Medium: original lithograph. Signed in pencil and numbered 47/100. Printed in Neuchatel, Switzerland in 1977 at the Imprimerie Paul Attinger. This signed and numbered lithograph was included as a loose print with the first 100 copies of the Eugene Ionesco catalogue raisonné of Alechinsky's works. Size: 11 3/4 x 8 1/4 inches (300 x 210 mm).

Medium: original etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. A rich impression with plate tone, one of 150 printed on Johannot wove paper. The plate size is 10 3/4 x 8 1/4 inches (272 x 210 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Medium: original lithograph. This lithograph was printed in 1953 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left side of the sheet has been trimmed.

Medium: original lithograph. Printed on buff colored thin wove paper and published in Milan in 1958 by Groupe Espace for the very rare Documenti d'arte d'oggi. Size: 12 3/8 x 8 1/2 inches (315 x 215 mm). There is printed text on the back, as issued (the text is a poem in Italian by Giorgio Simonotti-Manacorda). Signed in the plate, not signed by hand.

Condition: there is a tiny tear at the right edge of the sheet.

Medium: original lithograph. This striking composition was published in 1921 for Genius. Sheet size: 13 1/4 x 9 7/8 inches (340 x 250 mm) on wove paper. This original Archipenko print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Some of the important artists contributing original prints included: Karl Schmidt-Rottluff, Erich Heckel, Frans Masereel, Max Kaus, Karl Hofer, Alexander Archipenko, and others. It was a major vehicle for the German Expressionists. Not signed.

Condition: the sheet has been trimmed, not affecting the composition.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: trimmed margin (left side, not affecting the composition).

Medium: original etching. A fine impression on japon paper, printed in Paris in 1926 for the Revue de l'Art ancien et moderne. The plate measures 10 3/8 x 7 1/8 inches (263 x 198 mm). Not signed.

Condition: the left margin is narrow (3mm).

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some scuffing and a few scratches to the printed surface. This work was issued as a folded sheet with a center crease.

Medium: serigraph (after the painting). Printed in 1973 by Trautwein KG of Recklinghausen, Germany. A beautifully printed, rich impression. Image size: 8 x 8 inches (204 x 204 mm). Including the border, the full sheet size: 8 7/8 x 8 3/4 inches (226 x 224 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1973 by Trautwein KG of Recklinghausen, Germany. A beautifully printed, rich impression. Image size: 8 x 8 inches (204 x 204 mm). Including the border, the full sheet size: 8 7/8 x 8 3/4 inches (226 x 224 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1973 by Trautwein KG of Recklinghausen, Germany. A beautifully printed, rich impression. Image size: 8 x 8 inches (204 x 204 mm). Including the border, the full sheet size: 8 7/8 x 8 3/4 inches (226 x 224 mm). Not signed.

Medium: serigraph (after the painting). Printed in 1973 by Trautwein KG of Recklinghausen, Germany. A beautifully printed, rich impression. Image size: 8 x 8 inches (204 x 204 mm). Including the border, the full sheet size: 8 7/8 x 8 3/4 inches (226 x 224 mm). Not signed.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. Size: 10 x 13 inches (250 x 328 mm). This work consists of multiple parts, as the hinged center strip can be lifted to reveal the continuation of Josef Albers' composition beneath. Not signed.

Medium: silkscreen / serigraph (after the original). This particular variation of Albers' Homage to the Square series is called "White Line Squares". Printed in Germany by Atelier Herbert Geier and published in 1968 by George Wittenborn of New York, for a now very scarce catalogue raisonne. Image size: 8 3/4 x 8 3/4 inches (225 x 225 mm). Including the border, the total sheet size: 10 1/2 x 9 3/4 inches (267 x 250 mm). There is another composition on the back, as issued. A beautiful, rich impression. Not signed.

Condition: there is minor wear plus age-toning in the margins.

Medium: serigraph (after the painting). Printed in 1983 and published by the Josef Albers Museum in Bottrop, Germany. Image size: 7 1/4 x 7 1/4 inches (185 x 185 mm). Including the border, the full sheet size: 8 5/8 x 8 1/4 inches (218 x 210 mm). Not signed.

Medium: silkscreen / serigraph. This is one of the silkscreens from the Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. Size: 10 x 13 inches (255 x 330 mm). This work consists of multiple parts, as the hinged center strip can be lifted to reveal the continuation of Josef Albers' composition beneath. Not signed.

Condition: there is minor wear and soiling.

Medium: serigraph (after the original). Printed in Germany by Atelier Herbert Geier and published in 1968 by George Wittenborn of New York, for a now very scarce catalogue raisonne. Image size: 8 3/4 x 8 3/4 inches (225 x 225 mm). Including the border, the total sheet size: 10 1/2 x 9 3/4 inches (270 x 250 mm). There is another composition on the back, as issued. A rich impression in electric color. Not signed.

