Pierre Bonnard Art

Medium: original lithograph. Catalogue reference: Bouvet 82. This is an interpretation by Pierre Bonnard of one of Paul Cezannes's compositions, published in Paris in 1914 by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). The image size is 8 3/4 x 3 1/4 inches (148 x 83 mm) and the total sheet with full original margins measures 15 x 11 inches (383 x 280 mm). Not signed.

Medium: original lithograph. Printed by Mourlot Freres in 1947 for Verve (volume 17-18 "Couleur de Bonnard"). Sheet size: 13 3/4 x 10 inches (345 x 252 mm). A nice impression on watermarked Marais wove paper with fresh, unfaded color. Signed in the plate, not by hand.

Condition: there is a vertical crease near the left edge of the sheet.

Medium: original lithograph. Printed in 1946 by Andre Clot on Arches paper for the rare "Eloge de Pierre Bonnard" and published in Paris by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/8 x 5 3/4 inches (189 x 145mm). Sheet size: 12 3/4 x 9 3/4 (325 x 250 mm). Signed in the plate (not by hand) -- no impressions were hand-signed.

Medium: lithograph (after the watercolor and mixed media). Printed in Paris by Mourlot Frères for the deluxe art revue Verve (Vol. 2, No. 5-6) in 1939, and published by Teriade. Sheet size: 14 x 10 1/4 inches (355 x 260 mm). There is another lithograph printed on the back, as issued. Not signed.

Medium: offset lithograph. Executed by Bonnard for the cover of the art revue Verve (volume 1, number 3) and published in 1938. Size: 14 x 21 1/4 inches (353 x 545 mm). This was the actual cover and there is the expected center fold; this work has been preserved in better than usual condition. Signed in the plate (not by hand).

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 9 3/4 x 7 1/4 inches (245 x 184 mm). Sheet size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Not signed.

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (196 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 1/2 x 6 1/2 inches (215 x 165 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (197 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 9 x 6 1/2 inches (230 x 163 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 1/4 x 5 1/4 inches (210 x 134 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 1/2 x 2 3/4 inches (167 x 68 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 9 x 6 1/2 inches (230 x 165 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 9 x 6 1/4 inches (228 x 157 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 1/2 x 6 1/4 inches (195 x 157 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (197 x 160 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 1/4 x 6 1/4 inches (156 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 1/4 x 5 1/4 inches (210 x 136 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 5 1/4 x 7 1/4 inches (135 x 185 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 5 1/4 x 4 1/4 inches (135 x 108 mm). This work was mounted by the publisher onto a larger support sheet. Not signed.

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 x 6 1/4 inches (200 x 158 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 x 5 1/4 inches (150 x 135 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 inches (195 x 155 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (195 x 155 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 x 5 1/4 inches (150 x 134 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 x 5 1/4 inches (150 x 134 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 5 1/2 inches (197 x 138 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 3/4 x 6 inches (195 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (195 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 9 x 6 inches (230 x 153 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Not signed.

Medium: pochoir (after the lithograph). Printed in Paris in 1927 at the atelier of Daniel Jacomet and published by Henri Floury. The total sheet size is 10 1/4 x 8 inches (260 x 200 mm). Plate-signed with the Pierre Bonnard monogram signature (not hand-signed).

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 7 x 10 inches (181 x 253 mm). Sheet size: 9 1/2 x 12 1/2 inches (240 x 315 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 9 1/2 x 12 1/2 inches (240 x 315 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 3/8 x 9 3/8 inches (315 x 238 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 6 1/4 x 11 1/4 inches (160 x 290 mm mm). Sheet size: 9 1/2 x 12 1/2 inches (240 x 315 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 8 1/2 x 7 1/4 inches (220 x 185 mm). Sheet size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 7 1/4 x 8 3/8 inches (185 x 212 mm). Sheet size: 9 1/2 x 12 1/2 inches (240 x 315 mm). Signed in the plate, not hand-signed.