Medium: lithograph (after the gouache). This lithograph was printed in Paris by Mourlot in 1965 for the cover of a now scarce catalogue. Image size: 6 1/2 x 5 inches (165 x 130mm). Not signed. Condition: there is some wear, principally to the upper right corner.
Medium: original lithograph. Printed in Paris in 1964 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 2000 impressions on wove paper. Size: 10 x 7 1/2 inches (sheet). Not signed. This original Minaux lithograph is from the scarce and lavishly-produced limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.
Medium: original lithograph. Printed in Paris in 1962 by the legendary atelier of Fernand Mourlot. Size: 10 x 14 1/4 inches (250 x 360 mm); issued as a folded sheet with pinholes (from the stitching) and center crease. Not signed.
Medium: original lithograph. Executed in 1965 for Derrière le Miroir (No. 150), published in Paris by Maeght. Sheet size: 15 x 22 inches (380 x 560 mm); with text on verso and center fold, as issued. Signed in the plate (not by hand). Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: original lithograph. Executed in 1965 for Derrière le Miroir (No. 150). Sheet size: 15 x 11 inches (380 x 280 mm); with text on verso, as issued. Signed in the plate (not by hand). Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: etching. Etched by Bracquemond after Gustave Jundt. Published by London, Virtue & Co. This impression is on wove paper. Size: 6 1/2 x 9 3/4 inches (image).
Medium: original lithograph. Printed in Paris in 1964 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 2000 impressions on wove paper. Size: 10 x 7 1/2 inches (sheet). Not signed. This original Maurice Brianchon lithograph is from the scarce and lavishly-produced limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.
Medium: original lithograph. Printed in Paris in 1964 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 2000 impressions on wove paper. Size: 10 x 7 1/2 inches (sheet). Not signed. This original Maurice Esteve lithograph is from the scarce and lavishly-produced limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.
Medium: original lithograph. This was issued for XXe Siecle (No. 39) 1972, published in Paris by San Lazzaro. Sheet size 12 1/4 x 9 1/2 inches. A nice impression on wove paper, as one expects from XXe Siecle. Not signed. XXe Siecle (Chroniques du Jour) was a deluxe art revue that was the source of many outstanding prints. It was published by Gualtieri di San Lazzaro from 1938-1939, and again from 1951 until 1978 (known as the Nouvelle Serie). Many important artists contributed original prints, including Miro, Picasso, Chagall, Braque, Villon, Matta, Indiana, Rosenquist, Lam, Dali, Zao Wou-ki, Matisse, Delaunay, Ernst, Poliakoff, Soulages, Leger, Moore, Kandinsky, Agam, Arp, Calder, Magnelli, Baj, Marini and Vasarely.
Medium: original lithograph. Executed for XXe Siecle (No. 30) in 1968, published in Paris by San Lazzaro. Sheet size 12 x 9 inches (305 x 230mm). Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet). There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed. A classic Nabis print.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet). There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: original lithograph. Printed in Paris in 1964 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 2000 impressions on wove paper. Size: 10 x 7 1/2 inches (sheet). Not signed. This original Richard Florsheim lithograph is from the scarce and lavishly-produced limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.
Medium: original lithograph. Issued for XXe Siecle in 1980, published in Paris by San Lazzaro. Sheet size 12 1/4 x 9 1/4 inches (310 x 233 mm). A nice impression, as one expects from XXe Siecle-- this institution has become one of the most respected publishers of original prints. Not signed.
Medium: original lithograph. Issued for XXe Siecle in 1980, published in Paris by San Lazzaro. Sheet size 12 1/4 x 9 1/4 inches (310 x 233 mm). A nice impression, as one expects from XXe Siecle-- this institution has become one of the most respected publishers of original prints. Not signed.
Medium: original lithograph. Printed in Paris in 1968 by the legendary Mourlot atelier. Size: 12 1/4 x 9 1/2 inches. Signed by Buffet in the stone, not by hand.
Medium: original lithograph. Printed in Paris in 1968 by the legendary Mourlot atelier. Size: 12 1/4 x 9 1/2 inches. Signed by Buffet in the stone, not by hand.
Medium: original etching. Published in 1881 by the American Art Review. Printed on laid paper. Size: 5 5/8 x 9 3/4 inches (plate); 148 x 250mm. Signed in the plate (not by hand).
Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Image size: 10 3/4 x 8 inches, on wove paper. Signed in the plate (not by hand). This original Vallotton print is from a special issue of L'Assiette au Beurre. Out of respect for the artist, these lithographs were printed on one side of the sheet only. There is some age-toning to the paper, but the impression is rich and the colors bright.
Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Image size: 10 3/4 x 8 inches, on wove paper. Signed in the plate (not by hand). This original Vallotton print is from a special issue of L'Assiette au Beurre. Out of respect for the artist, these lithographs were printed on one side of the sheet only. There is some age-toning to the paper, but the impression is rich and the colors bright.
Medium: original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Image size: 10 3/4 x 8 inches, on wove paper. Signed in the plate (not by hand). This original Vallotton print is from a special issue of L'Assiette au Beurre. Out of respect for the artist, these lithographs were printed on one side of the sheet only. There is some age-toning to the paper, but the impression is rich and the colors bright.