Medium: original lithograph. Printed in 1977 for the front cover of Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). Not signed.

Condition: this was the actual cover and there is wear and soiling.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate size is 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).

Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).

Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).

Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).

Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 2 5/8 x 3 inches. Signed by Walter Shirlaw in the plate (not by hand).

Medium: etching (etched by Stephen Alonzo Schoff after Elihu Vedder). Published in 1880 by the American Art Review. Plate size: 5 1/2 x 9 inches. Plate-signed; not hand-signed.

Medium: etching (etched by Stephen Alonzo Schoff after W. M. Hunt). Published in 1880 by the American Art Review. Image size: 7 1/2 x 6 inches. Not signed.

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: lithograph (after the drawing). Published in London in 1896 for the scarce Volume 8 of "The Studio". Printed on brown-tinted smooth wove paper with The Studio blindstamp in the margin. Sheet size 11 1/4 x 8 inches (285 x 205 mm). Signed in the stone (not by hand).

Condition: there is some age-toning to the paper.

Medium: etching. Etched by James D. Smillie after Frederick Arthur Bridgman. Published in the 1880's by Estes & Lauriat. Image size: 7 3/4 x 6 3/8 inches with good margins. Signed in the plate (not by hand).

Medium: original lithograph. Printed in 1982 for the front cover of Derriere le Miroir (issue No. 250) and published in Paris by the Maeght atelier. Size: 15 x 11 inches (378 x 277 mm). Signed in the plate, not by hand.

Condition: as this was the actual cover, there is some wear around the edges.

Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. Signed in the plate, not by hand.

The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.

Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 5 1/2 x 3 1/8 inches. Signed by Walter Shirlaw in the plate (not by hand).

Medium: original etching. A fine impression on cream laid paper, published in 1880 by the American Art Review. Image size: 8 x 5 inches. Signed in the plate (not by hand).

Medium: original etching. This impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Plate size: 6 x 11 3/4 inches. Signed in the plate (not by hand).

Condition: there is minor foxing in the margin, not affecting the etched image.

Medium: original etching. Printed on cream wove paper and published in 1888 for "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 8 x 12 inches. Not signed.

Condition: there is soiling in the margins, not affecting the etched image.

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on light brown tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: etching. Etched by William Unger after Frans Snyders. This impression on on heavy wove paper was printed in 1880 for the "Etchers" portfolio. Plate size: 7 3/4 x 9 1/2 inches (198 x 240 mm). Signed in the plate, not by hand.

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on light brown tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed, not affecting the composition.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).

Condition: trimmed margin (left side, not affecting the composition). Additionally, there is a stain near the right edge of the sheet.

Medium: original lithograph. Saul Steinberg expresses the spirit of the Seventies with this whimsical composition, printed in 1977 for the back cover of Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). Not signed.

Condition: this was the actual cover and there is soiling and a tiny tear in the margin near the top right corner.

Medium: original lithograph. Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Not signed.

Medium: original lithograph. Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Not signed.

Medium: original lithograph. This striking lithograph was published in 1921 for Genius. Sheet size: 13 3/4 x 10 1/4 inches (350 x 260 mm) on wove paper. This original Edwin Scharff lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Some of the important artists contributing original prints included: Karl Schmidt-Rottluff, Richard Seewald, Franz Marc, Erich Heckel, Frans Masereel, Max Kaus, Karl Hofer, Alexander Archipenko, and others. This was a major vehicle for the German Expressionists. Not signed.

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. The plate size is 6 3/4 x 10 inches (253 x 175 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Condition: there is foxing in the margin.

Medium: original lithograph. This print was issued for XXe Siecle in 1973, published in Paris by San Lazzaro. Sheet size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

Medium: original etching. Published in Paris in 1860 by Gazette des Beaux-Arts and beautifully printed by Delatre on chine-colle paper. The catalouge reference is Sanchez and Seydoux 1860-12. Plate size: 4 1/2 x 8 1/4 inches (110 x 208mm). Not signed.

Condition: there is foxing, mostly to the outer margins, as shown in the second photo.

Medium: original etching. Printed in Germany in 1925 for the rare Ganymed "Das funfte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The etching was printed by Franz Hanfstaengle, of Munich. This impression on thin wove paper is from the unsigned edition of 900 (the total edition was 1000, of which 100 were signed). The plate measures 5 x 7 1/4 inches (125 x 185 mm) with full original margins. Signed in the plate (not hand-signed). In fine condition. This piece is in the permanent collection of MoMA (The Museum of Modern Art).

Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is from the unsigned edition printed on laid paper. The image measures 5 1/2 x 7 inches (140 x 175 mm); a fine impression with full original margins. Not signed.