Medium: original etching. Printed in 1946 at the atelier Lacouriere on BFK Rives paper and published in a limited edition of 300 for the "Alternance" portfolio (a collective art and literary project). Size: 13 x 9 5/8 inches (330 x 245 mm). Signed in the plate (not by hand).

Medium: original etching and aquatint. Executed in 1874, this impression on laid paper is presumed to be from the 1905 Strölin edition. Plate size: 9 3/8 x 6 1/4 inches (238 x 160 mm). Sheet size: 17 x 11 1/2 inches (430 x 295 mm). Not signed.

Condition: there is foxing to the paper.

Medium: serigraph (after the 1917 painting). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 1/2 x 13 3/4 inches (395 x 350 mm). Sheet size: 26 x 20 inches (660 x 510 mm). Not signed.

Condition: there is minor wear to the edges of the sheet, not affecting the image.

Medium: serigraph (after the 1911 watercolor). Printed in 1957 on Bristol San Francisco smooth wove paper in an edition of 300 at the atelier Arcay and published by Galerie Denise René. Image size: 15 x 19 inches (377 x 488 mm). Sheet size: 20 x 26 inches (510 x 660 mm). Signed in the plate (not by hand).

Condition: there is minor creasing in the margin, not affecting the image.

Medium: original lithograph. Printed in 1947 at the Mourlot atelier in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maeght. Size: 9 1/2 x 8 inches (240 x 202 mm). Not signed.

Medium: original etching and aquatint. Catalogue reference: Harris 85 iii/iii. This is a fine impression from the 1884 Bazire edition, printed on laid paper. Plate size: 5 x 4 inches; 127 x 103mm. Not signed.

Condition: there is minor foxing.

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imaginaire" portfolio. Size: 14 1/2 x 10 3/4 inches (370 x 275 mm). Signed in pencil by Man Ray.

Medium: original pochoir stencil print in five colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro". The English title of this work is "Women and Birds before the Moon". The publisher's inscription is printed on verso. Size: 11 x 8 1/2 inches (278 x 214 mm). Not signed.

Condition: there is a small brown spot near the center.

Medium: lithograph and pochoir. Catalogue reference: Dupin 1310, Benhoura 396. This lithograph was printed in 1938 at the atelier Mourlot and published in Paris by Teriade for the art revue Verve (volume 1, number 3). Four artists were commissioned to contribute compositions on the four seasons, with Miro choosing Summer. A beautiful, richly-inked impression of this important Miro print. Size: 14 x 10 3/8 inches (353 x 263 mm). Signed in the plate (not by hand).

Medium: stencil print on sandpaper (after the painting). At the height of his period of creative experimentation during the 1930's, Miro executed an abstract painting on sandpaper.
The rare work offered here is a faithful vintage re-creation of that work, and is printed on actual sandpaper. This is the same Wellington Mills, John Oakey & Sons Waterproof No. 2/0 flint sandpaper that was used by Miro for the original painting. Printed in London in 1937 for "Signature: A Quadrimestrial of Typography and Graphic Arts". Size: 9 3/4 x 6 1/2 inches (245 x 165mm). Not signed.
A richly inked impression, this unusual Miro seems to invite the viewer to touch it!

Medium: linoleum cut. Printed in Paris in 1938 at the atelier Mourlot for the art revue Verve. Image size: 7 3/4 x 6 inches (197 x 150 mm). Sheet size: 14 x 10 1/4 inches (355 x 260 mm). There is another composition printed on the back side, as published. Signed in the plate (not hand-signed).

Medium: original woodcut. Printed in 1947 in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maeght. Image size: 8 1/4 x 6 1/2 inches (210 x 167 mm). Sheet size: 9 1/2 x 8 inches (240 x 203 mm). There is printed text on verso, as published. Not signed.

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro". The English title of this work is "Woman and Birds in the Night". The publisher's inscription is printed on verso. Size: 11 x 8 1/2 inches (278 x 214 mm). Not signed.

Medium: original etching. Printed in 1970 in an edition of 150 on Johannot wove paper for the Paroles Peintes IV portfolio and published in Paris by Lazar-Vernet. Plate size: 13 1/2 x 9 1/2 inches (344 x 243 mm). Not signed.

