Medium: original lithograph. Issued in a limited edition of 200 on Arches wove paper. Printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth and published in 1946 by Manuel Bruker. The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/8 x 5 3/4 inches (189 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Signed in the plate (not by hand).
Medium: original lithograph. This tiny but beautiful composition was issued in a limited edition of 200 on Arches wove paper. Printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth and published in 1946 by Manuel Bruker. Image size: 2 3/4 x 1 3/4 inches (70 x 45mm); with printed text above the lithograph, as published. Not signed.
Medium: original lithograph. Issued in a limited edition of 200 on Arches wove paper. Printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth and published in 1946 by Manuel Bruker. The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 x 5 1/2 inches (180 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed.
Medium: original lithograph. Issued in a limited edition of 200 on Arches wove paper. Printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth and published in 1946 by Manuel Bruker. The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/4 x 5 3/4 inches (198 x 148mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed.
Medium: original lithograph. Issued in a limited edition of 200 on Arches wove paper. Printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth and published in 1946 by Manuel Bruker. The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 8 1/4 x 6 1/4 inches (210 x 160mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed.
Medium: original lithograph. Printed by Mourlot Frères in 1940 for Verve (volume 2, number 8), at the start of World War II and just days before the invasion of Paris. According to the publisher, more than half of the edition was lost. Sheet size: 14 1/4 x 21 inches (360 x 540 mm); with center fold and text on verso, as issued. In fine condition with fresh, un-faded color. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet). There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed. A classic Nabis print.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet); with text on verso, as published. There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: multi-stone color lithograph (after the original Bonnard lithograph). A fine impression on Renage wove paper, printed in Paris in 1952 by the legendary Mourlot atelier. Size: 9 1/2 x 12 1/2 inches -- 243 x 315mm (total sheet). There is some age-toning to the paper, but the colors remain fresh. Not signed.
Medium: offset lithograph. This composition was executed by Bonnard especially for the cover of Verve (Vol. 1, No. 3) in 1938. Size: 14 x 21 1/2 inches. Signed in the image, not by hand. Condition: this was the actual wrap-around cover, so there is the expected center crease with only minor wear. Completely intact and scarce in this condition, as of necessity the front and back portions have usually been separated.
Medium: lithograph (after the original drawing). Published in Paris in 1944 by Teriade for Editions de la Revue Verve in a limited edition of 1000. The drawing was executed by Bonnard especially for this project. Signed in the plate (not by hand). Size: 12 x 8 1/2 inches (total sheet size, including margins; the actual image size varies slightly with each print). Printed in a lovely violet ink on Arches paper and mounted by the publisher onto a support sheet. A beautiful presentation!
Medium: lithograph (after the original drawing). Published in Paris in 1944 by Teriade for Editions de la Revue Verve in a limited edition of 1000. The drawing was executed by Bonnard especially for this project. Signed in the plate (not by hand). Size: 12 x 8 1/2 inches (total sheet size, including margins; the actual image size varies slightly with each print). Printed in a lovely violet ink on Arches paper and mounted by the publisher onto a support sheet. A beautiful presentation!
Medium: lithograph (after the original drawing). Published in Paris in 1944 by Teriade for Editions de la Revue Verve in a limited edition of 1000. The drawing was executed by Bonnard especially for this project. Signed in the plate (not by hand). Size: 12 x 8 1/2 inches (total sheet size, including margins; the actual image size varies slightly with each print). Printed in a lovely violet ink on Arches paper and mounted by the publisher onto a support sheet. A beautiful presentation!
Medium: lithograph (after the original drawing). Published in Paris in 1944 by Teriade for Editions de la Revue Verve in a limited edition of 1000. The drawing was executed by Bonnard especially for this project. Signed in the plate (not by hand). Size: 12 x 8 1/2 inches (total sheet size, including margins; the actual image size varies slightly with each print). Printed in a lovely violet ink on Arches paper and mounted by the publisher onto a support sheet. A beautiful presentation!
Medium: lithograph (after the original drawing). Published in Paris in 1944 by Teriade for Editions de la Revue Verve in a limited edition of 1000. The drawing was executed by Bonnard especially for this project. Signed in the plate (not by hand). Size: 12 x 8 1/2 inches (total sheet size, including margins; the actual image size varies slightly with each print). Printed in a lovely violet ink on Arches paper and mounted by the publisher onto a support sheet. A beautiful presentation!