Medium: lithograph, collage and stencil poster. This work consists of a lithograph mounted onto brown wove paper, with a collage of hand-cut newsprint letters and stenciled text in red and blue ink. On verso is a stamp stating that this affiche (poster) was issued in a limited edition of 60 and that this is copy number 1 (see photos).

The lithograph itself appears to be a slightly different state of "Tête de femme". It is known that Tete de femme (references Bloch 384; Mourlot 4) was executed by Picasso in 1945 and issued in an edition of 50 with Picasso's red pencil signature but with no plate signature. The lithograph offered here is printed on Arches laid paper and is signed in the stone, but is not hand-signed.

The size of the lithograph portrait is 11 3/4 x 8 1/4 inches (300 x 210 mm) and the full poster measures 19 3/4 x 13 inches (500 x 325 mm).

Condition: there are pinholes at each corner of the poster, with minor creasing throughout. The lithograph shows a horizontal crease near the top, where it is attached to the support sheet. Extremely rare!

Medium: original woodcut. Signed in pencil. Catalogue reference: Hofmaier 282 IV BB. Printed in Germany in 1923 for the very rare Kunst der Gegenwart portfolio, published in Munich by Marées-Gesellschaft, R. Piper & Co., with the Marées-Gesellschaft blindstamp in the margin. The printer was Fritz Voigt, of Berlin. This impression is one of 220 printed on cream wove paper from a total edition of 300 (consisting of 220 on wove and 80 on japon paper). The image measures 13 3/4 x 13 inches (350 x 331 mm); the total sheet measures 20 1/2 x 18 1/2 inches (520 x 472 mm) with full original margins and deckle edges.

In very good condition; with minor creasing near the edges of the sheet and a tiny pinhole in the space above the figure's right eye (hardly visible).

This is one of several portraits of a mysterious woman called "Naila" that were done by Max Beckmann. It is now known that Naila was Dr. Hildegard Melms, and that Beckmann had an affair with her in 1923, the same year he executed this print. This important German Expressionist woodcut can be found in the permanent collections of the Art Institute of Chicago, the Brooklyn Museum and the Museum of Modern Art (MoMA).

Medium: serigraph (after the 1917 painting). Printed in a limited edition of 300 in 1957 at the atelier Arcay and issued by Galerie Denise René. Printed on Bristol San Francisco smooth wove paper, the image size is 15 1/2 x 13 3/4 inches (395 x 350 mm) and the full sheet measures 26 x 20 inches. Not signed. A very nice impression!

Condition: there is minor wear to the edges of the sheet, not affecting the image.

Medium: serigraph (after the 1911 watercolor). Printed in a limited edition of 300 in 1957 at the atelier Arcay and issued by Galerie Denise René. Printed on Bristol San Francisco smooth wove paper, the image size is 15 x 19 inches (377 x 488 mm) and the full sheet measures 20 x 26 inches. Signed in the plate (not by hand). A very nice impression of this early Mondrian.

Condition: there is minor creasing in the margin, not affecting the image.

Medium: original serigraph / silkscreen. In 1964 Samuel Wagstaff, Jr. (at that time Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) selected ten important American artists and asked them to contribute original prints for the portfolio “Ten Works by Ten Painters”. This was issued in 1964 in an edition of 500. The publisher's blindstamp is in the margin near the bottom right corner. Not signed.

The other artists collaborating with the project were Stuart Davis, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, George Ortman, Larry Poons, Ad Reinhardt, Frank Stella and Andy Warhol. Image size: 17 1/2 x 16 inches (445 x 408mm). Printed on wove paper with full original margins, the sheet measures 24 x 20 inches.

Condition: there is a mat stain in the margin.

Medium: etching (etched by William Bicknell after Winslow Homer's 1896 painting). Although there is no inscription, it is presumed to have been published in 1906 by the John A. Lowell Bank Note Co., Boston, and issued for the Hamburg-American Line (there is a vignette of one of their passenger steamships in the margin at the bottom left). Image size: 23 1/2 x 17 1/2 inches (595 x 443mm) printed on heavy wove paper. Signed by Winslow Homer in the plate (not by hand).

Condition: The margins have been somewhat trimmed (not affecting the etching but slightly cropping the steamship vignette along the bottom edge). There is small skinned spot at the top right corner of the composition, and a pink erasure mark in the margin at the bottom right with skinning to the surface of the paper. A rich, dark impression of this magnificent etching. A lucky find!

Medium: original serigraph. Signed and numbered in pencil 82/150. Executed in 1965 for the Paris Review (catalogue reference: Burchfield 2). The image size is 29 x 25 inches and the full sheet size is 40 x 26 inches. An iconic example of 1960's Pop Art.

Condition: there is some wear around the edges of the sheet.

