Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier and published in an edition of 2000. The image size is 6 1/2 x 8 1/2 inches (163 x 217 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 240 mm). Signed in the plate (not hand-signed).

Condition: there is a small 1/4 inch tear (5mm) in the margin near the bottom left, not affecting the image.

Medium: original lithograph. Executed in 1979 and published in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). This original Vladimir Velickovic lithograph is from the scarce limited edition catalogue published in 1979 by the atelier Poligrafa of Barcelona, in conjunction with the prestigious Redfern Gallery of London. The project was done in homage to the earlier Redfern catalogues of the 1960's. Not signed.

Medium: original serigraph. Issued in 1975 for XXe Siecle (issue No. 44), published in Paris by San Lazzaro. Sheet size 12 1/4 x 18 1/2 inches (310 x 505 mm); with center fold, as issued. Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier and published in an edition of 2000. The image size is 9 x 6 1/2 inches (230 x 166 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed in the plate (not hand-signed).

Condition: some age-toning to the paper.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 3/8 x 9 1/2 inches (186 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 3/8 inches (180 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 1/2 inches (180 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 1/2 inches (180 x 243 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 1/2 inches (180 x 242 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed in the plate (not hand-signed).

Condition: there is some age-toning and soiling in the margins, not affecting the image.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 9 1/2 x 6 1/2 inches (240 x 165 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 3/4 x 9 1/2 inches (240 x 200 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 3/4 x 9 1/2 inches (200 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 8 5/8 x 7 inches (220 x 183 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: original lithograph. Printed in Paris in 1958 at the Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (242 x 310 mm). Signed in the plate (not by hand).

Medium: original lithograph. Printed in Paris in 1958 at the Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (242 x 310 mm). Signed in the plate (not by hand).

Medium: lithograph (after the original Edouard Vuillard lithograph). Printed on Renage wove paper in 1948 by the atelier Mourlot and published in an edition of 2500. The image size is 14 1/4 x 11 inches (365 x 280 mm) and the full sheet measures 19 1/4 x 12 1/2 inches (485 x 315mm). Not signed.

Condition: there is a center fold and text on verso, as issued. There is some age-toning to the paper, but the colors remain fresh.

Medium: lithograph (after the original Edouard Vuillard lithograph). Printed on Renage wove paper in 1948 by the atelier Mourlot and published in an edition of 2500. Size: 12 3/8 x 9 1/2 inches (315 x 243 mm). There is printed text on verso, as issued. Not signed.

Medium: lithograph (after the original Edouard Vuillard lithograph). Printed on Renage wove paper in 1948 by the atelier Mourlot and published in an edition of 2500. The image size is 16 1/4 x 16 5/8 inches (285 x 423 mm) and the full sheet measures 12 1/2 x 19 1/4 inches (315 x 485mm). Not signed.

Condition: there is a center fold and text on verso, as issued. There is some age-toning to the paper, but the colors remain fresh.

Medium: lithograph (after the original Edouard Vuillard lithograph). Printed on Renage wove paper in 1948 by the atelier Mourlot and published in an edition of 2500. The image size is 16 1/4 x 16 5/8 inches (285 x 423 mm) and the full sheet measures 12 1/2 x 19 1/4 inches (315 x 485mm). Not signed.

Condition: there is a center fold and text on verso, as issued. There is some age-toning to the paper, but the colors remain fresh.

Medium: original lithograph. Printed in Paris in 1958 at the Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (242 x 310 mm). Signed in the plate (not by hand).

Medium: original lithograph. Printed in Paris in 1958 at the Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (242 x 310 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 1/2 x 9 inches (190 x 230 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 1/2 inches (175 x 238 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed in the plate (not hand-signed).

Condition: there is minor creasing and soiling.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 x 9 1/2 inches (177 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 at the atelier of Daniel Jacomet and published by Le Point Cardinal Gallery for a scarce exhibition catalogue. Size: 5 x 4 5/8 inches (128 x 118 mm). There is text on verso, as issued. Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image size is 7 3/4 x 9 1/2 inches (195 x 245 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: multi-stone color lithograph (after the original Edouard Vuillard lithograph). Printed on Renage wove paper in 1948 by the atelier Mourlot and published in an edition of 2500. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Signed in the plate, not signed by hand.

Condition: there is age-toning, wear and foxing.

Medium: pochoir (after the painting). Printed in 1962 at the atelier of Daniel Jacomet and published by Le Point Cardinal Gallery for a scarce exhibition catalogue. Size: 5 x 4 5/8 inches (128 x 118 mm). There is a different image on verso, as issued. Not signed.

Medium: original woodcut. Printed in Paris in 1921 on Lafuma-Navarre wove paper, and issued in a limited edition of 300 for Georges Duhamel's "Trois journees de la tribu". Image size: 2 5/8 x 4 7/8 inches (68 x 123 mm). There is text beneath the image and on verso, as published. Not signed.

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, and there is a stain near the right edge.

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, and there is a small tear and a stain near the right edge.

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, and there are a few stains.

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, and there is a crease to the bottom right corner.

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 8 5/8 x 12 inches (220 x 305 mm). Signed in the plate (not hand-signed).

Condition: the top edge of the sheet has been trimmed.

Medium: original etching and drypoint. A beautiful, rich impression on Arches paper printed by Daragnes and published in Paris in 1951 by Manuel Bruker for "Eloge de Marcel Vertes", issued in a limited edition of 200. Size: 12 1/2 x 10 inches (320 x 250 mm). There is printed text beneath the image and on the back side, as issued. Not signed.

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size: 8 3/4 x 6 5/8 inches (222 x 170 mm). Not signed.

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size: 8 3/4 x 6 5/8 inches (222 x 170 mm). Not signed.

Condition: there is foxing to the paper.

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees van Dongen. Size: 8 3/4 x 6 5/8 inches (222 x 170 mm). Not signed.