Medium: original etching. Printed in 1946 at the atelier Lacouriere on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Size: 13 x 9 5/8 inches (330 x 245 mm). Signed in the plate (not by hand).

Medium: serigraph (after the 1911 watercolor). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 x 19 inches (377 x 488 mm). Sheet size: 20 x 26 inches (510 x 660 mm). Signed in the plate (not by hand).

Condition: there is minor creasing in the margin, not affecting the image.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 x 10 inches (325 x 255 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 x 10 inches (325 x 255 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original lithograph. Printed in 1947 at the Mourlot atelier in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maeght. Size: 9 1/2 x 8 inches (240 x 202 mm). Not signed.

Medium: linoleum cut. Printed in Paris in 1938 at the atelier Mourlot for the art revue Verve. Image size: 7 3/4 x 6 inches (197 x 150 mm). Sheet size: 14 x 10 1/4 inches (355 x 260 mm). There is another composition printed on the back side, as published. Signed in the plate (not hand-signed).

Medium: original woodcut. Printed in 1947 in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maeght. Image size: 8 1/4 x 6 1/2 inches (210 x 167 mm). Sheet size: 9 1/2 x 8 inches (240 x 203 mm). There is printed text on verso, as published. Not signed.

Medium: original lithograph. Catalogue reference: Salomon 27. This lithograph was executed by K X Roussel in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 x 8 3/4 inches (150 x 220 mm). Sheet size: 10 3/4 x 15 inches (273 x 383 mm). Not signed.

Condition: there is a crease in the paper near the top right and a few spots of foxing in the margins.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 7 7/8 x 6 3/8 inches (198 x 162 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 x 6 3/8 inches (205 x 163 mm). Signed in the plate (not hand-signed).

The English title is "Changing Residence". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/4 x 12 inches (163 x 305 mm).

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Plate size: 8 3/4 x 6 1/8 inches (220 x 155 mm). Sheet size: 10 5/8 x 6 3/4 inches (270 x 172 mm). This impression on laid paper bears the watermark of the printer Eugene Delatre. Signed in the plate, not hand-signed.

Condition: the left margin is narrow with a small crease.

The English title is "Be in Love and You Will Be Happy". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/4 x 10 3/4 inches (160 x 273 mm).

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-Gabriel Daragnes, this art and literary album celebrated Paris in 1937, with original etchings from important artists of the time, and essays from leading writers. Plate size: 13 3/8 x 10 3/8 inches (340 x 261 mm). With narrow margins (as published) the sheet size is: 13 1/2 x 10 1/2 inches (345 x 270 mm). Signed in the plate, not hand-signed.

Medium: original softground etching and aquatint. Executed in 1919, this impression on laid paper was printed ca. 1929. Plate size: 7 3/4 x 6 1/2 inches (196 x 167 mm). Sheet size: 12 x 9 1/4 inches (305 x 234 mm). Signed in the plate with Arthur B. Davies' stamp signature at lower right and signed in pencil by printer Frank Nankivell at lower left.

Condition: there is creasing to the paper.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui". The publisher's provenance inscription is printed beneath the image. Image size: 7 x 5 inches (180 x 125 mm). Not signed.

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Size: 6 1/2 x 7 3/4 inches (image). Signed in the plate (not by hand).

Medium: original lithograph. Catalogue reference: Cailler 135. This is an interpretation by Maurice Denis of one of Paul Cezannes's still life compositions, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 6 1/4 x 7 1/4 inches (160 x 185 mm). Sheet size: 10 3/4 x 14 1/2 inches (273 x 370 mm). Signed in the plate; not hand-signed.

Medium: original lithograph. Catalogue reference: Bouvet 82. This is an interpretation by Pierre Bonnard of one of Paul Cezannes's compositions, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 8 3/4 x 3 1/4 inches (148 x 83 mm). Sheet size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Not signed.

Medium: pochoir (after the watercolor). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 6 1/4 x 7 1/2 inches (158 x 188 mm). Not signed.

