Medium: original serigraph / silkscreen. In 1964 Samuel Wagstaff, Jr. (at that time Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) selected ten important American artists and asked them to contribute original prints for the portfolio “Ten Works by Ten Painters”. This was issued in 1964 in an edition of 500. The publisher's blindstamp is in the margin near the bottom right corner. Not signed.

The other artists collaborating with the project were Stuart Davis, Ellsworth Kelly, Roy Lichtenstein, Robert Motherwell, George Ortman, Larry Poons, Ad Reinhardt, Frank Stella and Andy Warhol. Image size: 17 1/2 x 16 inches (445 x 408mm). Printed on wove paper with full original margins, the sheet measures 24 x 20 inches.

Condition: there is a mat stain in the margin.

Medium: original lithograph. Printed in 1977 on Arches paper for Robert Indiana's "Mother of Us All" series. Image size: 18 x 14 inches. Sheet size: 23 1/2 x 19 1/2 inches. Not signed or numbered.

Medium: original etching and drypoint. Executed for Abel Hermant's "Bigarrure", this beautiful Louis Icart etching was published in Paris in 1928 in a limited edition of 1100. Plate size: 5 1/4 x 3 1/2 inches (132 x 90 mm). A nice impression on cream laid paper. Not signed (there were no signed impressions of this drypoint).

Condition: there is some foxing to the margins.

Medium: original etching and drypoint. Executed for Abel Hermant's "Bigarrure", this beautiful Louis Icart etching was published in Paris in 1928 in a limited edition of 1100. Plate size: 5 x 3 1/2 inches (125 x 90 mm). A nice impression on cream laid paper. Not signed (there were no signed impressions of this drypoint).

Condition: there is some foxing to the margins.

Medium: original etching and drypoint. Executed for Abel Hermant's "Bigarrure", this beautiful Louis Icart etching was published in Paris in 1928 in a limited edition of 1100. Plate size: 5 1/4 x 3 1/2 inches (130 x 88 mm). A nice impression on cream laid paper. Not signed -- Louis Icart did not sign any impressions of this etching.

Medium: etching (etched by Felix Bracquemond after Ingres). This impression on chine-colle paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. The image measures 4 5/8 x 7 1/4 inches (213 x 140 mm). Not signed.

Condition: there is foxing in the margin.

Medium: original lithograph. This lithograph was printed for the art revue XXe Siecle in 1973 and published in Paris by San Lazzaro. Image size: 8 3/8 x 8 3/8 inches (210 x 210mm). Sheet size: 12 1/4 x 9 inches. Not signed.

Medium: etching (etched by J. Patricot after Ingres). This impression on laid paper was printed in 1903 and published in Paris by the Gazette des Beaux-Arts. The image measures 7 1/4 x 5 3/4 inches (182 x 145 mm). Not signed.

Condition: there is foxing in the margin.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 3/8 inches (228 x 315 mm). Signed in the plate (not by hand).

Condition: there is aging to the paper and two repaired tears in the margin at the right edge of the sheet.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 3/8 inches (228 x 315 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 3/8 inches (228 x 315 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper.

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 9 x 12 1/4 inches (230 x 310 mm). Signed in the plate (not by hand).

Condition: there is age-toning to the paper and a library stamp on the back.

Medium: etching (after the painting). Etched by William Wellstood after George Inness. Printed in 1887 and published in Boston by Estes & Lauriat. Image size: 5 1/2 x 7 3/4 inches (138 x 198 mm). Signed in the plate (not by hand).

Condition: there is creasing and wear to the paper.

Medium: original lithograph. This lithograph was printed in 1951 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spring Fantasia Masquerade Ball at the Hotel Astor. Leading artists on the New York art scene were invited to contribute original lithographs in the form of advertisements for businesses sponsoring the Artists Equity Association; these sponsors gave the artists complete creative freedom of expression.

This impression was printed on tinted laid paper in an edition of 2000. Size: 12 x 8 5/8 inches (303 x 220 mm). Signed in the plate (not hand-signed).

Condition: the left edge of the sheet has been trimmed.

Medium: original etching and drypoint. Printed in 1928 and published in Paris in a limited edition of 1100 for Abel Hermant's "Bigarrure". Plate size: 5 5/8 x 4 1/8 inches (143 x 105 mm). A nice impression on cream laid paper. Not signed.