Pierre Bonnard Art

Medium: etching and drypoint. Catalogue reference Terasse 59. This original Bonnard etching was printed in Paris in 1927 for the hard-to-find Charles Terrasse catalogue raisonné, published by Henri Floury in an edition of 1500. This impression is printed on cream wove paper; the plate size is 8 1/2 x 6 1/4 inches (218 x 160 mm). Signed in the plate with Pierre Bonnard's monogram signature, not hand-signed.

Medium: original lithograph. Catalogue reference: Bouvet 82. This is an interpretation by Pierre Bonnard of one of Paul Cezannes's compositions, published in Paris in 1914 by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). The image size is 8 3/4 x 3 1/4 inches (148 x 83 mm) and the total sheet with full original margins measures 15 x 11 inches (383 x 280 mm). Not signed.

Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 4 1/2 x 5 3/4 inches (115 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.

Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 6 3/8 x 4 7/8 inches (163 x 125mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.

Medium: original lithograph. Printed by Mourlot Freres in 1947 for Verve (volume 17-18 "Couleur de Bonnard"). Sheet size: 13 3/4 x 10 inches (345 x 252 mm). A nice impression on watermarked Marais wove paper with fresh, unfaded color. Signed in the plate, not by hand.

Condition: there is a vertical crease near the left edge of the sheet.

Medium: original lithograph. Printed in 1946 by Andre Clot in an edition of 180 on Arches paper for the rare "Eloge de Pierre Bonnard" and published in Paris by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/4 x 5 3/4 inches (198 x 148 mm); the full sheet measures 12 3/4 x 9 3/4 (325 x 250 mm). Not signed -- no impressions were hand-signed.

Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 5 1/2 x 5 3/4 inches (140 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.

Medium: lithograph (after the watercolor and mixed media). Printed in Paris by Mourlot Frères for the deluxe art revue Verve (Vol. 2, No. 5-6) in 1939, and published by Teriade. Sheet size: 14 x 10 1/4 inches (355 x 260 mm). There is another lithograph printed on the back, as issued. Not signed.

Medium: original lithograph. Printed in 1946 by Andre Clot on Arches paper for the rare "Eloge de Pierre Bonnard" and published in Paris by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/8 x 5 3/4 inches (189 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250 mm). Signed in the plate (not by hand) -- no impressions were hand-signed.

Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 4 3/4 x 4 1/2 inches (120 x 115mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.

Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 5 x 2 3/4 inches (130 x 70mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.

Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). A small but beautiful composition: the image size is 2 3/4 x 1 3/4 inches (70 x 45 mm) and the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed.

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 5 1/4 x 4 1/4 inches (135 x 108 mm). This work was mounted by the publisher onto a larger support sheet. Not signed.

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 1/2 x 6 1/4 inches (165 x 155 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 x 6 1/4 inches (200 x 158 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 x 5 1/4 inches (150 x 135 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 inches (195 x 155 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (195 x 155 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (197 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 inches (195 x 153 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 1/2 x 6 inches (190 x 153 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 x 5 1/4 inches (150 x 134 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 6 x 5 1/4 inches (150 x 134 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 5 1/2 inches (197 x 138 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 8 3/4 x 6 inches (195 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 7 3/4 x 6 1/4 inches (195 x 156 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). This impression in violet ink was printed in France in 1944 for the rare "Correspondances" portfolio, published by Teriade in a limited edition of 1000 on Arches paper. Size: 9 x 6 inches (230 x 153 mm). This work was mounted by the publisher onto a larger support sheet. Signed in the plate (not by hand).

Medium: lithograph (after the drawing). Printed in France in 1943 for the rare art revue "Hommage" and published in a limited edition of 1000 on Montgolfier Annonay laid paper. Size: 12 1/4 x 9 1/2 inches (313 x 240 mm). Signed in the plate (not by hand).

Condition: there is foxing to the paper and a pattern of discoloration near the center.

Medium: original lithograph. This impression is from the edition of 180 printed on Arches cream wove paper (a small edition of 20 were printed on japon paper, for a total edition of 200). All were printed by Andre Clot for the rare "Eloge de Pierre Bonnard" by Leon Werth, published in 1946 by Manuel Bruker.

The lithographs from Eloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 4 3/4 x 4 1/2 inches (120 x 115 mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). There is printed text above and beneath the image and on the back, as published. Not signed -- no impressions were hand-signed.

Condition: there is some foxing.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 7 1/2 x 10 1/2 inches (190 x 265 mm). Sheet size: 9 1/2 x 12 1/2 inches (240 x 315 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 9 1/4 x 6 1/4 inches (238 x 160 mm). Sheet size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 9 3/4 x 7 1/4 inches (245 x 184 mm). Sheet size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Not signed.

Medium: pochoir (after the lithograph). Printed in Paris in 1927 at the atelier of Daniel Jacomet and published by Henri Floury. The total sheet size is 10 1/4 x 8 inches (260 x 200 mm). Plate-signed with the Pierre Bonnard monogram signature (not hand-signed).

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Image size: 7 x 10 inches (181 x 253 mm). Sheet size: 9 1/2 x 12 1/2 inches (240 x 315 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 1/2 x 9 1/2 inches (315 x 240 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 9 1/2 x 12 1/2 inches (240 x 315 mm). There is printed text on the back, as issued. Not signed.

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher, "this lithograph was pulled by Mourlot Freres in the same technique, using the same color range and number of stones as originally employed by the artist". Size: 12 3/8 x 9 3/8 inches (315 x 238 mm). There is printed text on the back, as issued. Signed in the plate, not hand-signed.