In 1965 the leading Pop and Abstract artists of the era were commissioned by the Paris Review to contribute original prints. These silkscreens were published in small signed/numbered editions (of 150) and today are quite rare. Artists participating in the project included Motherwell, Warhol, Lichtenstein, Indiana, Dine, Oldenburg, Rauschenberg, D'Arcangelo, Anuszkiewicz, Frankenthaler, Katz, Kelly, Nevelson, Rosenquist and others.

Medium: lithograph. Published in Paris in 1973 by Jacques Damase as a special loose insert for a rare exhibition catalogue. Size: 31 x 13 3/4 inches (795 x 350 mm). Signed in the plate (not by hand).

Condition: This lithograph was issued as a folded sheet with two folds. Also, there is some slight evidence of handling.

Medium: original color silkscreen with cut-outs. Printed in 1964 in an edition of 500. The cut-outs are four crosses in the center of the composition (this work was photographed against a white background). Size: 24 x 20 inches (610 x 505 mm). The Ives-Sillman publisher's blindstamp is at the bottom right corner. Not signed.

In 1964 Samuel Wagstaff, Jr. (Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) asked ten American artists to contribute original prints for the “Ten Works by Ten Painters” portfolio. The other artists collaborating with the project were Stuart Davis, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, Robert Indiana, Larry Poons, Ad Reinhardt, Frank Stella and Andy Warhol. Rare.

Condition: there is age-toning and soiling to the paper. A previous owner's label remains affixed to the back.

Medium: mezzotint. Executed by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed on chine-collé paper (china paper mounted by the publisher onto a heavy wove paper support sheet) and published in London in 1924 by The Museum Galleries; with the publisher's blindstamp in the margin. Image size: 13 1/4 x 17 3/4 inches. Plate size: 16 1/2 x 21 1/2 inches. Sheet size: 21 1/2 x 27 inches.

Condition: there is age-toning to the paper, and a mat stain in the margin. Laid down (mounted) many years ago onto a paperboard backing, although the glue seems to have been applied only along the edges of the sheet, not in the area of the image.

Medium: original lithograph. This is one of the magnificent original lithographs executed by Calder for the Braniff Airlines "Flying Colors Collection". Beautifully printed in 1975 on Arches rag paper, the full sheet measures 26 x 20 inches. Signed in the stone (not hand-signed) and embossed with The Flying Colors Collection drystamp.

Medium: lithograph (after Picasso). Printed in 1959 by Young & Klein of Cincinnati and published by the Cincinnati Art Museum for their Picasso exhibition catalogue (now quite scarce). Sheet size: 17 x 14 inches (430 x 347 mm); the image size is 15 1/2 x 12 inches (390 x 305 mm). There is another image on the back side, as published. Not signed.

Condition: there is some creasing to the paper.

Medium: lithograph (after the Utrillo painting). Printed in 1969 on Arches paper at the Mourlot studio in Paris. Image size: 19 x 24 inches (480 x 610 mm). Sheet size: 23 x 28 inches. A splendid, richly inked impression. Signed in the plate, not hand-signed.

Condition: minor creasing in the margin.

Medium: pochoir (after the oil on paper). Issued in 1967 in an edition of 1200 for the rare exhibition catalogue "Oiseau solaire, oiseau lunaire, etincelles", published by the Pierre Matisse Gallery. This is a fine impression printed in Paris by Ateliers Daniel Jacomet. Sheet size: 12 x 27 1/2 inches (305 x 700 mm). This work was issued as a folded sheet with two center folds. Not signed.

Medium: original lithograph.  Catalogue reference: Mourlot 441. Executed for Derriere le Miroir (issue No. 164-165 -- L'Oiseau Solaire, L'Oiseau Lunaire, Etincelles) in 1967, and published in Paris the same year by the Maeght atelier. Sheet size: 15 x 33 inches; with two center folds, as originally published. Unlike most lithographs issued by DLM, there is no text on the back. Not signed.

Condition: there are pinholes and wear from the binding stitches along the left center crease.

Medium: pochoir (after the watercolor). This beautiful pochoir was printed in Paris in 1971 at the atelier Daniel Jacomet in an edition of 225. This impression was printed on Arches laid paper and measures 15 1/4 x 10 1/4 inches (387 x 263 mm). It is tipped (mounted by the publisher along the top edge) onto a larger support sheet and bears the Daniel Jacomet stamp on the reverse. Not signed.

Medium: mezzotint engraving (engraved by John Jones after the William Redmore Bigg painting). The full title is "Dulce Domum or the Return from School". This magnificent print was published in London in 1790 by the painter himself. The image is 17 1/2 x 24 inches, the plate size is 19 x 24 3/4 and the full sheet measures 22 x 28 inches.

Condition: discoloration and a tear to the margin; old glue remains near the top edge of the sheet; and most notably, several scratches and skinned spots to the surface of the paper. Due to its imperfect condition this rare print is offered at a very attractive price.

Medium: lithograph (after Picasso). Printed in 1959 by Young & Klein of Cincinnati and published by the Cincinnati Art Museum for their Picasso exhibition catalogue (now quite scarce). Size: 17 x 14 inches (430 x 350 mm). There is text on the back side, as published. Not signed.