Condition: there is age-toning to the paper in the margins.

Medium: silkscreen / serigraph (after the original). Printed in Germany by Atelier Herbert Geier and published in 1968 by George Wittenborn of New York, for a now very scarce catalogue raisonne. Image size: 8 3/4 x 8 3/4 inches (225 x 225 mm). Including the border, the total sheet size: 10 1/2 x 9 3/4 inches (270 x 250 mm). There is another composition on the back, as issued. A rich impression in electric color. Not signed.

Condition: there is age-toning to the paper in the margins.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 10 inches (330 x 253 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Medium: original etching. Printed in 1904 at the Chardon Wittmann atelier and published in Paris by the Revue de l'art ancien et moderne. Plate size: 9 x 6 5/8 inches (230 x 168 mm). This is a fine impression on laid paper, bearing the Chardon Wittmann watermark. Signed in the plate, not by hand.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some minor creasing. This work was issued as a folded sheet with a center crease.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 20 inches (330 x 510 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is some minor creasing and soiling. This work was issued as a folded sheet with a center crease.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color" published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor color offsetting -- this particular Albers silkscreen was for many years pressed against another silkscreen inside the portfolio, resulting in some pigment rubbing off from one to the other.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: some color has rubbed off onto the left (white) side of the composition.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Josef Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 13 x 10 inches (330 x 253 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there is minor scuffing.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. The total sheet measures 10 x 13 inches (255 x 330 mm). Not signed. This is a fine impression printed in rich, vibrant color and now very scarce.

Condition: there are a few scratches on the right side of the composition.

Medium: silkscreen / serigraph. This is one of the silkscreens from the important Albers project "Interaction of Color", published in 1963 by Yale University Press in an edition of 2000. Size: 10 x 13 inches (255 x 330 mm). Not signed.

Condition: there is some wear.

Medium: original etching. This impression on cream laid paper is from the edition printed for "French Etchers", published in New York in 1884. Plate size: 6 3/8 x 9 1/8 inches (158 x 230mm). Signed in the plate (not by hand).

Condition: there is foxing and a printer's crease in the margin.

Medium: original lithograph (in two sections). Printed in 1964 and published by Eberhard Kornfeld for the 1 Cent Life portfolio in an edition of 2000. Size: 16 1/4 x 22 3/4 inches (408 x 580 mm). There is poetry text (composed by Walasse Ting) on verso, as issued. Not signed.

Note: This work was printed on two separate sheets which do not join together perfectly.

Medium: original lithograph. This impression on thin China paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 8 x 5 3/4 inches (203 x 144 mm). This work was attached by the publisher onto a larger support sheet (the photo here shows the full sheet). Not signed.

Medium: original etching. Catalogue reference: Sanchez and Seydoux 1912-10. Published in Paris in 1912 for Gazette des Beaux-Arts. This is a fine impression printed in sepia ink on cream wove paper. Plate size: 9 3/8 x 5 1/8 inches (237 x 130 mm). Not signed.

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 247) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a center fold and text on verso, as issued. Not signed.

Medium: original etching. Catalogue reference: Sanchez and Seydoux 1863-5. Printed on chine-colle paper in Paris by Delatre and published by the Gazette des Beaux-Arts in 1863. Image size: 4 x 7 1/2 inches (100 x 190 mm). Not signed.

Medium: silkscreen / serigraph (after the original) from the "10 Variants" series. Printed in Germany by Atelier Herbert Geier and published in 1968 by George Wittenborn of New York, for a now very scarce catalogue raisonne. Image size: 6 3/8 x 8 3/4 inches (160 x 223 mm). Including the border, the total sheet size is 10 1/2 x 9 3/4 inches (270 x 250 mm). There is another composition on the back, as issued. A rich impression. Not signed.

Condition: there is age-toning to the paper in the margins.

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 247) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a center fold and text on verso, as issued. Not signed.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times) -- now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm). Not signed.

Medium: original lithograph. Printed for XXe Siecle in 1980 and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/8 inches (310 x 232 mm). Not signed.

Medium: original woodcut. Printed in 1950 for the back cover of Derriere le Miroir (issue number 33) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 277 mm). There is printed text on back of the sheet (the text shows through slightly). Please note, this listing is for the back cover lithograph only and does not include any other lithographs from this edition. Signed in the plate with the printed letters ARP, not hand-signed.

Medium: original woodcut. Printed in 1950 for the front cover of Derriere le Miroir (issue number 33) and published in Paris by Maeght. Sheet size: 15 x 11 inches (377 x 277 mm). There is printed text above the woodcut and on back of the sheet (the text shows through somewhat). Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Signed in the plate with the printed letters ARP, not hand-signed.