John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
John Sloan original etching | Of Human Bondage
Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches (150 x 98 mm). Signed in the plate, not hand-signed.
Saul Steinberg lithograph
Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).
Saul Steinberg lithograph
Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).
Saul Steinberg lithograph
Medium: offset lithograph (after the drawing). Printed in 1977 for the art revue Derriere le Miroir (issue number 224) and published in Paris by Maeght. Size: 15 x 11 inches (377 x 275 mm). There is another image printed on the back side, as issued. Signed in the plate (not by hand).
Walter Shirlaw original etching "Hilda and the Doves"
Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 2 5/8 x 3 inches. Signed by Walter Shirlaw in the plate (not by hand).
Harry Sternberg original lithograph
Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Franz Skarbina lithograph, 1896
Medium: lithograph (after the drawing). Published in London in 1896 for the scarce Volume 8 of "The Studio". Printed on brown-tinted smooth wove paper with The Studio blindstamp in the margin. Sheet size 11 1/4 x 8 inches (285 x 205 mm). Signed in the stone (not by hand).
Condition: there is some age-toning to the paper.
Alfred Stevens original etching "Etude"
Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. Signed in the plate, not by hand.
The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.
Walter Shirlaw original etching "Miriam and Donatello"
Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 5 1/2 x 3 1/8 inches. Signed by Walter Shirlaw in the plate (not by hand).
James D. Smillie original etching "A Fallow Field"
Medium: original etching. This impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Plate size: 6 x 11 3/4 inches. Signed in the plate (not by hand).
Condition: there is minor foxing in the margin, not affecting the etched image.
George Spiel etching "University of California Berkeley"
Medium: original etching. Printed on cream wove paper and published in 1888 for "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 8 x 12 inches. Not signed.
Condition: there is soiling in the margins, not affecting the etched image.
Raphael Soyer original lithograph
Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on light brown tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches. Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed, not affecting the composition.
Moses Soyer original lithograph
Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Moses Soyer original lithograph
Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 5/8 inches (305 x 220 mm). Signed in the plate (not hand-signed).
Condition: the left edge of the sheet has been trimmed.
Moses Soyer original lithograph
Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Not signed.
Condition: the margin has been trimmed along the left side.
Raphael Soyer original lithograph
Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.
This impression was printed on tinted laid paper in a limited edition of 2000. Size: 12 x 8 3/4 inches (305 x 223 mm). Not signed.
Condition: the margin has been trimmed along the left side.
Edwin Scharff "Die Bruder" original lithograph
Medium: original lithograph. This striking lithograph was published in 1921 for Genius. Sheet size: 13 3/4 x 10 1/4 inches (350 x 260 mm) on wove paper. This original Edwin Scharff lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Some of the important artists contributing original prints included: Karl Schmidt-Rottluff, Richard Seewald, Franz Marc, Erich Heckel, Frans Masereel, Max Kaus, Karl Hofer, Alexander Archipenko, and others. This was a major vehicle for the German Expressionists. Not signed.
Jaroslaw Serpan original etching for Paroles Peintes
Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. The plate size is 6 3/4 x 10 inches (253 x 175 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.
Condition: there is foxing in the margin.
Frank Stella lithograph "Swan Engraving"
Medium: lithograph (after the etching). This is a smaller-size copy of the full size etching. Printed in 1982 by Tyler Graphics of Bedford Village, New York; Tyler is the same atelier that published the Frank Stella original. Size: 9 5/8 x 7 5/8 inches (243 x 194 mm). This work was attached by the publisher onto a larger support sheet. A nice impression printed on quality rag paper with deckle edges. Not signed.
Graham Sutherland original lithograph
Medium: original lithograph. This print was issued for XXe Siecle in 1973, published in Paris by San Lazzaro. Sheet size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.