Condition: there is some creasing.

Medium: original lithograph. Printed in 1963 for the art revue Derriere le Miroir (issue number 139-140 devoted to Miro and Artigas) and published in Paris by the Maeght atelier. Size: 15 x 33 inches (377 x 835 mm). There are two center folds and text on verso, as originally issued. Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Not signed.

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon for the "Vasarely Progressions 1" portfolio. Size: 16 x 16 inches (410 x 410 mm). Signed in the plate (not hand-signed).

Medium: original lithograph. Printed in 1961 in an edition of 1200 for the wrap-around dust-jacket cover of the rare exhibition catalogue "Miró 1959-1960", published by the Pierre Matisse Gallery. Size: 11 7/8 x 37 3/4 inches (300 x 960 mm). This is a folded sheet with three folds, as published. Please note, this listing is for the front cover lithograph only and does not include any other lithographs from this edition. Not signed.

Condition: the sheet has been trimmed and there is minor wear.

Medium: original lithograph. Executed by Hans Erni in 1970 for the "Dames des Décans" deluxe book portfolio. There were 324 copies of the book issued, but this impression was apart from the book edition and without the usual center crease (the lithographs were customarily folded to fit into the portfolio). The size is 18 x 25 inches (460 x 645 mm). A beautiful impression on quality Arches paper. Not signed.

Condition: there is minor creasing and the remains of old tape mounts on the back.

Medium: original woodcut. Executed by Hans Erni in 1970 for the "Dames des Décans" deluxe book portfolio. There were 324 copies of the book issued, but this impression was apart from the book edition and without the usual center crease (the prints were customarily folded to fit into the portfolio). The image size is 15 x 25 inches (380 x 630 mm) and the full sheet measures 18 x 28 inches (470 x 720 mm). A beautiful impression on quality Arches paper. Not signed.

Condition: there is some creasing in the margin, not affecting the woodcut image.

Medium: lithograph (after the Paul Cezanne painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 10 3/4 x 13 1/4 inches (270 x 340 mm) and the full sheet is 20 x 26 inches. Not signed.

Condition: there is age-toning and discoloration in the margin, not affecting the lithographed image.

Medium: lithograph (after the Daumier painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 13 x 9 1/2 inches (330 x 240 mm) and the full sheet is 26 x 20 inches. Signed in the plate; not hand-signed.

Condition: there is age-toning and discoloration in the margin, not affecting the lithographed image.

Medium: lithograph (after the 1862 Degas painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 21 x 16 inches (540 x 406 mm) and the full sheet is 26 x 20 inches. Not signed.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 15 3/4 x 20 1/2 inches (400 x 515 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 15 1/2 x 20 1/2 inches (390 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 16 x 20 1/2 inches (405 x 520 mm) and the full sheet measures 19 x 23 inches (475 x 590 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou and the Bibliotheque Nationale. This impression was printed on watermarked Arches laid paper, in a limited edition of 550 issued in 1990 and bears the official dry stamp of the Bibliotheque Nationale. The image size is 20 1/2 x 15 1/4 inches (520 x 387 mm) and the full sheet measures 23 x 19 inches (590 x 475 mm). Signed in the stone; not hand-signed. For the collector who cannot spend a small fortune on the first edition Toulouse-Lautrec lithograph, this presents an affordable alternative.

Medium: original lithograph, from Robert Indiana's "Mother of Us All" series, issued in 1977. Image size: 18 x 14 inches; the total sheet size is 23 1/2 x 19 1/2 inches. A nice impression on quality Arches paper. Not signed or numbered.

Medium: original lithograph, from Robert Indiana's "Mother of Us All" series, issued in 1977. Image size: 18 x 14 inches; the total sheet size is 23 1/2 x 19 1/2 inches. A nice impression on quality Arches paper. Not signed or numbered.

Medium: original lithograph. Executed by Hans Erni in 1970 for the "Dames des Décans" deluxe book portfolio. There were 324 copies of the book issued, but this impression was apart from the book edition and is printed on a larger sheet, with no center fold (the lithographs were customarily folded to fit into the portfolio). The image size is 14 1/2 x 22 inches (370 x 565 mm) and the full sheet measures 21 x 26 inches (530 x 670 mm). A beautiful impression on quality Arches paper. Not signed.

Condition: there is foxing and discoloration in the margin.

Medium: original lithograph. Executed by Hans Erni in 1970 for the "Dames des Décans" deluxe book portfolio. There were 324 copies of the book issued, but this impression was apart from the book edition and is printed on a larger sheet, with no center fold (the lithographs were customarily folded to fit into the portfolio). The image size is 14 x 22 inches (360 x 555 mm) and the full sheet measures 21 x 25 inches (530 x 645 mm). A beautiful impression on quality Arches paper. Not signed.