Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). This impression was hand-colored. Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).

Condition: there are a few spots of foxing, mostly visible on the back side.

Medium: lithograph (after the drawing). This composition was executed by Felix Vallotton in homage to Paul Cezanne, and published in Paris in 1914 by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). The image size is 7 1/4 x 9 1/2 inches (185 x 245 mm) and the total sheet with full original margins measures 11 x 15 inches (280 x 383 mm). Not signed.

Condition: there are a few spots of foxing in the margins outside the image.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Signed in the plate (not hand-signed).

Medium: original etching. This Villon etching was published in Paris in 1956 by Manuel Bruker in an edition of 150-- this impression is from the deluxe edition of 15 on japon impérial laid paper, making it rather rare. Plate size 8 1/4 x 5 1/2 inches (210 x 138mm). A nice impression with full original margins. Not signed.

Medium: original woodcut. Printed in Germany in 1919 for Das Kestnerbuch, one of the most important collections of original prints published during the height of the German Expressionist movement. Printed on wove paper; the image measures 6 3/8 x 5 inches (170 x 128mm); the total sheet measures 11 x 8 1/2 inches (280 x 220mm) with full original margins. Signed in the plate (not by hand).

Condition: There is a repaired tear in the margin (well outside and not affecting the image). A rich, dark impression!

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). Signed in the plate (not hand-signed).

Condition: there is aging to the paper, and bumps at two corners of the sheet.

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 218 mm). There is printed text on the back, as issued. Signed in the plate (not hand-signed).

Condition: there is aging to the paper, and bumps at two corners of the sheet.

Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in a limited edition of 999. Size: 9 1/8 x 7 7/8 inches (232 x 200 mm). Signed in the plate, not by hand.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). Not signed.

Medium: original etching. This classic Villon etching was published in Paris in 1955 by Manuel Bruker in an edition of 200. Plate size 11 x 8 1/2 inches (275 x 218 mm). A nice impression on Arches wove paper with deckle edges and full original margins. Not signed.

Medium: original lithograph. Executed by Vertes in 1927 for "Collette la Vagabonde", this impression is printed on wove paper. The full sheet measures 12 x 9 inches (305 x 228 mm). Not signed.

Condition: there are minor handling creases to the paper.

Medium: original lithograph. Executed by Vertes in 1928 for "Collette la Vagabonde", this impression on laid paper was published by Arts et Metiers Graphiques. The full sheet measures 11 3/4 x 8 7/8 inches (300 x 225 mm). Not signed.

Medium: original etching. Catalogue reference: Ginestet-Pouillon 525. Printed in 1952 for the art revue XXe Siecle and published in Paris by San Lazzaro. Plate size: 9 1/2 x 7 5/8 inches (245 x 193 mm). Signed in the plate (not by hand).

Condition: there is foxing to the paper.

Medium: lithograph (after the painting). Printed in Paris in 1964 at the Fernand Mourlot atelier and published in an edition of 2000. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate; not hand-signed.

Medium: original lithograph. Printed in 1956 for the second volume (1956-57) of the very rare Documenti d'Arte d'Oggi, published in Milan by Groupe Espace. Size: 12 1/2 x 8 1/2 inches (318 x 217 mm). Signed in the plate (not hand-signed).

Condition: there is aging to the paper, and bumps at two corners of the sheet.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x 9 inches (310 x 230 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper and a library stamp on the back.

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 380. Size: 12 1/4 x 9 3/8 inches (312 x 237 mm). Signed in the plate (not by hand).

Condition: there is creasing to the paper.

Medium: original etching. This impression on laid paper was printed in London in 1880 for P. G. Hamerton's "Etching and Etchers". Plate size: 6 1/4 x 8 3/4 inches. Signed in the plate.

Medium: pochoir (after the painting). Issued for XXe Siecle (No. 7) and printed by Daniel Jacomet. Published in Paris by San Lazzaro in 1956. Sheet size: 12 1/4 x 9 1/2 inches (313 x 243 mm). Signed in the plate, not hand-signed.

Medium: etching (after the painting). Etched by Veyrassat after Delacroix. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. Printed on Marais wove paper, the image size is 4 x 5 inches (103 x 130 mm). Not signed.

Condition: there is foxing in the margins, not affecting the image.

Medium: original etching. This impression on laid paper was printed in 1901 for Gustave Geffroy's "La Vie Artistique". Image size: 4 1/4 x 3 inches (110 x 75 mm). Signed in the plate, not hand-signed.

Medium: original lithograph. Printed in Paris in 1921 on Lafuma-Navarre wove paper, and issued in a limited edition of 300 for Georges Duhamel's "Trois journees de la tribu". Size: the total sheet measures 9 1/4 x 7 inches (235 x 178 mm). Not signed.

Condition: there is some foxing in the margins.