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James Whistler original etching "Billingsgate"
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$2,000.00
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Medium: original etching. Catalogue reference: Kennedy 47. Executed by Whistler in 1859; this is a fine impression on a thin laid paper, presumably printed before the plate was steel-faced for later editions. Signed in the plate (not by hand). Plate size: 6 x 8 3/4 inches (152 x 225mm) with good margins. Condition: very good, save for a small skinned spot to the paper inside the plate (but difficult to see).
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James Whistler original etching "A Street in London" (Alderney Street)
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$800.00
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Medium: original etching. Also called "Alderney Street". Catalogue reference: Kennedy 238. Executed in 1880 and signed in the plate with Whistler's butterfly monogram (not by hand). Plate size: 7 x 4 1/2 inches. A fine impression with wide margins.
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James Whistler original etching "Tiny Pool"
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$650.00
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Medium: original etching. This is an uncommonly fine impression on laid paper, rich and dark with good plate tone, which brings out the atmosphere of Whistler's composition better than most later impressions. Executed in 1879; catalogue reference: Kennedy 173. Plate size: 3 7/8 x 2 5/8 inches (100 x 66mm). Not signed. A very affordable original Whistler!
Condition: this piece has been laid down (glued down onto a stiff card) by an earlier owner. There is rippling / creasing to the paper and appears to be some separation along the bottom platemark.
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James Whistler original lithograph "Savoy Pigeons"
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$300.00
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Medium: transfer lithograph. Catalogue reference: Way 118. Executed in 1896; this is one of the compositions drawn by Whistler on lithographic transfer paper. This scene shows the view from Whistler's window at the Savoy Hotel in London. Published in London in 1896 for the scarce Volume 8 of "The Studio" in an edition of approximately 3000. This impression on cream laid paper measures 11 1/8 x 7 3/4 inches (total sheet). Signed in the stone with the butterfly monogram (not by hand).
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James Whistler lithograph "The Purple Cap" 1905
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$200.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 10 1/8 x 6 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
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James Whistler lithograph "The Old Marble Hall, Venice" 1905
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$200.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 3/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
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James Whistler lithograph "Sunset, Venice" 1905
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$200.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 5 x 9 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Not signed.
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James Whistler lithograph "Bead-Stringers, Venice" 1905
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$200.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
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James Whistler lithograph "A Venetian Canal" 1905
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$200.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 8 3/4 x 5 1/2 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Not signed.
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