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James Whistler original etching "Billingsgate"
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$850.00
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Medium: original etching. Catalogue reference: Kennedy 47. Executed by Whistler in 1859; this is a good impression printed on laid paper. Signed in the plate (not by hand). Plate size: 6 x 8 3/4 inches (152 x 225mm).
Condition: there is some creasing to the paper. Additionally, there is old paper stuck to the margins; this is outside the platemark and away from the etching.
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James Whistler original etching "A Street in London" (Alderney Street)
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$750.00
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Medium: original etching. Also called "Alderney Street". Catalogue reference: Kennedy 238. Executed in 1880 and signed in the plate with Whistler's butterfly monogram (not by hand). Plate size: 7 x 4 1/2 inches. A fine impression with wide margins.
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James Whistler original lithograph "Firelight: Portrait of Joseph Pennell"
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$400.00
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Medium: original transfer lithograph. Catalogue reference: Way 104. Executed in 1896 and issued in 1898 as the frontispiece in "Lithography and Lithographers" by Joseph Pennell; this is one of the compositions drawn by Whistler on lithographic transfer paper. It is a portrait of Whistler's friend and fellow artist Joseph Pennell. This impression is printed on laid paper, bearing the watermark of a figure holding a banner while balancing on a ball. The image measures 6 5/8 x 5 1/2 inches; the total sheet is 13 3/4 x 9 5/8 inches. Signed in the stone with the Whistler butterfly monogram (not signed by hand).
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James Whistler original lithograph "Savoy Pigeons"
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$400.00
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Medium: transfer lithograph. Catalogue reference: Way 118. Executed in 1896; this is one of the compositions drawn by Whistler on lithographic transfer paper. This scene shows the view from Whistler's window at the Savoy Hotel in London. Published in London in 1896 for the scarce Volume 8 of "The Studio" in an edition of approximately 3000. This impression on cream laid paper measures 11 1/8 x 7 3/4 inches (total sheet). Signed in the stone with the butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
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James Whistler original lithograph "The Long Gallery at the Louvre"
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$350.00
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Medium: original lithograph. Catalogue reference: Way 52. Published in London in 1894 for The Studio. This impression on cream wove paper measures 8 3/4 x 6 1/4 inches (image size). Signed in the stone with the Whistler butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
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James Whistler original lithograph "The Smith's Yard"
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$350.00
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Medium: original lithograph. Catalogue reference: Way 88. Published in London in 1895 for The Studio. This impression on cream wove paper measures 7 1/2 x 6 1/2 inches (image size). Signed in the stone with the Whistler butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
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James Whistler original lithograph "Gants de suede" |Suede gloves
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$350.00
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Medium: original lithograph. Catalogue reference: Way 26. This charming portrait is of Ethel Birnie Philip, the sister-in-law of James Whistler. Published in London in 1894 for The Studio. This impression on cream wove paper measures 8 1/4 x 4 inches (image size). Signed in the stone with the Whistler butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
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James Whistler etching "Portrait de ma Mere" | Whistler's Mother
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$300.00
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Medium: etching (etched by H. Guerard after Whistler's iconic painting). Printed in Paris by Eudes and published in ca.1883 by Gazette des Beaux Arts. Image size: 5 1/2 x 6 1/2 inches (143 x 165 mm) on laid paper. Signed in the plate, not by hand. Condition: there is some age-toning to the paper.
The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the etchings and lithographs published during the 19th Century and early years of the 20th Century.
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James Whistler lithograph "The Purple Cap" 1905
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$200.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 10 1/8 x 6 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
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James Whistler lithograph "The Old Marble Hall, Venice" 1905
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$150.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 3/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
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James Whistler lithograph "Bead-Stringers, Venice" 1905
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$150.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
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James Whistler lithograph "A Venetian Canal" 1905
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$150.00
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Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 8 3/4 x 5 1/2 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Not signed.
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