Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Not signed.

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Not signed.

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Not signed.

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Not signed.

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 7 1/4 x 10 1/2 inches and the full sheet size is 9 1/4 x 13 1/2 inches (235 x 337 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 7 1/4 x 10 1/2 inches and the full sheet size is 9 1/4 x 13 1/2 inches (235 x 337 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 7 1/4 x 10 1/2 inches and the full sheet size is 9 1/4 x 13 1/2 inches (235 x 337 mm). Signed in the plate (not by hand).

Offset lithograph (after the watercolor). Printed in Vienna in 1950 by the Österreichische Staatsdruckerei (Austrian State Printing House) for a now scarce portfolio. The image size is approximately 10 1/2 x 7 1/4 inches and the full sheet size is 13 1/2 x 9 1/4 inches (337 x 235 mm). Not signed.

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times) -- now scarce. Sheet size: 10 3/4 x 8 1/2 inches (275 x 215 mm). The artist's name appears in text beneath the image. Not hand-signed.

Medium: original lithograph. Executed in 1982 for the back cover of Derriere le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Many of the artists who had been regular contributors to DLM throughout its more than thirty years of publication, contributed original prints for this project. Among these were Chagall, Miro, Kelly, Chillida, Palazuelo, Garache, Adami, Fiedler, Ubac, Pol Bury, Alechinsky, Steinberg, Tal-Coat, Riopelle, Tapies, Bram van Velde and several others. Sheet size: 15 x 11 inches (380 x 277mm); there is text on verso, as published. Not signed.

Condition: as this was the actual cover, there is some soiling, and wear around the edges.

Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 2 5/8 x 3 inches. Signed by Walter Shirlaw in the plate (not by hand).

Medium: original etching. This impression on wove paper was printed in 1902 in an edition of 1000 and published in New York by Frederick Quinby. The etched image measures 5 x 3 1/2 inches. Signed in the plate, not hand-signed.

Medium: etching (etched by Stephen Alonzo Schoff after Elihu Vedder). Published in 1880 by the American Art Review. Plate size: 5 1/2 x 9 inches. Plate-signed; not hand-signed.

Medium: etching (etched by Stephen Alonzo Schoff after W. M. Hunt). Published in 1880 by the American Art Review. Image size: 7 1/2 x 6 inches. Not signed.

Medium: lithograph (after the drawing). Published in London in 1896 for the scarce Volume 8 of "The Studio". Printed on brown-tinted smooth wove paper with The Studio blindstamp in the margin. Sheet size 11 1/4 x 8 inches (285 x 205 mm). Signed in the stone (not by hand).

Condition: there is some age-toning to the paper.

Medium: etching. Etched by James D. Smillie after Frederick Arthur Bridgman. Published in the 1880's by Estes & Lauriat. Image size: 7 3/4 x 6 3/8 inches with good margins. Signed in the plate (not by hand).

Medium: original lithograph. Executed in 1982 for the front cover of Derriere le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Many of the artists who had been regular contributors to DLM throughout its more than thirty years of publication, contributed original prints for this project. Among these were Chagall, Miro, Kelly, Chillida, Palazuelo, Garache, Adami, Fiedler, Ubac, Pol Bury, Alechinsky, Steinberg, Tal-Coat, Riopelle, Tapies, Bram van Velde and several others. Sheet size: 15 x 11 inches (380 x 277mm). Signed in the plate, not by hand.

Condition: as this was the actual cover, there is some minor wear around the edges.

Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. Signed in the plate, not by hand.

The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.

Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 5 1/2 x 3 1/8 inches. Signed by Walter Shirlaw in the plate (not by hand).

Medium: original etching. A fine impression in excellent condition on cream laid paper, published in 1880 by the American Art Review. Image size: 8 x 5 inches. Signed by Smillie in the plate (not by hand).

Medium: original etching. This impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Plate size: 6 x 11 3/4 inches. Signed in the plate (not by hand).

Condition: there is minor foxing in the margin, not affecting the etched image.

Medium: etching. Etched by James D. Smillie after this charming pastoral composition by Barbizon artist Charles Emile Jacque. This rich, dark impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Image size: 7 3/4 x 6 3/8 inches. Signed in the plate, not by hand.

Condition: there is minor foxing in the margin, not affecting the etched image.

Medium: original etching. Printed on cream wove paper and published in 1888 for "Picturesque California: The Rocky Mountains and the Pacific Slope". Image size: 8 x 12 inches. Not signed.

Condition: there is soiling in the margins, not affecting the etched image.

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Museum of Modern Art. Signed in the plate (not by hand).

Niki de Saint Phalle was one of the New York artists invited to contribute original compositions in homage to poet Frank O'Hara (1926-1966) for the "In Memory of My Feelings" project in 1967. The lithograph itself is 12 x 9 inches and the entire sheet is 12 x 18 inches (there is a fold in the middle and the poem is on the right side). Since the full sheet is a bit large for our scanner, the second photo shows most but not quite all of the composition.

Medium: engraving (after the drawing). Published in Paris for XXe Siecle in 1939. The image size is 10 1/4 x 8 1/2 inches. There is another image on the back, as issued. Not signed.

Medium: engraving (after the drawing). Published in Paris for XXe Siecle in 1939. The image size is 10 x 8 inches. There is printed text above the image and on the back, as issued. Not signed.

Medium: original lithograph. This striking lithograph was published in 1921 for Genius. Sheet size: 13 3/4 x 10 1/4 inches (350 x 260 mm) on wove paper. This original Edwin Scharff lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Some of the important artists contributing original prints included: Karl Schmidt-Rottluff, Richard Seewald, Franz Marc, Erich Heckel, Frans Masereel, Max Kaus, Karl Hofer, Alexander Archipenko, and others. This was a major vehicle for the German Expressionists. Not signed.