 7 3/8 inches (235 x 188 mm). This is a richly inked impression, and now quite rare. Not signed (the artist's name is printed in text beneath the image).
Condition: there is some wear.
Franz Hecht "Aus Dem Leben Des Heiligen Franz (nach Taddeo Gaddi)" original woodcut
"From the Life of Saint Francis"
Medium: original woodcut. This scene is after a painting by the Italian Early Renaissance painter Taddeo Gaddi. Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is from the unsigned edition printed on thin japon paper. The image measures 6 3/4 x 5 1/2 inches (173 x 138 mm); a fine impression with full original margins. Not signed.
Erich Heckel pochoir "Frauen unter Zelt"
Medium: pochoir (after the watercolor). Printed in Germany in 1921 for the rare Ganymed "Das dritte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. (edition of 1150). The image measures 6 3/4 x 6 inches (170 x 150 mm). Not signed.
Condition: there is foxing to the paper (mostly in the margins).
Peter Halm original etching "Munster auf der Reichenau"
Medium: original etching. Executed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper; the plate measures 7 1/2 x 11 inches (193 x 280 mm). Not signed.
Condition: there is a tear in the right margin (not extending to the platemark).
Otto Hohlt original lithograph
Medium: original lithograph. Printed in 1920 on a light brown tinted wove paper for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 inches (275 x 200 mm). An impression of this same original print can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.
Hubert von Herkomer "Orphans" original etching
Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 7 3/4 x 5 inches (200 x 127 mm). Signed in the plate (not by hand).
William Hole "Leith Docks" original etching
Medium: original etching. This impression on Arches laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 8 x 5 inches (200 x 127 mm). Signed by William Hole in the plate (not by hand).
Auguste Herbin serigraph "Bailleux" 1955
Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 11 3/4 x 15 1/2 inches (300 x 393 mm). There is another image on the back side, as published. Not signed.
Condition: this piece was issued as a folded sheet and there is a vertical crease to the left of center. There is a white border surrounding the image (not shown in this photo).