Also called "In the Newark Meadows". Medium: original etching. Catalogue reference: Klackner 15. Executed in 1879, this original Thomas Moran etching is a nice impression on wove paper. Signed in the plate with Moran's monogram (not by hand). Size: 5 3/4 x 8 7/8 inches (plate).
Also called "Landscape"; Medium: etching. Catalogue reference: Klackner 63. Executed in 1888 (etched by Thomas Moran after George Inness), this is a nice impression circa 1900 on laid paper. Size: 5 1/2 x 7 3/4 inches (plate).
Medium: original etching. Catalogue reference: Klackner 56. A rich, dark impression on laid paper, remarkably clean and without foxing or age-toning. Published for the American Art Review in 1881; the American Art Review was a lavishly produced revue featuring original etchings by Moran and other leading American artists of the era, which only lasted three years and is now quite scarce. Plate size: 5 3/4 x 8 7/8 inches (145 x 225mm) with full original margins. Signed in the plate (not by hand). One of Thomas Moran's most sought-after prints, and one of his few Florida compositions.
Medium: original etching. Catalogue reference: Klackner 29. Executed in 1883, this impression is printed on laid paper. Signed in the plate with Thomas Moran's monogram (not by hand) and with the thistle remarque. Size: 9 1/4 x 11 1/2 inches (plate); there is a small tear (repaired) in the top margin.
Medium: original etching. Catalogue reference Klackner 18. One of Thomas Moran's Long Island etchings, executed in 1880. This is a nice impression on laid paper, with full original margins. Signed in the plate (not by hand). Size: 3 3/4 x 7 5/8 inches (plate).
Medium: original etching. Catalogue reference: Klackner 35. A rich, dark impression on laid paper. Size: 11 1/2 x 9 1/4 inches (plate). Signed in the plate (not by hand). Considered one of Thomas Moran's finest etchings; his Western scenes are among the most sought after.
Medium: chromolithograph. Signed in pencil. This is a magnificent sepia chromolithograph (signed by Thomas Moran and executed after his own painting). Published in 1897 by Fishel, Adler and Schwartz of New York and printed in Austria. Size: 18 1/4 x 28 1/4 inches (image) with good margins; some minor creasing (not unusual for a work of this size).