Minimalist, Hard Edge & Op Art Prints

Medium: serigraph (after the 1917 painting). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 1/2 x 13 3/4 inches (395 x 350 mm). Sheet size: 26 x 20 inches (660 x 510 mm). Not signed.

Condition: there is minor wear to the edges of the sheet, not affecting the image.

Medium: original color woodcut. Catalogue reference Roethel 201. Printed in 1939 for the art revue XXe Siecle (issue number 5-6) and published in Paris by San Lazzaro. Sheet size: 9 1/2 x 12 1/2 inches (240 x 318 mm). Signed in the plate (not hand-signed).

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Man Ray.

Medium: original color silkscreen with cut-outs. Printed in 1964 in an edition of 500. The cut-outs are four crosses in the center of the composition (this work was photographed against a white background). Size: 24 x 20 inches (610 x 505 mm). The Ives-Sillman publisher's blindstamp is at the bottom right corner. Not signed.

In 1964 Samuel Wagstaff, Jr. (Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) asked ten American artists to contribute original prints for the “Ten Works by Ten Painters” portfolio. The other artists collaborating with the project were Stuart Davis, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, Robert Indiana, Larry Poons, Ad Reinhardt, Frank Stella and Andy Warhol. Rare.

Condition: there is age-toning and soiling to the paper. A previous owner's label remains affixed to the back.

Medium: original lithograph. Printed in 2012 on BFK Rives paper for a special issue celebrating the re-launch of the legendary art revue Cahiers d'Art. Size: 12 3/8 x 9 1/2 inches (315 x 240 mm). Not signed.

Medium: lithograph (after the painting). Printed in 1956 on thin wove paper and published in Stockholm for a Swedish survey of Concrete Art. Size: 10 1/2 x 7 3/8 inches (270 x 188 mm). Not signed.

Medium: original lithograph. Printed in 1958 for the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 560 mm). There is a center fold with printed text on the back side, as published. Not signed.

Condition: there is a scratch to the black surface near the top right corner, and a bit of creasing in the green and blue areas.

Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). Not signed.

Medium: original lithograph. Printed in 1964 for the art revue Derriere le Miroir (issue number 149) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as published. Not signed.

Condition: there is minor creasing and wear and a small bump to the bottom right corner of the sheet.

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 6 7/8 x 5 7/8 inches (173 x 150 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not hand-signed).

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some scuffing and a few scratches to the printed surface. This work was issued as a folded sheet with a center crease.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Signed in the plate (not hand-signed).

Medium: serigraph (after the painting). Printed in 1973 by Trautwein KG of Recklinghausen, Germany. A beautifully printed, rich impression. Image size: 8 x 8 inches (204 x 204 mm). Including the border, the full sheet size: 8 7/8 x 8 3/4 inches (226 x 224 mm). Not signed.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 3/4 inches (228 x 173 mm). There is printed text on the back side, as issued. Not signed.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 3/4 inches (228 x 173 mm). There is printed text on the back side, as issued. Not signed.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 3/4 inches (228 x 173 mm). There is printed text on the back side, as issued. Not signed.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 3/4 inches (228 x 173 mm). There is printed text on the back side, as issued. Not signed.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 3/4 inches (228 x 173 mm). There is printed text on the back side, as issued. Not signed.

Medium: original lithograph. Printed in 1958 for the front cover of the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (380 x 279 mm). There is printed text on the back side, as issued. Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Not signed.

Medium: original lithograph. Signed by the artist in blue pencil. Printed by Imprimerie Clot, Bramsen et Georges on Arches paper in a limited edition of 100. This lithograph was published in Paris in 1967 by Daniel Gervis. The total sheet measures 9 3/4 x 5 1/4 inches (250 x 133mm). The avant-garde Russian artist Paul Mansouroff is also known as Pavel Mansurov. Rare.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 10 inches (330 x 253 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Medium: lithograph (after the linocut). Printed in 1956 on thin wove paper and published in Stockholm for a Swedish survey of Concrete Art. Size: 10 1/2 x 7 3/8 inches (270 x 188 mm). Not signed.

Medium: original silkscreen / serigraph. This silkscreen was printed in 1966 and issued in an edition of 2200 by the Stedelijk Museum of Amsterdam. This screenprint was executed by Bob Bonies especially for the "Vormen van der Kleur” (New Shapes of Color) portfolio, published in 1966 by the Stedelijk Museum and now rare. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). A beautiful impression in rich color. Not signed.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some minor creasing. This work was issued as a folded sheet with a center crease.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some minor creasing and soiling. This work was issued as a folded sheet with a center crease.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color" published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor color offsetting -- this particular Albers silkscreen was for many years pressed against another silkscreen inside the portfolio, resulting in some pigment rubbing off from one to the other.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: some color has rubbed off onto the left (white) side of the composition.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 10 inches (330 x 253 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor scuffing.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. Size: 10 x 13 inches (255 x 330 mm). Not signed.

Condition: there is some wear.

Medium: lithograph. Printed in 1951 and published in France by Editions d'Art d'Aujourd'hui, of Boulogne. Size: 12 x 9 inches (305 x 230 mm). Not signed.

Condition: there is some age-toning to the paper.

Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). Not signed.

Medium: serigraph (after the drawing). Printed in 1967 on semi-glossy paper and issued by Gemini G.E.L. of Los Angeles as part of a prospectus to promote the sale of limited edition Man Ray prints. Size: 7 3/4 x 6 inches (195 x 153 mm). Not signed. Scarce!

Condition: there is some wear.

Medium: original silkscreen / serigraph. This silkscreen was printed in 1966 and issued in an edition of 2200 by the Stedelijk Museum of Amsterdam. This screenprint was executed by Georg Karl Pfahler especially for the "Vormen van der Kleur” (New Shapes of Color) portfolio, published in 1966 by the Stedelijk Museum and now rare. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). A beautiful impression in rich color. Not signed.

Medium: original lithograph. Printed in 1964 for the art revue Derriere le Miroir (issue number 149) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as published. Not signed.

Condition: there is a small bump to one corner of the sheet.