Impressionist Art Prints

Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies Originales de Pierre-Auguste Renoir". Although the official edition was to have been 950, it is reported that approximately 1/3 of the impressions were never issued. Image size: 6 7/8 x 5 inches (175 x 125 mm); total sheet size 13 x 9 3/4 inches (330 x 250 mm). Signed in the plate with Renoir's stamped signature (not hand-signed).

Condition: there is foxing to the paper.

Medium: original etching and and aquatint with drypoint. Catalogue reference: Delteil 97. Executed in 1891, this lovely impression is from the edition on cream wove paper published in 1923 for inclusion in the Loys Delteil catalogue raisonne "Le peintre-graveur illustre: Pissarro, Sisley, Renoir (Volume 17). The plate size is 10 x 8 inches (255 x 201 mm); the full sheet measures 12 1/2 x 9 1/4 inches (318 x 235 mm). Not signed. A great find and a magnificent print, showing Pissarro's skill as an etcher.

Medium: original etching and drypoint. Executed in 1897, this impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. This is a rich, dark impression printed on Marais wove paper. The plate size is 8 x 6 inches (205 x 151 mm). This beautiful composition is one of several Pissarro paintings and etchings on a similar theme. Not signed.

Condition: the publisher's original tissue guard is still intact and attached. There is foxing in the margins (see the second photo).

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this lovely impression on cream laid paper is from the rare 1906 first edition of "Histoire des Peintres Impressionnistes" by Theodore Duret, published in Paris by Floury. Plate size: 7 1/4 x 5 3/4 inches (185 x 145 mm); the total sheet size is 10 x 7 3/4 inches (255 x 195 mm). Not signed.

Medium: original etching and drypoint. This rare and beautiful impression on japon paper is one of only 50 printed for the deluxe edition of the Gazette des Beaux Arts. Published in Paris in 1890, this Pissarro etching is printed in brown ink, rather than the typical black ink. Catalogue reference: Delteil 93. A fine impression with plate tone, measuring 7 3/4 x 5 1/4 inches -- 198 x 135mm (plate size) with full original margins. Not signed.

Condition: there is some slight discoloration in the margin from having been previously framed.

Medium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression published in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodore Duret. Plate size: 6 5/8 x 4 3/8 inches (170 x 112 mm). A good impression on wove paper with plate tone. Not signed. A lucky find and a good deal at this price!

Medium: original etching. Catalogue reference: Guerin 27 and Harris 31. This charming etching is one of several compositions executed by Edouard Manet on the subject of a boy and his dog. This edition on wove paper was published in 1902. Plate size: 8 1/8 x 5 3/4 inches (207 x 145 mm). Signed in the plate, not by hand.

Condition: the margins are irregular, being 10mm at the most narrow spot (see the second photo).

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler". Printed on cream laid paper with the full margins and the Van Gelder Zonen watermark. Plate size: 7 1/4 x 5 5/8 inches (185 x 143 mm); the total sheet size is 12 1/2 x 9 5/8 inches (320 x 243 mm). Not signed.

Medium: original etching and aquatint. Catalogue reference: Harris 85 iii/iii. This is a fine impression from the 1884 Bazire edition, printed on laid paper. Plate size: 5 x 4 inches; 127 x 103mm. Not signed.

Condition: there is minor foxing.

Medium: original etching and drypoint. Catalogue reference Delteil 126. Printed in 1900 and published in Paris by H. Floury as the frontispiece for Gustave Geffroy's "La Vie Artistique". Printed on laid paper, the plate size is 4 3/4 x 3 1/4 inches (120 x 80 mm). Not signed.

Condition: there are a few spots of foxing and areas of age-toning to the paper.

Medium: original etching and drypoint. Catalogue reference: Harris 75. This etching was executed by Manet in 1872, but only a few were printed before the copper plate was cancelled with two punched holes. This impression on laid paper was printed in 1923 and published in Berlin by Paul Cassirer (after the plate was beveled to diminish the appearance of the cancellation). Plate size: 4 3/4 x 3 1/8 inches (120 x 80 mm). Not signed.

Condition: there is age-toning to the paper, and the margin has been trimmed on the bottom.

Medium: etching. Etched by French artist Gustave Greux (1838-1919) after the Monet painting. Catalogue reference: Sanchez & Seydoux 1904-18. Printed in 1904 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 4 3/4 x 5 1/2 inches (120 x 138 mm). Sheet size: 7 x 10 1/2 inches (178 x 268 mm). Signed in the plate (not hand-signed).

Medium: lithograph (in smaller size after the original lithograph). This edition was published in Germany by Cassirer ca. 1903, and is now rare. Printed on smooth cream wove paper. Image size: 5 3/4 x 5 inches (150 x 120mm); the sheet size is 10 1/4 x 7 1/4 inches (280 x 225mm). Not signed.

Medium: watercolor on paper. Signed near the bottom left corner. Size: 7 1/2 x 14 inches (188 x 355 mm). Lucille Fox Delano (1902-1987) was best known for California art. Condition: there is foxing on the back side of the paper, but this is not evident on the surface of the painting.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 8 1/2 x 6 1/4 inches (218 x 159 mm). Signed in the plate, hand-signed.

Condition: there is age-toning and a bit of foxing in the margin.

Medium: pochoir (after the pastel). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 1/4 x 7 3/4 inches (260 x 196 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper.

Medium: pochoir (after the pastel). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 10 x 7 1/2 inches (255 x 188 mm). Signed in the plate; not hand-signed.

Condition: there is age-toning to the paper.

Medium: lithograph with pochoir coloring (after the 1885 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Image size: 4 1/2 x 9 inches (115 x 227 mm). Sheet size: 14 1/2 x 10 1/2 inches (370 x 265 mm). Not signed.

