Cubism Art Prints & Cubism Lithographs

Medium: serigraph (after the 1917 painting). Printed in a limited edition of 300 in 1957 at the atelier Arcay and issued by Galerie Denise René. Printed on Bristol San Francisco smooth wove paper, the image size is 15 1/2 x 13 3/4 inches (395 x 350 mm) and the full sheet measures 26 x 20 inches. Not signed. A very nice impression!

Condition: there is minor wear to the edges of the sheet, not affecting the image.

Medium: pochoir (after the 1920 watercolor). Printed in Paris in 1926 in a limited edition of 700 and published by Christian Zervos for the art revue Cahiers d'Art. Image size: 8 1/4 x 6 1/4 inches (208 x 160 mm). Sheet size: 11 x 8 3/4 inches (280 x 220 mm). Signed in the plate, not hand-signed.

Cahiers d'Art was published in Paris from 1926-1960 by Greek art collector, writer and art critic Christian Zervos. From a print collector's viewpoint, this art revue is most famous for the pochoirs which were commissioned for some of the issues. Zervos had high technical standards, and this work is a lucky find.

Medium: pochoir (after the 1920 watercolor). Printed in Paris in 1926 in a limited edition of 700 and published by Christian Zervos for the art revue Cahiers d'Art. Image size: 7 3/4 x 6 inches (197 x 153 mm). Sheet size: 11 x 8 3/4 inches (280 x 220 mm). Signed in the plate, not hand-signed.

Condition: there are a few spots of foxing in the margin, not affecting the pochoir image.

Cahiers d'Art was published in Paris from 1926-1960 by Greek art collector, writer and art critic Christian Zervos. From a print collector's viewpoint, this art revue is most famous for the pochoirs which were commissioned for some of the issues. Zervos had high technical standards, and this work is a lucky find.

Medium: lithograph. Published in Paris in 1973 by Jacques Damase as a special loose insert for a rare exhibition catalogue. Size: 31 x 13 3/4 inches (795 x 350 mm). Signed in the plate (not by hand).

Condition: This lithograph was issued as a folded sheet with two folds. Also, there is some slight evidence of handling.

Medium: original lithograph. This richly inked impression was printed in 1960 at the atelier Mourlot in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Image size: 10 1/4 x 15 1/2 inches (263 x 395 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Not signed.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Jean Helion.

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 x 9 inches (177 x 232 mm). Sheet size: 9 3/4 x 13 inches (245 x 328 mm). Signed in the plate (not by hand).

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 3/4 x 6 3/4 inches (196 x 170 mm). Sheet size: 13 x 9 3/4 inches (328 x 247 mm). Signed in the plate (not by hand).

Condition: there are a few spots of foxing.

Medium: original etching. This richly inked impression was printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Plate size: 11 1/4 x 15 inches (284 x 378 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Not signed.

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio (the French title translates to "The Taste of Happiness") was printed in Munich in the studios of Guenther Dietz under the personal supervision of Picasso. It was published in 1970 in a limited edition of 666 by Editions Cercle d'Art and Harry Abrams. Printed on handmade Arches rag paper, the total sheet measures 13 x 9 3/4 inches (325 x 250 mm) and the image is 8 1/2 x 5 1/2 inches. Not signed.

According to the publisher, these lithographs were made "through a unique process that employs the same type of materials as used by the artist, instead of the usual printing inks. Grease crayon, lithographic tusche, lead pencil and charcoal are among the artist's materials used". The result is a truly rich and lifelike impression!

Medium: lithograph (after the watercolor). A nice impression, printed in Paris in 1961 by Imprimerie Union and issued by XXe Siecle for a scarce exhibition catalogue. Size: 10 3/8 x 8 inches (264 x 203 mm). Not signed.

Medium: color pochoir (after the painting). Printed at the atelier Daniel Jacomet and published for the art revue XXe Siecle (issue number 9) in 1957. Size: 12 3/8 x 9 1/2 inches (315 x 242 mm). Beautifully executed and expressing a range of subtle pastel colors. Not signed.

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).

Medium: lithograph (after the painting). Printed in 1956 on thin wove paper and published in Stockholm for a Swedish survey of Concrete Art. Size: 10 1/2 x 7 3/8 inches (270 x 188 mm). Not signed.

Medium: original lithograph. This magnificent lithograph in Leger's signature cubist / modernist style was printed in 1949 for Derriere le Miroir issue no. 20-21 "L'art abstrait" published in Paris by the Maeght atelier. The total sheet (including margins) measures 15 x 21 3/4 inches (378 x 555 mm). Issued as a folded sheet with a center crease and text on verso. Not signed.

Medium: lithograph (after the painting). Printed in 1949 by Mourlot Freres and published by the Musee National d’Art Moderne in Paris for a rare Leger exhibition catalogue. Size: 8 1/2 x 6 1/4 inches (213 x 155 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the margins and minor creasing.