Medium: original lithograph. Catalogue reference: Mourlot 244. This charming Miro lithograph was printed by Mourlot for XXe Siecle in 1957 for issue number 8 "Art et humour au XXe Siecle" and published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 243 mm). In 1960 XXe Siecle published a reproduction of a similar (but not identical) composition, not to be confused with this, the original lithograph. Not signed.

Condition: there are bumps to two corners of the sheet.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 7 7/8 x 6 3/8 inches (198 x 162 mm). Signed in the plate (not hand-signed).

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 x 6 3/8 inches (205 x 163 mm). Signed in the plate (not hand-signed).

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro". The English title of this work is "Woman and Birds in the Night". The publisher's inscription is printed on verso. Size: 11 x 8 1/2 inches (278 x 214 mm). Not signed.

Condition: there is foxing, wear and soiling to the paper.

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui". The publisher's provenance inscription is printed beneath the image. Image size: 7 x 5 inches (180 x 125 mm). Not signed.

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Size: 6 1/2 x 7 3/4 inches (image). Signed in the plate (not by hand).

Medium: lithograph (after the gouache). This is the whimsical and striking surrealist composition, created by Rene Magritte for the cover of the December 1946 issue of "View", devoted to Surrealism in Belgium. View was a quarterly American art revue, published in New York from 1940-1947, focused especially on surrealist art. The total sheet measures 12 x 9 inches (305 x 230 mm). This was the actual cover and there is text printed on verso, as issued. Signed in the plate, not hand-signed.

Medium: original etching. The complete title is "Passerelle du Pont au Change apres l'incendie de 1621". Catalogue reference: Delteil/Wright 50. This is a view of the footbridge which temporarily replaced the Exchange Bridge in Paris after the disastrous 1621 fire. This impression on chine-collé paper was printed in Paris by Delatre and published in 1860 by Gazette des Beaux-Arts. Image size: 3 3/4 x 7 7/8 inches (95 x 200mm). Signed in the plate (not by hand). This is a good impression of this well-known Meryon etching.

Medium: engraving (after the 1932 etching for Poésies de Mallarmé). Printed in 1933 on watermarked Montgolfier laid paper and published in Paris by Arts et Métiers Graphiques. Size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not signed.

Medium: original lithograph. Catalogue reference: M 233. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Sheet size: 9 x 14 1/2 inches (230 x 370 mm). This lithograph was published as a folded sheet with a center crease. Not signed.

Condition: there is a spot of foxing in the margin.

Medium: original etching. Catalogue reference: Klackner 27. This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 7/8 x 8 3/4 inches (152 x 225 mm). Signed in the plate with Thomas Moran's monogram (not by hand).

Medium: original lithograph. Signed by the artist in blue pencil. Printed by Imprimerie Clot, Bramsen et Georges on Arches paper in a limited edition of 100. This lithograph was published in Paris in 1967 by Daniel Gervis. The total sheet measures 9 3/4 x 5 1/4 inches (250 x 133mm). The avant-garde Russian artist Paul Mansouroff is also known as Pavel Mansurov. Rare.

Medium: pochoir (after the oil on paper). Printed in 1965 at the atelier Daniel Jacomet in an edition of 1200 for the rare exhibition catalogue "Miro Cartones 1959-1965" and published by the Pierre Matisse Gallery. An exquisite, richly inked impression. Size: 12 1/4 x 8 5/8 inches (315 x 220 mm). Signed in the plate (not by hand).

Medium: pochoir (after the oil on paper). Printed in 1965 at the atelier Daniel Jacomet in an edition of 1200 for the rare exhibition catalogue "Miro Cartones 1959-1965" and published by the Pierre Matisse Gallery. An exquisite, richly inked impression. Size: 12 1/4 x 8 5/8 inches (315 x 220 mm). Signed in the plate (not by hand).

Medium: pochoir (after the oil on paper). Printed in 1965 at the atelier Daniel Jacomet in an edition of 1200 for the rare exhibition catalogue "Miro Cartones 1959-1965" and published by the Pierre Matisse Gallery. An exquisite, richly inked impression. Size: 8 5/8 x 12 1/4 inches (220 x 315 mm). Signed in the plate (not by hand).

"Beduinenlied"
Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 10 inches round (255 mm). This work was mounted by the publisher onto a larger support sheet. Not signed.