Georges Braque Art Prints, Lithographs & Pochoirs

Medium: original lithograph. Published in 1963 as the frontispiece of the "Braque Lithographe" catalogue raisonne, and printed in Paris by Mourlot Freres. The sheet measures 12 1/2 x 9 1/2 inches (315 x 240 mm). Signed in the stone (not by hand).

Medium: original lithograph. Printed in 1952 at the atelier Mourlot for the art revue Verve (Volume 7, Number 27-28) and published in Paris by Teriade. Size: 14 x 10 1/4 inches (353 x 263 mm). There is a black and white Georges Braque lithograph on verso. Not signed.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (227 x 283 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (230 x 280 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 x 11 inches (205 x 280 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 10 x 9 inches (258 x 225 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962  in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (297 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962  in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 12 1/4 x 6 1/2 inches (310 x 163 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962  in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (300 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 12 x 8 1/4 inches (303 x 210 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Not signed.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 3/4 inches (220 x 300 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Not signed.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 1/2 x 10 3/4 inches (220 x 273 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 7 x 11 3/4 inches (177 x 303 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 7 1/4 x 12 inches (185 x 303 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 1/4 inches (225 x 285 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (228 x 280 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 inches (220 x 282 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 7 1/2 x 11 inches (195 x 277 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: lithograph (after the gouache). Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). This lithograph is from the scarce limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian. Not signed.

Medium: lithograph (after the maquette for the stained glass window at the Chapelle St. Bernard). Executed for Derriere le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of the Fondation Marguerite et Aime Maeght. Sheet size: 15 x 11 inches (380 x 275 mm). Signed by Georges Braque in the stone (not by hand).

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 263 mm). Signed in the plate, not by hand.

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le Solitaire". A nice impression on Arches paper having the appearance of an actual watercolor. Size (including margins): 7 1/4 x 9 1/4 inches (183 x 235 mm). Not signed.

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le Solitaire". A nice impression on Arches paper having the appearance of an actual watercolor. Size (including margins): 7 1/4 x 9 1/4 inches (183 x 235 mm). Not signed.

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le Solitaire". A nice impression on Arches paper having the appearance of an actual watercolor. Size (including margins): 7 1/4 x 9 1/4 inches (183 x 235 mm). Not signed.

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le Solitaire". A nice impression on Arches paper having the appearance of an actual watercolor. Size (including margins): 7 1/4 x 9 1/4 inches (183 x 235 mm). Not signed.

Medium: lithograph (after the watercolor). Georges Braque was one of the artists who contributed compositions to Marcelle Oury's "Lettre a mon peintre" in homage to Raoul Dufy. This lithograph was printed on Arjomari wove paper by Mourlot Freres in 1965. Size: 11 3/4 x 9 3/8 inches (300 x 238 mm). Signed in the plate (not by hand).

Medium: pochoir (after the lithograph). Printed in 1953 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery for a rare catalogue. Image size: 6 1/2 x 3 3/4 inches (165 x 95 mm). Not signed.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 263 mm). Signed in the plate, not by hand.

Medium: lithograph (after the gouache). Printed in 1964 for Derriere le Miroir (issue number 144-145-146) and published in Paris by the Maeght atelier. The full sheet measures 15 x 11 inches (377 x 277 mm) and the image measures 11 x 6 inches. There is text on verso, as issued. Signed in the plate, not hand-signed.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 263 mm). Not signed.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 13 3/4 x 9 3/4 inches (348 x 250 mm). Not signed.

Condition: slightly trimmed margins.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 263 mm). Not signed.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 263 mm). Not signed.

Condition: there are a few spots of foxing in the margin.

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braque had kept these drawings private, but finally consented to having them published by Teriade in 1955 for the art revue Verve (issue number 31-32). Size: 14 x 10 1/4 inches (353 x 260 mm). Not signed.

Medium: lithograph (after the painting). Printed for Derriere le Miroir (issue no. 135-136) in 1963, and published in Paris by Maeght. Sheet size: 14 3/4 x 10 3/4 inches (380 x 273 mm). There is text on verso, as published. Signed in the plate, not by hand.

Derriere le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derriere le Miroir are now scarce, and many have become quite valuable and highly prized.

Medium: pochoir (after the oil painting). Printed in Paris in 1929 at the atelier Daniel Jacomet for L'Art Cubiste and issued in an edition of 1000. Image size: 7 1/2 x 6 inches (195 x 150 mm). A text inscription beneath the image identifies the artist. Not signed.

Medium: pochoir (after the lithograph). Printed in 1953 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery for a rare catalogue. Image size: 4 x 2 3/4 inches (102 x 72 mm). There is another Braque composition on the back, as issued. Not signed.

Medium: pochoir (after the lithograph). Printed in 1953 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery for a rare catalogue. Image size: 4 x 3 1/4 inches (103 x 85 mm). There is another Braque composition on the back, as issued. Not signed.

Medium: pochoir (after the lithograph). Printed in 1953 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery for a rare catalogue. Image size: 3 x 4 inches (75 x 100 mm). There is another Braque composition on the back, as issued. Not signed.

Medium: pochoir (after the lithograph). Printed in 1953 at the atelier of Daniel Jacomet and published in Paris by the Berggruen Gallery for a rare catalogue. Image size: 5 x 4 inches (122 x 100 mm). There is another Braque composition on the back, as issued. Not signed.