Medium: engraving (after the 1932 etching for Poésies de Mallarmé). Printed in 1933 on watermarked Montgolfier laid paper and published in Paris by Arts et Métiers Graphiques. Size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not signed.

Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inches (170 x 120 mm). Not signed.

Condition: there is some age-toning and soiling in the margin.

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 x 7 1/4 inches (102 x 182 mm). The special paper used has some natural variations to the surface.

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

The English title is "Woman of Royal Blood". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 3/4 x 12 inches (170 x 305 mm). The special paper used has some natural variations to the surface.

The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original etching and drypoint. Catalogue reference: Sanchez and Seydoux 1913-10. Printed in 1913 and published in Paris by Gazette des Beaux-Arts. Sheet size: 8 1/2 x 6 inches (217 x 151 mm). This impression on laid paper bears the watermark of the printer Eugene Delatre. Signed in the plate, not hand-signed.

Condition: the margins have been trimmed.

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 5 1/2 x 8 3/4 inches (140 x 223 mm). The special paper used has some natural variations to the surface.

Condition: there are a few spots of foxing. The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 4 1/4 x 7 1/4 inches (110 x 183 mm).

Condition: the special paper used has some natural variations to the surface. The extremely rare originals are well beyond the reach of most collectors, and the edition offered here presents an affordable alternative.

Medium: original lithograph. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (314 x 242 mm). Not signed.

Condition: there is a small bump to the bottom right corner of the sheet.

Medium: pochoir (after the watercolor). This impression was printed in 1971 on Arches paper at the atelier of Daniel Jacomet and published in an edition of 225 for the Cezanne Quinze Aquarelles portfolio. Image size: 15 3/8 x 10 1/2 inches (390 x 265 mm). Sheet size: 21 x 16 inches (530 x 410 mm). It was mounted by the publisher along the top edge onto a larger support sheet and bears the Daniel Jacomet stamp on the reverse. Not signed.

Medium: original etching. A fine impression on japon paper, printed in Paris in 1926 for the Revue de l'Art ancien et moderne. The plate measures 10 3/8 x 7 1/8 inches (263 x 198 mm). Not signed.

Condition: the left margin is narrow (3mm).

Medium: lithograph (after the drawing). This composition was executed by Felix Vallotton in homage to Paul Cezanne, printed in 1914 and published in Paris by Bernheim-Jeune for the rare volume "Cezanne". This impression is one of 400 printed on wove paper (from a total edition of 600). Image size: 7 1/4 x 9 1/2 inches (185 x 245 mm). Sheet size: 10 5/8 x 14 7/8 inches (270 x 377 mm). Not signed.

Condition: there is foxing in the margins.

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 6 5/8 x 8 1/8 inches (168 x 205 mm). The publisher's provenance inscription is printed beneath the image. Not signed.

Medium: original lithograph. Printed in 1929 and published by the art and literary revue Byblis in an edition of 100. Sheet size: 11 x 8 1/4 inches (278 x 208 mm). This work is by French artist Robert Etienne Bonfils (1886-1971). Signed both in the plate and in pencil, and numbered 6/100.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (227 x 283 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 292 mm). Signed in the plate (not hand-signed).

Condition: as published, there are narrow margins on both sides (especially the left side).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 10 x 9 inches (258 x 225 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (297 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 11 3/4 x 6 3/4 inches (300 x 170 mm). Sheet size: 15 3/4 x 11 1/2 inches (397 x 293 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 3/4 x 11 3/4 inches (220 x 300 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Not signed.

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 8 1/2 x 10 3/4 inches (220 x 273 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).

Medium: pochoir (after the painting). Printed in 1962 in a limited edition of 200 for the scarce Braque 20 Pochoirs portfolio, published in Milan by Silvana Editoriale d'Arte. Image size: 9 x 11 inches (228 x 280 mm). Sheet size: 11 1/2 x 15 3/4 inches (293 x 397 mm). Signed in the plate (not by hand).