Medium: original etching and aquatint. Signed in pencil and numbered 68 of 80. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as a special insert presented with the deluxe edition of Robert Goldwater's "Rufino Tamayo". Plate size: 7 7/8 x 5 3/4 inches (200 x 148 mm). Sheet size: 11 1/8 x 8 1/8 inches (282 x 205 mm). A rich and beautifully printed impression.

Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies Originales de Pierre-Auguste Renoir". Although the official edition was to have been 950, it is reported that approximately 1/3 of the impressions were never issued. Image size: 6 7/8 x 5 inches (175 x 125 mm); total sheet size 13 x 9 3/4 inches (330 x 250 mm). Signed in the plate with Renoir's stamped signature (not hand-signed).

Condition: there is foxing to the paper.

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler". Printed on cream laid paper with the full margins and the Van Gelder Zonen watermark. Plate size: 7 1/4 x 5 5/8 inches (185 x 143 mm); the total sheet size is 12 1/2 x 9 5/8 inches (320 x 243 mm). Not signed.

Medium: original woodcut. Printed in Germany in 1917 for Die Aktion; this impression is from the deluxe edition of 100 on Bütten laid paper. Catalogue reference: Schapire 202. Image size: 6 1/4 x 8 1/2 inches (158 x 212 mm). Sheet size: 9 x 12 inches (230 x 305 mm). There is a different woodcut and printed text on verso, as published. Embossed with the publisher's dry stamp in the margin at the bottom right. Not signed.

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Catalogue reference: Schapire 191. Image size: 10 1/8 x 7 inches (257 x 179 mm). Sheet size: 12 5/8 x 9 1/2 inches (320 x 242 mm). This work can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Medium: original lithograph. Printed in 1954 at the Mourlot Freres atelier and published in New York by The Noonday Press in an edition of 64 for the "Elegy of Ihpetonga and Masks of Ashes" portfolio. Ihpetonga was the name given by the Canarsie Indians to the part of Brooklyn now known as Columbia Heights. Printed on Arches wove paper with deckle edges, the sheet measures 13 x 9 7/8 inches (330 x 251 mm). This work was mounted by the publisher onto a support sheet of black paper. Not signed.

Medium: original etching and aquatint. Printed in 1947 on Velin de Hollande paper and published in New York by the Quadrangle Press as the frontispiece of the deluxe edition of Robert Goldwater's "Rufino Tamayo". The edition size was limited to 80. Plate size: 7 7/8 x 5 3/4 inches (200 x 148 mm). Sheet size: 11 7/8 x 8 5/8 inches (300 x 220 mm). A rich and beautifully printed impression. Not signed.

Medium: original color woodcut. Catalogue reference Roethel 79. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 6 1/2 x 6 inches (165 x 153 mm). Sheet size: 12 1/2 x 9 1/2 inches (317 x 243 mm). Signed in the plate (not by hand). A richly inked impression with strong, fresh color.

Condition: there are a few spots of foxing (not affecting the image). There are six pinholes along the left edge of the sheet -- this is from the publisher's original binding staples, and also serves to demonstrate the provenance of this work.

Medium: original etching. Catalogue reference: Klipstein 10. A very rich impression on cream wove paper of this Kollwitz etching, with plate tone. Plate size: 118 x 88mm (4 5/8 x 3 1/2 inches). With full original margins, the sheet measures 14 1/4 x 10 1/4 inches (360 x 262mm). Not signed.

Please note: there have been later editions of this important Kollwitz print, but this is the original first edition, published in Germany by Pan (V-1; 1899-1900); edition of 1100. The Pan inscription is printed at the bottom of the sheet (which demonstrates the provenance).

Medium: original lithograph. This striking lithograph was printed in 1922 for Genius. The image size is 11 1/4 x 9 1/4 inches (285 x 235 mm). This original Alexander Kanoldt lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Not signed.

Condition: there are a few small spots of foxing in margin.

Medium: original etching. One of just a few night scenes composed by Claude Gellée (better known as Claude Lorain), this etching was executed in 1634. The impression offered here is printed on wove paper; this is the final state and the date of printing is unknown. The sheet measures 4 1/8 x 6 3/4 inches (105 x 173 mm). Not signed.

Condition: the margins are trimmed, the etching has been mounted by a previous owner at the four corners onto a support sheet, and there are some areas of discoloration to the paper.

Medium: original lithograph. Catalogue reference Mourlot 98. Printed in 1950 at the Mourlot atelier and published as the frontispiece of the Picasso Lithographe II catalogue raisonné. Image size 9 1/4 x 6 1/4 inches (235 x 160 mm). Sheet size: 12 1/2 x 9 inches (315 x 228 mm). Not signed.

