Minimalist, Hard Edge & Op Art Prints

Medium: serigraph (after the 1917 painting). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 1/2 x 13 3/4 inches (395 x 350 mm). Sheet size: 26 x 20 inches (660 x 510 mm). Not signed.

Condition: there is minor wear to the edges of the sheet, not affecting the image.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Man Ray.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Condition: there is some foxing to the paper.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Condition: there are a few small spots of foxing to the paper.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Josef Albers "Interaction of Color" portfolio, printed in 1963 and published by Yale University Press in an edition of 2000. Sheet size: 13 x 20 inches (330 x 510 mm). This work was published as a folded sheet with a center crease. Not signed.

Condition: there are a few scratches to the printed surface, and discoloration at the bottom left corner of the sheet.

Medium: original lithograph. Signed by the artist in blue pencil. Printed by Imprimerie Clot, Bramsen et Georges on Arches paper in a limited edition of 100. This lithograph was published in Paris in 1967 by Daniel Gervis. The total sheet measures 9 3/4 x 5 1/4 inches (250 x 133mm). The avant-garde Russian artist Paul Mansouroff is also known as Pavel Mansurov. Rare.

Medium: original lithograph. Printed in 2012 on BFK Rives paper for a special issue celebrating the re-launch of the legendary art revue Cahiers d'Art. Size: 12 3/8 x 9 1/2 inches (315 x 240 mm). Not signed.

Medium: original lithograph. Printed in 1958 for the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (380 x 560 mm). There is a center fold with printed text on the back side, as published. Not signed.

Condition: there is a scratch to the black surface near the top right corner, and a bit of creasing in the green and blue areas.

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 6 7/8 x 5 7/8 inches (173 x 150 mm). A text inscription beneath the image identifies the artist. Signed in the plate (not hand-signed).

Medium: silkscreen / serigraph. This is one of the silkscreens from the Josef Albers "Interaction of Color" portfolio, printed in 1963 and published by Yale University Press in an edition of 2000. Sheet size: 13 x 10 inches (330 x 250 mm). Not signed.

Condition: there is some soiling.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). Not signed.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Josef Albers "Interaction of Color" portfolio, printed in 1963 and published by Yale University Press in an edition of 2000. Sheet size: 13 x 20 inches (330 x 510 mm). This work was published as a folded sheet with a center crease. Not signed.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Josef Albers "Interaction of Color" portfolio, printed in 1963 and published by Yale University Press in an edition of 2000. Sheet size: 10 x 13 inches (250 x 330 mm). Not signed.

Condition: some color has rubbed off onto the left (white) side of the composition.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Josef Albers "Interaction of Color" portfolio, printed in 1963 and published by Yale University Press in an edition of 2000. Sheet size: 10 x 13 inches (250 x 330 mm). Not signed.

Condition: there is minor wear.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Josef Albers "Interaction of Color" portfolio, printed in 1963 and published by Yale University Press in an edition of 2000. Sheet size: 13 x 10 inches (330 x 250 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color" published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor color offsetting -- this particular Albers silkscreen was for many years pressed against another silkscreen inside the portfolio, resulting in some pigment rubbing off from one to the other.

Medium: pochoir with embossing. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 242 mm). A richly inked impression, parts of the design have a raised relief. Not signed.

Condition: there is a small bump to the bottom right corner of the sheet.

Medium: original woodcut. Printed in 1950 for the art revue Derriere le Miroir (issue number 33) and published in Paris by Maeght. Size: 15 x 21 3/4 inches (377 x 553 mm). There is a center fold and printed text on verso, as published (the text shows through somewhat). Signed in the plate with the printed letters ARP, not hand-signed.

Medium: original lithograph. Printed in 1958 for the front cover of the art revue Derriere le Miroir (issue number 110) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (380 x 279 mm). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Not signed.

Condition: there is minor wear.

Medium: original lithograph. Printed in 1964 for the art revue Derriere le Miroir (issue number 149) and published in Paris by Maeght. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text on the back side, as published. Not signed.

Condition: there is a small bump to one corner of the sheet.

Medium: original offset lithograph. Signed and dated in pencil by Michael Knigin. Printed in 1971 for The Artist's Proof art revue and published by the Pratt Graphic Art Center. Image size: 9 1/2 x 7 1/4 inches (242 x 183 mm). Sheet size: 11 x 8 1/4 inches (278 x 210 mm).

Medium: silkscreen / serigraph (after the painting). Printed in 1967 by Domberger for the rare Formen der Farbe portfolio, published by Kunstverein Stuttgart of West Germany. Size: 10 1/2 x 10 1/2 inches (270 x 270 mm). Not signed.

Medium: serigraph (after the drawing). Printed in 1967 on semi-glossy paper and published by Gemini G.E.L. of Los Angeles as part of a prospectus to promote the sale of limited edition Man Ray prints. Size: 7 3/4 x 6 inches (195 x 153 mm). Not signed. Scarce!

Condition: there is some wear.

Medium: serigraph / silkscreen. Printed in 1964 on thin wove paper by Imprimerie Mazarine and published in Paris by Galerie Denise Rene for the rare exhibition catalogue "Hard Edge". This work was attached by the publisher onto a larger support sheet. Baertling was one of several artists who contributed silkscreens for this project (after their own paintings). Image size: 7 1/2 x 4 1/8 inches (200 x 105mm). Not signed.

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. Sheet size: 8 7/8 x 7 3/8 inches (225 x 188 mm). This is a richly inked impression, and now quite rare. Not signed.

Condition: the margins have been trimmed.

Medium: original color woodcut. Printed in 1948 and published in New York by Wittenborn and Schultz. Size: 10 x 7 1/4 inches (253 x 186 mm). Not signed.

Medium: lithograph (after the painting). Printed in Paris in 1964 at the Fernand Mourlot atelier and published in an edition of 2000. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate; not hand-signed.

Medium: lithograph (after the painting). Printed in Paris in 1964 at the atelier Fernand Mourlot in an edition of 2000 on Arches paper. The image measures 6 3/4 inches in diameter (170 mm) and the sheet size is 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate (not hand-signed).

This lithograph is from the scarce limited edition catalogue, "Prints from the Mourlot Press". It was published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.

Medium: original lithograph. Printed in 1970 and published by Art In America. Size: 11 1/4 x 16 3/4 inches (283 x 427 mm). This lithograph was published as a folded sheet with a center crease. Signed in the plate, hand-signed.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 5/8 inches (230 x 170 mm). Not signed.

Condition: there is some soiling to the paper.

Medium: lithograph (after the painting). Printed in 1962 and published in London by the Arthur Tooth and Sons Gallery for a rare exhibition catalogue. Size: 9 x 6 5/8 inches (230 x 170 mm). Not signed.

Condition: there is some soiling to the paper.

Medium: lithograph (after the original). This particular variation of Josef Albers' Homage to the Square series is called "White Line Squares". Printed in 1966 by Blair Litho and published by the Los Angeles County Museum of Art for a now very scarce exhibition catalog. Sheet size: 7 3/8 x 7 1/4 inches (188 x 183 mm). Not signed.