Medium: lithograph. Printed in Paris in 1971 by Atelier Arte for a now rare Foundation Maeght exhibition catalogue. Sheet size: 8 x 8 inches (206 x 205 mm); the image measures 6 7/8 x 6 7/8 inches (175 x 175 mm). There is printed text above the image, as issued. Not signed.

Medium: lithograph (after the painting). Printed in 1951 for the art revue Derriere le Miroir (issue number 35) and published in Paris by Maeght. Image size: 3 1/4 x 10 5/8 inches (82 x 270 mm). Sheet size: 15 x 11 inches (377 x 277 mm). There is text above the image and on verso, as published. Signed in the plate (not by hand).

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to being an art critic and scholar, Hamerton was an accomplished etcher. Plate size: 3 x 5 7/8 inches (77 x 148 mm). Signed in the plate; not hand-signed.

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to being an art critic and scholar, Hamerton was an accomplished etcher. Plate size: 4 1/2 x 3 1/8 inches (115 x 80 mm). Signed in the plate; not hand-signed.

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to being an art critic and scholar, Hamerton was an accomplished etcher. Plate size: 3 x 4 1/2 inches (78 x 113 mm). Signed in the plate; not hand-signed.

Medium: etching (etched by Philip Gilbert Hamerton after Adriaen van Ostade). This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Besides being an art critic and scholar, Hamerton was also an accomplished etcher. Plate size: 5 1/2 x 7 inches (140 x 175 mm). Signed in the plate; not hand-signed.

Condition: the top margin is narrow, as published.

Medium: etching (etched by Philip Gilbert Hamerton after Adriaen van Ostade). This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Besides being an art critic and scholar, Hamerton was also an accomplished etcher. Plate size: 7 1/4 x 6 3/4 inches (185 x 173 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper. This work was published as a folded sheet with a horizontal center crease.

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: heliogravure (after the etching). Printed in 1897 and published in Vienna by Gesellschaft für Vervielfältigende Kunst. Plate size: 9 3/4 x 14 inches (250 x 353 mm). Signed in the plate, not hand-signed.

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". Plate size: 5 5/8 x 4 inches (142 x 103 mm). Signed in the plate; not hand-signed.

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 6 x 3 1/2 inches (135 x 85 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).

Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 5 1/4 x 3 3/4 inches (135 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).

Medium: chromolithograph (after the watercolor). Beautifully printed in 1894 to illustrate the rare Celia Thaxter volume entitled "An Island Garden". Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Image size: 4 3/4 x 3 3/4 inches (120 x 95 mm). Sheet size: 9 x 6 inches (230 x 153 mm). Signed in the plate (not by hand).

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 1/4 x 2 1/2 inches (105 x 63 mm). Sheet size: 7 x 4 1/4 inches. Not signed.

Medium: original linoleum cut. Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the image measures 6 1/4 x 4 1/4 inches (160 x 105mm). Not signed.

Condition: there is some foxing to the paper.

Medium: original lithograph. This was issued for XXe Siecle (issue No. 43, devoted to the art of Salvador Dali and Surrealism) 1974, published in Paris by San Lazzaro. Sheet size 12 x 8 7/8 inches (305 x 225mm). Not signed.

Condition: the margins have been trimmed.

Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the Ganymed portfolio "Das vierte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R. Piper & Co. Image size: 7 x 5 1/2 inches (177 x 140 mm). The artist Carl Hofer is also known as Karl Hofer. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.

Medium: pochoir (after the watercolor). Printed in Germany in 1922 for the Ganymed portfolio "Das vierte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R. Piper & Co. Image size: 8 x 5 1/2 inches (200 x 135 mm). The artist Carl Hofer is also known as Karl Hofer. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper and creasing at the bottom right corner of the sheet.

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper. Plate size: 7 1/2 x 11 inches (193 x 280 mm). Not signed.

Condition: there is a tear in the margin to the right of the platemark.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 4 x 2 1/2 inches (100 x 65 mm). Sheet size: 7 x 4 1/4 inches. Not signed.

Medium: chromolithograph (after the watercolor). This delightful antique lithograph was published in a small edition in 1892 to illustrate a rare volume with scenes of Venetian life. A beautiful, richly inked impression on cream wove paper. Image size: 3 1/2 x 2 1/2 inches (90 x 65 mm). Sheet size: 7 x 4 1/4 inches. Not signed.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Not signed.

Al Held was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 18 inches (303 x 455 mm). There is a fold in the middle and a Frank O'Hara poem incorporated into the composition.

Medium: silkscreen / serigraph (after the painting). Printed in Munich in 1973 and published by Rolf Simons. Size: 9 x 7 3/8 inches (228 x 187 mm). Not signed.

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original etching on iron. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 7 3/4 x 10 3/4 inches (198 x 273 mm). Not signed.

Condition: there is soiling to the paper and an old library stamp on verso.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.