Medium: original offset lithograph. Printed on semi-translucent vellum-like Giama Natural paper by Universal Limited Art Editions (ULAE) and published in 2014 as a special insert for Art in America. Size: 15 x 10 7/8 inches (380 x 275 mm). This work was issued as a folded sheet and retains the horizontal crease. Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 11 1/2 inches (408 x 290 mm). There is poetry text (composed by Walasse Ting) on the back side, as issued. Not signed.

Medium: original etching and drypoint. The English title is "The Big Sister". Catalogue reference: Sanchez and Seydoux 1913-10. This charming Theophile Steinlen etching was published in Paris in 1913 by Gazette des Beaux-Arts. The plate measures 8 3/4 x 6 1/8 inches (220 x 155 mm). It is good impression on laid paper bearing the watermark of the printer Eugene Delatre. Signed in the plate, not hand-signed.

Condition: the left margin is narrow with a small crease.

Medium: original lithograph. Printed in 1958 for the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 560 mm). There is a center fold with printed text on the back side, as published. Not signed.

Condition: minor creasing.

Medium: mezzotint. Catalogue reference: Hardie 95. Executed in 1913 by Sir Frank Short after J. M. W. Turner and signed in pencil by Sir Frank Short. Printed on chine-collé paper in an edition of 50. Plate size: 10 7/8 x 15 3/4 inches. Some consider that Sir Frank Short was at his best when interpreting J. M. W. Turner.

Condition: some age-toning and discoloration to the paper.

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 5/8 x 6 inches (195 x 152 mm). Sheet size: 10 5/8 x 8 inches (270 x 203 mm). Signed in the plate (not hand-signed).

Medium: original woodcut. Catalogue reference Roethel 111. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 6 1/2 x 8 1/4 inches (165 x 213 mm). Sheet size: 12 1/2 x 9 1/2 inches (317 x 243 mm). Signed in the plate (not by hand).

Condition: there are pinholes from the publisher's original binding along the left edge of the sheet.

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 x 9 inches (177 x 232 mm). Sheet size: 9 3/4 x 13 inches (245 x 328 mm). Signed in the plate (not by hand).

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 3/4 x 6 3/4 inches (196 x 170 mm). Sheet size: 13 x 9 3/4 inches (328 x 247 mm). Signed in the plate (not by hand).

Condition: there are a few spots of foxing.

Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sheet size: 12 1/2 x 9 1/2 inches (317 x 243 mm). Signed in the plate (not by hand).

Condition: there are six pinholes along the left edge of the sheet -- this is from the publisher's original binding staples, and also serves to demonstrate the provenance of this work.

Medium: original etching. This richly inked impression was printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Plate size: 11 1/4 x 15 inches (284 x 378 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Not signed.

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper. Image size: 6 3/4 x 4 inches (172 x 105 mm). Sheet size: 13 x 9 3/4 inches (325 x 250 mm). Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 x 6 inches (175 x 150 mm).  There is an inscription with the artist's name printed in text beneath the image. Signed in the plate (not by hand).

Medium: original etching and drypoint. Catalogue reference: Delteil 10. Published in Paris in 1899 by H. Floury for Auguste Rodin "Statuaire" by Lon Maillard. This impression is printed in sanguine ink on wove paper. Plate size: 8 x 5 3/4 inches (203 x 140 mm). Not signed.

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 5 1/2 inches (190 x 145 mm). There is an inscription with the artist's name printed in text beneath the image. Not signed.

Medium: lithograph. Published in Paris by Teriade for Verve (Volume 1, Number 3), in 1938. Four artists were commissioned to contribute compositions on the four seasons, with Klee choosing Winter. Size: 10 x 13 3/4 inches (256 x 348 mm). Signed in the plate (not by hand).

Condition: there is a bump to the top left corner of the sheet (not affecting the image).

Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet size: 12 1/2 x 9 1/2 inches (317 x 243 mm). Signed in the plate (not by hand).

Condition: there is minor foxing and age-toning. There are six pinholes along the left edge of the sheet -- this is from the publisher's original binding staples, and also serves to demonstrate the provenance of this work.

Medium: original etching with drypoint. Signed in pencil and numbered 47/100. Catalogue reference: Prescott 59. This etching was executed in 1974 and issued in an edition of 100 on watermarked Arches wove paper. The plate size is 6 3/4 x 4 7/8 inches (172 x 124 mm). With full original margins, the total sheet measures 15 x 11 inches. The publisher's dry stamp is in the margin. A magnificent, rich impression, signed in pencil by Jack Levine.