Piet Mondrian serigraph "Composition en bleu b"
Medium: serigraph (after the 1917 painting). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 1/2 x 13 3/4 inches (395 x 350 mm). Sheet size: 26 x 20 inches (660 x 510 mm). Not signed.
Condition: there is minor wear to the edges of the sheet, not affecting the image.
Pablo Picasso Cubist pochoir for Cahiers d'Art, 1926
Medium: pochoir (after the 1920 watercolor). Printed in Paris in 1926 in a limited edition of 700 and published by Christian Zervos for the art revue Cahiers d'Art. Image size: 7 3/4 x 6 inches (197 x 153 mm). Sheet size: 11 x 8 3/4 inches (280 x 220 mm).
Signed in the plate, not hand-signed.
Condition: there are a few spots of foxing in the margin, not affecting the pochoir image.
Cahiers d'Art was published in Paris from 1926-1960 by Greek art collector, writer and art critic Christian Zervos. From a print collector's viewpoint, this art revue is most famous for the pochoirs which were commissioned for some of the issues. Zervos had high technical standards, and this work is a lucky find.
Pablo Picasso 1929 pochoir
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 5/8 x 6 inches (195 x 152 mm). Sheet size: 10 5/8 x 8 inches (270 x 203 mm). Signed in the plate (not hand-signed).
Andre Lhote original etching
Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 x 9 inches (177 x 232 mm). Sheet size: 9 3/4 x 13 inches (245 x 328 mm). Signed in the plate (not by hand).
Andre Lhote original etching "Nature morte a la cruche"
Medium: original etching. This richly inked impression was printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Plate size: 11 1/4 x 15 inches (284 x 378 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Not signed.
Fernand Leger 1929 pochoir
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 x 6 inches (175 x 150 mm). There is an inscription with the artist's name printed in text beneath the image. Signed in the plate (not by hand).
Gino Severini original linocut, 1939
Medium: original linoleum cut. This linocut by Italian Futurist Gino Severini was printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 1/2 inches (317 x 240 mm). Signed in the plate (not hand-signed).
Fernand Leger 1929 pochoir
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 7 1/2 x 5 1/2 inches (190 x 145 mm). There is an inscription with the artist's name printed in text beneath the image. Not signed.
Jacques Villon original etching for Alternance
Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).
Fernand Leger 1928 pochoir "La feuille jaune"
Medium: pochoir (after the gouache). Published in Paris in 1928 by Teriade for Editions Cahiers d'Art in an edition of 800. This impression was printed on Velin de Torpes paper. Image size: 8 1/2 x 6 inches (215 x 153 mm). Sheet size: 10 3/4 x 8 inches (272 x 205 mm). Not signed.
Condition: there is soiling to the paper.
Jacques Villon original etching for Alternance
Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). This impression was hand-colored. Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).
Condition: there are a few spots of foxing, mostly visible on the back side.
Fernand Leger lithograph "Visage"
Medium: lithograph (after the watercolor). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'Oeuvre de Leger" exhibition catalogue. Size: 10 5/8 x 7 1/4 inches (270 x 185 mm). Not signed.
Condition: there is age-toning, with areas of discoloration and offsetting to the paper.
Fernand Leger lithograph "Les trois soeurs"
Medium: lithograph (after the painting). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'Oeuvre de Leger" exhibition catalogue. Size: 10 3/4 x 7 1/2 inches (273 x 193 mm). There is printed text on the back side, as published. Not signed.
Condition: there is age-toning to the paper.
Fernand Leger lithograph "Les deux soeurs"
Medium: lithograph (after the painting). Printed in 1952 by Mourlot
Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'Oeuvre de Leger" exhibition catalogue. Size: 10 3/4 x 7 1/2 inches (273 x 192 mm). There is printed text on the back side, as published. Not signed.
Condition: there is age-toning and foxing to the paper.
Fernand Leger lithograph "La belle equipe"
Medium: lithograph (after the painting). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'Oeuvre de Leger" exhibition catalogue. The total sheet size (including margins) is 10 3/4 x 14 3/4 inches (273 x 375 mm). There is a center fold and printed text on the back side, as published. Not signed.
Condition: there is age-toning with areas of discoloration to the paper, and stitch holes from the publisher's binding along the center crease.
Fernand Leger lithograph "Femme tenant des fleurs"
Medium: lithograph (after the painting). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'Oeuvre de Leger" exhibition catalogue. Sheet size: 10 5/8 x 15 inches (273 x 383 mm). There is a center fold and printed text on the back side, as published. Not signed.
Condition: there is age-toning to the paper, and stitch holes from the publisher's binding along the center crease.
Fernand Leger lithograph "Femme au miroir"
Medium: lithograph (after the painting). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'Oeuvre de Leger" exhibition catalogue. Size: 10 5/8 x 7 1/4 inches (270 x 185 mm). There is printed text on the back side, as published. Not signed.
