Medium: lithograph (after the drawing). Marcel Gromaire was one of the artists who contributed compositions to Marcelle Oury's "Lettre à mon peintre" in homage to Raoul Dufy. This lithograph was printed on Arjomari wove paper by Mourlot Frères and published in 1965. Size: 11 3/4 x 9 3/8 inches (300 x 238 mm). Signed in the plate (not by hand).

Medium: original lithograph. Executed in 1982 for what was planned to have been the very last issue of Derrière le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Sheet size: 15 x 10 3/4 inches (380 x 275mm); there is text on verso, as published. Not signed.

Condition: this is one half of the original composition.

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 5/8 x 6 3/4 inches (plate). Signed by Edmund Henry Garrett in the plate (not by hand).

Condition: there is a stain in the margin (near the edge of the sheet, well outside the platemark and not affecting the image).

Medium: original etching. This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 3/4 x 6 7/8 inches (plate). Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 5 1/2 x 4 inches (142 x 98 mm). Signed in the plate (not by hand).

Condition: there is minor creasing. There is a narrow margin on the left side, as published.

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 1/4 x 3 3/4 inches (160 x 98 mm). Signed in the plate (not by hand).

Condition: there is minor creasing. There is a narrow margin on the left side, as published.

Medium: pochoir (after the drawing). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 3/4 x 3 3/4 inches (173 x 98 mm). Signed in the plate (not by hand).

Condition: there is minor creasing. There is a narrow margin on the left side, as published.

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 5 1/4 x 3 3/4 inches (133 x 98 mm). Not signed.

Condition: there is minor creasing. There is a narrow margin on the left side, as published.

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 3/4 x 3 3/4 inches (173 x 97 mm). Not signed.

Condition: there is minor creasing. There is a narrow margin on the left side, as published.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 8 3/8 x 10 3/4 inches (213 x 273 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical journal with anarchist tendencies); this print is now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not signed.

Medium: original etching. Printed on laid paper and published in 1881 by the American Art Review. Plate size: 5 7/8 x 10 inches. Signed in the plate (not by hand).

Condition: trimmed margins, not affecting the etching itself.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, not affecting the composition.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, not affecting the composition.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: trimmed margin (left side, not affecting the composition).

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Omega. There is a platemark surrounding the image, as with an actual etching. Plate size: 10 x 13 3/4 inches (250 x 348 mm). Sheet size: 13 3/4 x 18 inches (350 x 453 mm). Not signed.