Medium: original offset lithograph. Printed on semi-translucent vellum-like Giama Natural paper by Universal Limited Art Editions (ULAE) and published in 2014 as a special insert for Art in America. Size: 15 x 10 7/8 inches (380 x 275 mm). This work was issued as a folded sheet and retains the horizontal crease. Signed in the plate (not by hand).

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Not signed.

Jasper Johns was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. Size: 12 x 9 inches (303 x 227 mm). There is a poem by Frank O'Hara above the lithograph.

Medium: offset lithograph. Executed by Jasper Johns in 1991 for the front cover of a scarce exhibition catalogue, published in New York by Brooke Alexander in an edition of 3000. The sheet measures 11 x 16 1/2 inches. There is a center fold, as issued. Please note, this listing is for the front cover only and does not include any other lithographs from this edition. Not signed.

Condition: as this was the actual cover, there is wear and discoloration.

Medium: offset lithograph. Executed by Jasper Johns in 1991 for the back cover of a scarce exhibition catalogue, published in New York by Brooke Alexander in an edition of 3000. The sheet measures 11 x 16 1/2 inches. There is a center fold, as issued. Please note, this listing is for the back cover only and does not include any other lithographs from this edition. Not signed.

Condition: as this was the actual cover, there is wear and discoloration.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1969 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph from the "Lead Reliefs" series). Sheet size: 9 3/8 x 6 3/8 inches (238 x 162 mm). The Gemini G.E.L. copyright inscription is printed at the bottom of the sheet. Signed in the plate; not hand-signed.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1971 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 3/8 x 6 3/8 inches (237 x 162 mm). The Gemini G.E.L. copyright inscription is printed at the bottom of the sheet. Not signed.

Condition: there is a bit of creasing in the margin above the image.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1971 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 3/8 x 6 3/8 inches (237 x 162 mm). The Gemini G.E.L. copyright inscription is printed at the bottom of the sheet. Not signed.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1971 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 3/8 x 6 3/8 inches (237 x 162 mm). The Gemini G.E.L. copyright inscription is printed at the bottom of the sheet. Not signed.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1968 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 1/4 x 6 3/8 inches (235 x 162 mm). The Gemini G.E.L. copyright inscription is printed beneath the image. Not signed.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1968 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 1/4 x 6 3/8 inches (235 x 162 mm). The Gemini G.E.L. copyright inscription is printed beneath the image. Not signed.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1968 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 1/4 x 6 3/8 inches (235 x 162 mm). The Gemini G.E.L. copyright inscription is printed beneath the image. Not signed.

Medium: offset print (after Jasper Johns). This smaller-size promotional copy was printed on semi-glossy paper in 1968 and issued by Gemini G.E.L. of Los Angeles (the same atelier that printed the full-size original Jasper Johns lithograph). Sheet size: 9 1/4 x 6 3/8 inches (235 x 162 mm). The Gemini G.E.L. copyright inscription is printed beneath the image. Not signed.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982  Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers and published in 1982 by U.L.A.E. (Universal Limited Art Editions). During the years 1977-1982 Jasper Johns experimented with different variations on his still life motif of a coffee can filled with paint brushes. Sheet size: 12 3/8 x 9 3/8 inches (314 x 237 mm). Signed in the image, not by hand.