Condition: there is age-toning, with areas of discoloration and offsetting to the paper.
Auguste Herbin 1929 pochoir
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 6 7/8 x 5 7/8 inches (173 x 150 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not hand-signed).
Giorgio de Chirico original linocut
Medium: original linoleum cut. Printed in 1938 for the art revue XXe Siecle (issue number 4) and and published in Paris by San Lazzaro. Sheet size: 12 1/2 x 9 5/8 inches (317 x 243 mm). Signed in the plate (not hand-signed). Note: Giorgio de Chirico executed a different composition on each side of the sheet (green on the front and red on the back).
Marie Laurencin original etching, 1926
Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Plate size: 5 x 3 inches (124 x 80 mm). Sheet size: 7 1/4 x 5 1/2 inches (186 x 138 mm). Not signed.
Condition: there is age-toning to the paper.
Marie Laurencin original etching, 1926
Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Plate size: 5 x 3 inches (124 x 80 mm). Sheet size: 7 1/4 x 5 1/2 inches (186 x 138 mm). Not signed.
Condition: there is age-toning to the paper.
Andre Lhote original lithograph "Au jardin"
Medium: original lithograph. This richly inked impression was printed in 1960 at the atelier Mourlot in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Image size: 10 3/4 x 13 1/2 inches (272 x 340 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Signed in the plate, not hand-signed.
Georges Braque pochoir "Nature morte avec verre"
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (227 x 283 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).
Condition: as published, there are narrow margins on both sides (especially the left side).
Georges Braque pochoir "Verre et l'as de treffle"
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 10 x 9 inches (258 x 225 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).
Georges Braque pochoir "Nature morte"
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (297 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).
Georges Braque pochoir "La cheminee"
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (300 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).
Georges Braque pochoir "Nature morte"
Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 3/4 inches (220 x 300 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Not signed.
Georges Braque lithograph "Les oiseaux de nuit" Nightbirds
Medium: lithograph (after the gouache). Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). This lithograph is from the scarce "Prints from the Mourlot Press" portfolio, published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian. Not signed.
Jacques Villon original etching (Figure) 1956
Medium: original etching. This Villon etching was published in Paris in 1956 by Manuel Bruker in an edition of 150-- this impression is from the deluxe edition of 15 on japon impérial laid paper, making it rather rare. Plate size 8 1/4 x 5 1/2 inches (210 x 138mm). A nice impression with full original margins. Not signed.
John Joseph Wardell Power "L'homme calculateur" original etching
Medium: original etching and engraving. This impression on wove paper was printed in 1939 and published in Paris by San Lazzaro for the art revue XXe Siecle (issue number 5-6). Size: 12 1/2 x 9 1/2 inches (317 x 240 mm). Signed in the plate (not hand-signed).
Pablo Picasso "Nature morte" pochoir
Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 3/4 x 8 3/4 inches (170 x 223 mm). Not signed.
Louis Marcoussis 1929 pochoir
Medium: pochoir (after the painting). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 6 x 8 inches (155 x 205 mm). Sheet size: 8 x 10 5/8 inches (205 x 270 mm). Signed in the plate (not hand-signed).
Andre Lhote 1929 Cubist pochoir
Medium: pochoir (after the gouache). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 5 1/4 x 8 1/8 inches (132 x 205 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not by hand).
Henri Laurens 1929 pochoir
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 5 5/8 x 5 5/8 inches (143 x 143 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not by hand).
Georges Braque lithograph "Chapelle St. Bernard"
Medium: lithograph (after the maquette for the stained glass window at the Chapelle St. Bernard). Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of the Fondation Marguerite et Aime Maeght. Sheet size: 15 x 11 inches (380 x 275 mm). Signed in the plate, not hand-signed.
Andre Lhote original etching "Paysage du Lot"
Medium: original etching. Printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Plate size: 11 1/2 x 16 1/4 inches (290 x 405 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Not signed.
Andre Lhote original etching "Nu baroque"
Medium: original etching. Printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Image size: 10 1/2 x 5 inches (270 x 130 mm). Sheet size: 12 3/4 x 9 3/4 inches (323 x 245 mm). Not signed.
Condition: there is some discoloration to the paper in the margin at right.
Wyndham Lewis "Portrait of Gladys Anne Hoskyns"
Medium: collotype (after the drawing). This large print was issued in an edition of 500 in 1923 for the very scarce "Living Art" portfolio, by The Dial Publishing Company, New York. Printed on wove paper, the total sheet measures 17 x 16 1/2 inches (425 x 415 mm). The drawing itself resides in the collection of The Metropolitan Museum of Art, in New York. Signed in the plate (not hand-signed).
Condition: there are the remains of old tape mounts on back.
Juan Gris 1929 pochoir
Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 4 1/2 x 5 1/2 inches (112 x 140 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not by hand).
Georges Braque "Nature morte" pochoir
Medium: pochoir (after the painting). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 3/4 x 5 inches (225 x 127 mm). Not signed.
