Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 6 1/2 x 8 1/2 inches (163 x 217 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: original lithograph. Published in Paris by Teriade for Verve (Volume 1, Number 3), in 1938. Four artists were commissioned to contribute compositions on the four seasons, with Rattner choosing Autumn. Size: 14 x 10 1/4 inches (sheet). Signed in the plate (not by hand).

Medium: original lithograph. Executed for the back cover of Derriere le Miroir (no. 185) in 1970, and published in Paris by Maeght. Sheet size: 15 x 11 inches. Not signed.

Medium: original lithograph. Executed in 1982 for what was planned to have been the very last issue of Derrière le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 558 mm). There is a center fold with text on verso, as published. Not signed.

Condition: there are minor handling creases and stitch holes along the center crease from the binding.

Medium: original lithograph. Executed in 1979 and published in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). This original Vladimir Velickovic lithograph is from the scarce and lavishly-produced limited edition catalogue published in 1979 by the atelier Poligrafa of Barcelona, in conjunction with the prestigious Redfern Gallery of London. The project was done in homage to the earlier Redfern catalogues of the 1960's (which are now very rare) and with the same excellent technical quality. Not signed.

Medium: original serigraph. Issued in 1975 for XXe Siecle (issue No. 44), published in Paris by San Lazzaro. Sheet size 12 1/4 x 18 1/2 inches (310 x 505 mm); with center fold, as issued. Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 9 x 6 1/2 inches (230 x 166 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/8 x 9 1/2 inches (186 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 3/8 inches (180 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (180 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (180 x 243 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (180 x 242 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 9 1/2 x 6 1/2 inches (240 x 165 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (240 x 200 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (200 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 8 5/8 x 7 inches (220 x 183 mm). The full sheet measures 12 1/4 x 9 1/2 inches (310 x 243 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: original lithograph. Printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (total sheet). Signed in the stone (not by hand).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 1/2 x 9 inches (190 x 230 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (175 x 238 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 x 9 1/2 inches (177 x 240 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: offset lithograph (after the Rodin watercolor). Issued in a limited edition of 2500 in 1945 by the Musée Rodin, and printed on Vélin de Lana paper. The total sheet measures 9 1/2 x 7 1/4 inches (242 x 185 mm). Signed in the plate (not by hand).

Medium: lithograph (after the colored pencil drawing). Beautifully printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (315 x 245mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Condition: there is discoloration in the right margin, not affecting the image.

Medium: lithograph (after the colored pencil drawing). Beautifully printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (315 x 245mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Condition: there are minor bumps at two corners of the sheet, not affecting the lithograph.

Medium: lithograph (after the colored pencil drawing). Beautifully printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (315 x 245mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Condition: there are minor bumps at two corners of the sheet, not affecting the lithograph.

Medium: offset lithograph (after the painting) for Georges Rouault's "Stella Vespertina" portfolio. Published in Paris in 1947 by Rene Drouin and beautifully printed by Draeger Freres in an edition of 2000 on Marais paper. The image measures 12 x 7 3/4 inches; and has been tipped (lightly mounted) by the publisher onto a larger support sheet of gray vellum paper. Not signed.

Medium: offset lithograph (after the painting) for Georges Rouault's "Stella Vespertina" portfolio. Published in Paris in 1947 by Rene Drouin and beautifully printed by Draeger Freres in an edition of 2000 on Marais paper. The image measures 11 x 9 inches; and has been tipped (lightly mounted) by the publisher onto a larger support sheet of gray vellum paper. Signed by Rouault in the plate (not by hand).

The English translation of the title is "Moonlight".
Medium: offset lithograph (after the painting) for Georges Rouault's "Stella Vespertina" portfolio. Published in Paris in 1947 by Rene Drouin and beautifully printed by Draeger Freres in an edition of 2000 on Marais paper. The image measures 9 1/4 x 11 1/2 inches; and has been tipped (lightly mounted) by the publisher onto a larger support sheet of gray vellum paper. Signed by Rouault in the plate (not by hand).

Medium: pochoir (after the painting). Printed by the atelier of Daniel Jacomet and issued in 1962 by Le Point Cardinal Gallery for a scarce exhibition catalogue. The image measures 3 x 4 inches (76 x 100 mm); issued with text on verso. Not signed.

Medium: pochoir (after the 1948 ink drawing on wood). Printed by the atelier of Daniel Jacomet and issued in 1962 by Le Point Cardinal Gallery for a scarce exhibition catalogue. The image measures 4 1/4 x 4 inches (110 x 100 mm); issued with another image on verso. Not signed.

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the legendary Mourlot atelier, and published by Andre Sauret in an edition of 2000. A nice impression, as can be expected of Mourlot. The image size is 7 3/4 x 9 1/2 inches (195 x 245 mm). The full sheet measures 9 1/2 x 12 1/4 inches (243 x 310 mm). Signed by Vlaminck in the stone (not hand-signed).

Medium: lithograph (after the poster). Beautifully printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. The total sheet (including margins) measures 12 3/8 x 9 1/2 inches (315 x 245 mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Medium: lithograph (after the poster). Beautifully printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. The total sheet (including margins) measures 12 3/8 x 9 1/2 inches (315 x 245 mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Medium: lithograph (after the poster). Beautifully printed in Paris in 1950 by Mourlot Freres on Renage paper, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. The total sheet (including margins) measures 9 1/2 x 12 3/8 inches (245 x 315 mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Medium: lithograph (after the poster). Beautifully printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. The total sheet (including margins) measures 12 3/8 x 9 1/2 inches (315 x 245 mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Medium: lithograph (after the poster). Beautifully printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. The total sheet (including margins) measures 12 3/8 x 9 1/2 inches (315 x 245 mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Medium: lithograph (after the poster). Beautifully printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format. The total sheet (including margins) measures 12 3/8 x 9 1/2 inches (315 x 245 mm). Signed in the stone with the Toulouse-Lautrec monogram signature (not hand-signed).

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.