Condition: there is foxing in the margin beneath the image.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 5/8 x 7 3/8 inches (170 x 188 mm). Not signed.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/2 x 5 inches (168 x 127 mm). Signed in the plate, not by hand.

Medium: pochoir (after the drawing in sanguine). Printed in 1923 in an edition of 150 on Arches paper at the atelier Jacomet and published in Paris by Bernheim-Jeune for the rare "Renoir, peintre du nu" portfolio. Size: 15 x 11 inches (383 x 277 mm). Not signed.

Condition: there are bumps to the corners of the sheet, and the publisher's binding strip remains attached on the back side.

Medium: etching (etched by Jacques-Felix Schnerb after the Renoir painting). Printed in 1908 at the Alfred Porcabeuf atelier and published in Paris by Gazette des Beaux-Arts. Image size: 6 3/4 x 5 3/8 inches (173 x 137 mm). Signed in the plate, not hand-signed.

Condition: the margin is narrow on the left side.

Medium: etching (after the painting). This beautiful piece was etched by Auguste Lauzet after Camille Pissarro, and published in Paris in 1892 by Chamerot et Renouard, for the very rare volume "L'Art Impressionniste", featuring etchings after important artworks in the private collection of M. Durand-Ruel, which was at the time was one of the world's foremost collections of Impressionist art. This print is a fine impression printed on cream laid paper, with a platemark (not shown here in this photo) and good margins; the plate measures 6 x 4 3/4 inches. Not signed.

Medium: lithograph (after Renoir). One of the most famous Renoir lithographs, this is a portrait of Julie Manet and her cousin Jeanne (Julie Manet was the niece of Edouard Manet and the daughter of Berthe Morisot). This impression was printed at the atelier Mourlot in 1951 using the same number of stones as the original, in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 242 mm). There is text on the back side, as issued. Signed in the plate, not hand-signed.

Condition: there is age-toning to the paper.

Medium: original etching. Executed by Forain for J. K. Huysmans "Croquis Parisiens" and published in Paris in 1880 by Henri Vaton in a total edition of 545. Printed on laid paper. Plate size: 5 5/8 x 3 3/4 inches (147 x 97mm). Signed in the plate (not by hand)

Medium: original etching. Executed by Forain for J. K. Huysmans "Croquis Parisiens" and published in Paris in 1880 by Henri Vaton in a total edition of 545. Printed on laid paper. Plate size: 5 5/8 x 3 3/4 inches (147 x 97 mm). Not signed.

Medium: pochoir (after the drawing). Printed in Paris in 1919 and published by Henri Floury for the rare Paul Lafond catalogue raisonné. Size: 7 3/4 x 6 1/4 inches (198 x 158 mm). This work was attached by the publisher (along the top edge) onto a larger support sheet. Signed in the plate (not by hand).

Medium: etching (after the painting). Etched by French artist Henri Guerard (1846-1897) after the iconic Manet painting. This impression on cream laid paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. Image size: 5 1/2 x 7 3/8 inches (140 x 187 mm). Signed in the plate (not by hand).

Medium: etching and drypoint (after the painting). This beautiful piece was etched by Emile Lequeux after Renoir, and published in Paris in 1904 by Gazette des Beaux-Arts; and is referenced in the Sanchez & Seydoux catalogue (entry 1904-14). A good impression printed by Charles Wittmann on chine-collé paper, with a platemark (not shown here in this photo); the image measures 6 1/2 x 5 3/8 inches (165 x 138 mm). Signed in the plate, not hand-signed.

Condition: there is some waviness to the paper.

Medium: color woodcut (engraved by Alfred Prunaire after the Manet painting). This impression was printed on thin japon paper and published by Paul Cassirer in 1923. Size: 7 3/4 x 10 inches (195 x 255 mm). Please note, the apparent rippling of the paper is exaggerated by the camera. Signed in the plate, not hand-signed.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 3/4 x 5 inches (173 x 128 mm). Not signed.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 4 3/4 inches (163 x 123 mm). Not signed.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 8 1/2 x 6 1/4 inches (215 x 160 mm). Not signed.

Condition: there discoloration in the margin

Medium: lithograph with pochoir coloring (after the 1895 drawing in sanguine). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published in Paris by Quatre Chemins in an edition of 500. Sheet size: 14 1/2 x 10 1/2 inches (370 x 265 mm). Not signed.

Condition: there are a few spots of foxing.

Medium: lithograph (after the 1862 Degas painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portfolio. The image measures 21 x 16 inches (540 x 406 mm) and the full sheet is 26 x 20 inches. Not signed.

Medium: woodcut (engraved by Jacques Beltrand after Cezanne). This impression on cream laid paper was printed in 1914 and published by Bruno Cassirer and Theodore Duret. Image size: 5 x 3 inches (130 x 75 mm). Not signed.

Medium: original etching and drypoint. This impression on wove paper was printed in 1908 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 8 x 5 1/2 inches (202 x 142 mm). Signed in the plate (not by hand).

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 4 3/4 inches (160 x 121 mm). Not signed.

Condition: there is some age-toning to the paper.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 9 x 6 inches (228 x 155 mm). Not signed.

Condition: there is some age-toning and discoloration to the paper.

This recreation in pochoir (after the original monotype) was printed in a limited edition of 1000 and published in Paris in 1948 by Quatre Chemins. This impression was printed on Marais paper by Ateliers Dreux-Barry and shows a platemark similar to an etching; the actual original Degas monotypes are virtually unobtainable and this edition makes an affordable alternative. Plate size: 6 1/4 x 8 1/4 inches (159 x 218 mm). Signed in the plate, not by hand.

Condition: there is discoloration in the margins.