Medium: pochoir (after the gouache). Published in Paris in 1928 by Teriade for Editions Cahiers d'Art in an edition of 800. This impression was printed on Velin de Torpes paper. Image size: 8 1/2 x 6 inches (215 x 153 mm). Sheet size: 10 3/4 x 8 inches (272 x 205 mm). Not signed.

Condition: there is soiling to the paper.

Medium: original etching. Printed in 1946 on at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). This impression was hand-colored. Plate size: 7 1/2 x 10 1/8 inches (190 x 255 mm). Signed in the plate (not by hand).

Condition: there are a few spots of foxing, mostly visible on the back side.

Medium: original linoleum cut. This linocut by Italian Futurist Gino Severini was printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 5/8 inches (317 x 244 mm). Signed in the plate (not by hand).

Condition note: there are six pinholes along the left edge of the sheet from the publisher's original binding staples.

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier Daniel Jacomet for L'Art Cubiste and issued in an edition of 1000. Image size: 7 3/4 x 6 inches (195 x 152 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not by hand).

Medium: pochoir (after the oil). Printed in Paris in 1929 at the atelier Daniel Jacomet for L'Art Cubiste and issued in an edition of 1000. Image size: 5 3/4 x 8 1/8 inches (146 x 205 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not by hand).

Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Plate size: 5 x 3 inches (124 x 80 mm). Sheet size: 7 1/4 x 5 1/2 inches (186 x 138 mm). Not signed.

Condition: there is age-toning to the paper.

Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Plate size: 5 x 3 inches (124 x 80 mm). Sheet size: 7 1/4 x 5 1/2 inches (186 x 138 mm). Not signed.

Condition: there is age-toning to the paper.

Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Plate size: 5 x 3 inches (124 x 80 mm). Sheet size: 7 1/4 x 5 1/2 inches (186 x 138 mm). Not signed.

Condition: there is age-toning to the paper.

Medium: original etching. Printed in 1926 at the atelier Lacourière on Montgolfier paper and published by Au Sans Pareil in a limited edition of 995 for "Dix filles dans un pré". Plate size: 5 x 3 inches (124 x 80 mm). Sheet size: 7 1/4 x 5 1/2 inches (186 x 138 mm). Not signed.

Condition: there is age-toning to the paper.

Medium: original lithograph. This richly inked impression was printed in 1960 at the atelier Mourlot in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Image size: 10 3/4 x 13 1/2 inches (272 x 340 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Signed in the plate, not hand-signed.

Medium: original linoleum cut. A fine impression on wove paper, executed in 1938 for the very rare XXe Siecle issue No. 4. Sheet size 12 1/2 x 9 3/4 inches (320 x 248 mm). Signed in the plate (not by hand). Note: Giorgio de Chirico printed a different composition on each side of the sheet (green on front and red on back).

Condition: there are pinholes in the margin from the publisher's original binding staples.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (227 x 283 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 10 x 9 inches (258 x 225 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (297 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 12 1/4 x 6 1/2 inches (310 x 163 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (300 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 3/4 inches (220 x 300 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Not signed.

Medium: lithograph (after the gouache). Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). This lithograph is from the scarce limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian. Not signed.

Medium: original etching. This Villon etching was published in Paris in 1956 by Manuel Bruker in an edition of 150-- this impression is from the deluxe edition of 15 on japon impérial laid paper, making it rather rare. Plate size 8 1/4 x 5 1/2 inches (210 x 138mm). A nice impression with full original margins. Not signed.

Medium: original etching and engraving. Published in 1939 for the rare XXe Siecle (issue No. 5-6). Sheet size: 12 1/2 x 9 3/4 inches (317 x 245 mm). Signed in the plate (not by hand).

Condition: there are six pinholes along the left edge of the sheet from the publisher's original binding staples.

Medium: lithograph (after the maquette for the stained glass window at the Chapelle St. Bernard). Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of the Fondation Marguerite et Aime Maeght. Sheet size: 15 x 11 inches (380 x 275 mm). Signed by Georges Braque in the stone (not by hand).

Medium: original etching. Printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Plate size: 11 1/2 x 16 1/4 inches (290 x 405 mm). Sheet size: 13 x 19 1/2 inches (328 x 495 mm). There is a fold in the center, as issued. Not signed.

Medium: original etching. Printed in 1960 at the atelier Robbe in an edition of 200 on Marais paper for the rare "Eloge de Andre Lhote" and published by Manuel Bruker. Image size: 10 1/2 x 5 inches (270 x 130 mm). Sheet size: 12 3/4 x 9 3/4 inches (323 x 245 mm). Not signed.

Condition: there is some discoloration to the paper in the margin at right.

Medium: collotype (after the drawing). This large print was issued in an edition of 500 in 1923 for the very scarce "Living Art" portfolio, by The Dial Publishing Company, New York. Printed on wove paper, the total sheet measures 17 x 16 1/2 inches (425 x 415 mm). The drawing itself resides in the collection of The Metropolitan Museum of Art, in New York. Signed by Wyndham Lewis in the image (not by hand).

Condition: there are the remains of old tape mounts on back.