Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 6 1/2 x 8 1/2 inches (163 x 217 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: original lithograph. Executed in 1979 and published in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). This original Vladimir Velickovic lithograph is from the scarce and lavishly-produced limited edition catalogue published in 1979 by the atelier Poligrafa of Barcelona, in conjunction with the prestigious Redfern Gallery of London. The project was done in homage to the earlier Redfern catalogues of the 1960's (which are now very rare) and with the same excellent technical quality. Not signed.

Medium: original serigraph. Issued in 1975 for XXe Siecle (issue No. 44), published in Paris by San Lazzaro. Sheet size 12 1/4 x 18 1/2 inches (310 x 505 mm); with center fold, as issued. Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 9 x 6 1/2 inches (230 x 166 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/8 x 9 1/2 inches (186 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 3/8 inches (180 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (180 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (180 x 243 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (180 x 242 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 9 1/2 x 6 1/2 inches (240 x 165 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (240 x 200 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (200 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 8 5/8 x 7 inches (220 x 183 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 1/2 x 9 inches (190 x 230 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (175 x 238 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (177 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: pochoir (after the painting). Printed by the atelier of Daniel Jacomet and issued in 1962 by Le Point Cardinal Gallery for a scarce exhibition catalogue. The image measures 3 x 4 inches (76 x 100 mm); issued with text on verso. Not signed.

Medium: pochoir (after the 1948 ink drawing on wood). Printed by the atelier of Daniel Jacomet and issued in 1962 by Le Point Cardinal Gallery for a scarce exhibition catalogue. The image measures 4 1/4 x 4 inches (110 x 100 mm); issued with another image on verso. Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (195 x 245 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph (after the watercolor). Jacques Villon was one of the artists who contributed compositions to Marcelle Oury's "Lettre a mon peintre" in homage to Raoul Dufy. Printed on Arjomari wove paper by Mourlot Freres and published in 1965. Sheet size: 11 3/4 x 9 3/8 inches (300 x 238mm). Signed in the plate (not by hand).

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper, the image measures 10 3/4 x 8 inches (273 x 205 mm). This original Vallotton print is from a special issue of L'Assiette au Beurre on the theme of Crimes et Chatiments (Crime and Punnishment). Out of respect for the artist, these lithographs were printed on one side of the sheet only. Signed in the stone (not by hand)

Condition: there is age-toning and creasing to the margins, but the colors remain rich.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 1/2 x 9 inches (190 x 230 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 3/8 inches (180 x 237 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 1/2 x 9 inches (190 x 233 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (200 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).