John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
Georges Schreiber original lithograph
Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Jo Anne Schneider original lithograph
Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Jo Anne Schneider original lithograph
Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Jo Anne Schneider original lithograph
Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Walter Shirlaw original etching "Hilda and the Doves"
Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 2 5/8 x 3 inches. Signed by Walter Shirlaw in the plate (not by hand).
Harry Sternberg original lithograph
Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Harry Sternberg original lithograph
Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Georges Schreiber original lithograph
Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Georges Schreiber original lithograph
Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Antonio Segui original lithograph
Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times) -- now scarce. Size: 10 3/4 x 8 3/8 inches (273 x 213 mm). The artist's name appears in text beneath the image. Not hand-signed.
Franz Skarbina lithograph, 1896
Medium: lithograph (after the drawing). Published in London in 1896 for the scarce Volume 8 of "The Studio". Printed on brown-tinted smooth wove paper with The Studio blindstamp in the margin. Sheet size 11 1/4 x 8 inches (285 x 205 mm). Signed in the stone (not by hand).
Condition: there is some age-toning to the paper.
Alfred Stevens original etching "Etude"
Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. Signed in the plate, not by hand.
The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.
Walter Shirlaw original etching "Miriam and Donatello"
Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 5 1/2 x 3 1/8 inches. Signed by Walter Shirlaw in the plate (not by hand).
George Spiel etching "University of California Berkeley"
Medium: original etching. Printed on cream wove paper and published in 1888 for "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 8 x 12 inches. Not signed.
Condition: there is soiling in the margins, not affecting the etched image.
Niki de Saint Phalle lithograph, 1967
Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Signed in the plate (not by hand).
Niki de Saint Phalle was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. The lithograph itself measures 12 x 9 inches (303 x 227 mm) and the entire sheet size is 12 x 18 inches (303 x 455 mm). There is a fold in the middle and the poem is on one side. Since the full sheet is a bit large for our scanner, the second photo shows most but not quite all of the composition.
Kurt Seligmann engraving, 1938
Medium: engraving (after the drawing). Printed in 1938 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 3/8 inches (317 x 238 mm). There is another composition on the back, as issued. Not signed.
Kurt Seligmann engraving, 1938
Medium: engraving (after the drawing). Printed in 1938 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9 3/8 inches (317 x 238 mm). There is printed text above the image and on the back, as issued. Not signed.
Raphael Soyer original lithograph for Improvisations | Artists Equity 1951 Spring Fantasia
Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on light brown tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Raphael Soyer original lithograph
Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on light brown tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed, not affecting the composition.
Moses Soyer original lithograph
Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Moses Soyer original lithograph
Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.