Medium: etching. Etched by William Unger after Van Ostade. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers", issued in an edition of 1000. Plate size: 8 x 5 inches (203 x 130 mm). Signed in the plate, not by hand.

Medium: original lithograph. Executed for the "Poetes, Peintres, Sculpteurs" issue of Derriere le Miroir (No. 119) in 1960. Sheet size: 15 x 11 inches (380 x 277 mm). There is printed text on the back side, as issued. Not signed.

There is a stain at the top left corner.

Medium: original lithograph. Executed for Derriere le Miroir (issue no. 142) in 1964, and published in Paris by Maeght. Sheet size: 15 x 11 inches (380 x 275 mm); with text on verso, as published. Not signed.

Medium: original lithograph. Executed in 1982 for what was planned to have been the very last issue of Derrière le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Many of the artists who had been regular contributors to DLM throughout its more than thirty years of publication, contributed original prints for this project. Among these were Chagall, Miro, Kelly, Chillida, Palazuelo, Garache, Adami, Fiedler, Ubac, Pol Bury, Alechinsky, Tal-Coat, Riopelle, Tapies, Bram van Velde and several others.

Sheet size: 15 x 11 inches (380 x 277mm). There is text on verso, as published. Not signed.

Medium: original lithograph. Executed for Derriere le Miroir in 1965 (no. 155), and published in Paris by Maeght. Sheet size: 15 x 11 inches (378 x 277 mm). There is printed text on the back side, as issued. Signed by Ubac in the stone (not by hand).

Condition: there is minor creasing and soiling.

Medium: original lithograph. Executed for the front cover of "Poetes, Peintres, Sculpteurs" issue of Derriere le Miroir (No. 119) in 1960. Total sheet size: 14 7/8 x 10 7/8 inches (375 x 275 mm). Not signed.

Condition: this was the actual cover and the edges of the sheet have been trimmed. There is wear and discoloration to the margins. There is printed text both above and beneath the lithograph, as shown in the second photo.

Medium: lithograph (after the original). Issued in 1968 in an edition of 420 for "Correspondances", published by Editions des Nouvelles Images a Lombreuil, Loiret. This impression on BFK Rives wove paper was printed in Paris by l'Imprimerie du Lion. The sheet measures 12 3/4 x 9 3/4 inches (325 x 250 mm). Not signed. Rare.

Medium: original etching. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers", issued in an edition of 1000. Plate size: 8 x 5 inches (203 x 130 mm). Not signed.

Medium: etching. Etched by William Unger after Frans Snyders. This impression on on heavy wove paper was printed in 1880 for the "Etchers" portfolio. Plate size: 7 3/4 x 9 1/2 inches (198 x 240 mm). Signed in the plate, not by hand.

Medium: original lithograph. This print was pulled in Paris in 1966 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 1500 impressions on Chiffon de Mandeure wove paper. The total sheet measures 10 x 7 1/2 inches (255 x 187 mm); there is printed text on the back (as issued). Not signed.

This original Ubac print is from the very scarce and lavishly produced limited edition catalogue, published by Maeght and London's Redfern Gallery on the occasion of a major 1966 exposition at the Redfern. The lithograph was executed by the artist as an original contribution expressly for this catalogue.

Medium: lithograph (after the gouache). Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of the Fondation Marguerite et Aime Maeght. Sheet size: 15 x 21 1/4 inches (377 x 535 mm); with a center fold, as issued. Not signed.

Medium: original woodcut. This original Raoul Ubac woodcut was issued in 1958 for the hard-to-find XXe Siecle (No. 10), published in Paris by San Lazzaro. Sheet size 12 3/8 x 9 1/2 inches (313 x 243 mm). Not signed.

Condition: minor bumps to two corners of the sheet.

Medium: original lithograph. This lithograph was printed in Germany in 1919 for Das Kestnerbuch, one of the most important collections of original prints published during the height of the German Expressionist movement. This impression on wove paper is signed in the plate (not by hand). The image measures 6 3/4 x 5 3/8 inches (174 x 135mm); the total sheet measures 11 x 8 1/2 inches (280 x 220mm) with full original margins.

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/4 x 8 1/2 inches (162 x 214 mm). With full original margins, the sheet measures 8 3/4 x 11 inches. Signed in the plate (not by hand).

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 5/8 x 8 3/4 inches (168 x 222mm). Signed in the plate (not by hand).

Medium: original woodcut. A lovely German Expressionist composition depicting three friends smoking and drinking. Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is from the unsigned edition printed on laid paper. The image measures 7 x 5 1/2 inches (180 x 140 mm); a fine impression with full original margins. Not signed.

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/2 x 8 1/2 inches (163 x 214 mm). With full original margins, the sheet measures 8 3/4 x 11 inches. Signed in the plate (not by hand).

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/4 x 6 3/8 inches (223 x 163 mm). With full original margins, the sheet measures 11 x 8 3/4 inches. Signed in the plate (not by hand).

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/8 x 6 inches (214 x 150 mm). With full original margins, the sheet measures 11 x 8 3/4 inches. Signed in the plate (not by hand).

Medium: lithograph (after the Utrillo painting). This exquisite lithograph was printed ca. 1969 on quality Arches paper under the direction of Yves Melcher at the Mourlot studio in Paris. The lithographed image measures 19 x 24 inches (480 x 610 mm) and the full sheet is 23 x 28 inches. A splendid, richly inked impression. Signed in the stone, not hand-signed.

Condition: minor creasing in the margin.

Medium: original lithograph. Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500 for the frontispiece of Charensol's "Maurice Utrillo". Image size: 8 1/4 x 6 7/8 inches (210 x 175 mm). With full original margins, the sheet measures 11 x 8 3/4 inches. Signed in the plate (not by hand).