Medium: original linoleum cut. A fine impression on wove paper, executed in 1938 for XXe Siecle (No. 4). A later edition was also issued by XXe Siecle in 1959, but this is the original, first edition Matisse linocut. Sheet size 12 1/2 x 9 1/2 inches. Signed in the block (not by hand). XXe Siecle (Chroniques du Jour) was a deluxe art revue that was the source of many outstanding prints. It was published by Gualtieri di San Lazzaro from 1938-1939, and again from 1951 until 1978 (known as the Nouvelle Serie). Many important artists contributed original prints, including Miro, Picasso, Chagall, Braque, Villon, Matta, Indiana, Rosenquist, Lam, Dali, Zao Wou-ki, Matisse, Delaunay, Ernst, Poliakoff, Soulages, Leger, Moore, Kandinsky, Agam, Arp, Calder, Magnelli, Baj, Marini and Vasarely.
Medium: original pochoir. Published in Paris in 1943 by Teriade for Verve (Volume IV, No. 13). This was the title page composed by Matisse for the special "De la Couleur" issue, now very rare. Printed on Marais wove paper. Sheet size: 13 3/4 x 10 1/4 inches (350 x 260 mm). Condition: there is age-toning to the paper. Signed in the plate (not by hand).
Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Size: 7 1/8 x 5 inches (image). Not signed.
Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Size: 8 x 6 1/2 inches (image). Signed in the plate (not by hand).
Medium: collotype (after the drawing). Issued in 1933 in an edition of 1000 for the rare "Dix Reproductions 1933" portfolio. Published jointly by Editions J. Bucher and Editions J. Becker. A quality printing on Arches wove paper with deckle edges, bearing the JB dry stamp and the publisher's provenance label on verso. Sheet size: 16 x 20 1/2 inches. Not signed.
Medium: engraving (after the original linocut). A nice impression on wove paper, issued in 1959 for the hard-to-find Christmas issue of XXe Siecle (No. 13), published in Paris by San Lazzaro. Note: XXe Siecle is the same institution which published the original Matisse linocut in 1938, and this second edition is the same in every way. Sheet size: 12 x 9 inches (308 x 230mm). Signed in the plate (not by hand).
Medium: linoleum cut. Published in Paris by Teriade for Verve (Vol. 1, No. 4) in 1938, and printed by Mourlot. Verve was founded in 1937 to showcase original lithographs by the leading artists of the day, with outstanding technical quality. Image size 8 x 5 3/4 inches (205 x 147mm); another composition on verso, as published. There is some minor creasing to the paper. Signed in the plate (not by hand).
Medium: lithograph. Published in Paris by Teriade for Verve (Vol. 1, No. 4) in 1938, and printed by Mourlot. Matisse had done earlier compositions of this same theme as paintings before it was executed as a lithograph for Verve; the lithograph can be considered a fresh version as it differs from the earlier paintings. Sheet size: 14 x 20 3/4 inches (355 x 525 mm) with center fold and other Matisse designs on verso, as published. Not signed. Condition: thee is minor foxing in the margins and a bump to the bottom edge; most notably there is a small stain in the green area near the center of the image. This work perfectly is intact and uncut (scarce in this condition as many impressions were ruined when back issues of Verve were bound together). A Fauvist classic.
Medium: lithograph. Published in Paris by Teriade for Verve in 1948. Verve was founded in 1937 to showcase original lithographs by the leading artists of the day, with outstanding technical quality. Size: 14 x 10 1/4 inches. Not signed.
Medium: Lithograph (after the découpage). Printed by Mourlot Frères in 1940 as the front cover of Verve (volume 2, number 8), at the start of World War II and just days before the invasion of Paris. According to the publisher, more than half of the edition was lost. Sheet size: 14 1/4 x 10 1/2 inches (360 x 265 mm). Signed by Henri Matisse in the stone, not by hand. Condition: as this was the actual cover, there is some wear, as expected. Please note: the letters "VERVE" are actually yellow, although they appear white in my photo.
Medium: Lithograph (after the découpage). Printed by Mourlot Frères in 1940 as the back cover of Verve (volume 2, number 8), at the start of World War II and just days before the invasion of Paris. According to the publisher, more than half of the edition was lost. Sheet size: 14 1/4 x 10 1/2 inches (360 x 265 mm). Not signed. Condition: as this was the actual cover, there is some wear, as expected.
Medium: lithograph (after the drawing). Published in Paris in 1943 by Teriade for Verve (Volume IV, No. 13). This composition was executed by Matisse for the special "De la Couleur" issue, now very rare. Sheet size: 13 3/4 x 10 1/4 inches (350 x 260 mm). Condition: there is age-toning to the paper. Signed in the plate (not by hand).
Medium: original lithograph. Printed in 1964 by Mourlot, in a limited edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches; image size 6 x 4 1/2 inches (150 x 110mm). Not signed. The word "catalogue" is printed in the margin beneath the image, as published. This original Matisse stone lithograph is from the scarce and lavishly-produced limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.
Medium: pochoir (after the linocut). Published in 1944 by Cahiers d'Art. Seldom seen on the market, this is a rich and magnificent impression on smooth wove paper, with a printed text inscription beneath the image, as originally issued. Image size: 10 1/4 x 7 1/2 inches (260 x 190mm). Not signed. Cahiers d'Art was published in Paris from 1926-1960 by Greek art collector, writer and art critic Christian Zervos. From a print collector's viewpoint, this art revue is most famous for the pochoirs which were commissioned for some of the issues. Zervos had high technical standards, and these works are truly stunning.