Medium: etching (after the gouache). Printed for Derrière le Miroir (No. 144-145-146) in 1964, and published in Paris by the incomparable Maeght atelier. A very richly inked impression. Sheet size: 15 x 10 3/4 inches (378 x 275 mm). Not signed. Unlike most prints issued by DLM, there is no text on the back.
Medium: lithograph (after the gouache). Printed in Paris in 1964 by Mourlot Frères and issued in a limited edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 185 mm). Not signed. This lithograph is from the scarce and lavishly-produced limited edition catalogue, "Prints from the Mourlot Press". Published in 1964 by Mourlot on the occasion of their landmark traveling exhibition, which was sponsored by the French Embassy and The Smithsonian.
Medium: pochoir (after the watercolor). Published in Paris in 1925 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image. Image size: 8 7/8 x 5 inches (225 x 128). Not signed.
Medium: original lithograph. A good impression on wove paper for XXe Siecle, published in Paris in 1958 by San Lazzaro. Sheet size 12 3/8 x 9 1/4 inches; 315 x 235mm. Not signed. XXe Siecle (Chroniques du Jour) was a deluxe art revue that was the source of many outstanding prints. It was published by Gualtieri di San Lazzaro from 1938-1939, and again from 1951 until 1978 (known as the Nouvelle Serie). Many important artists contributed original prints, including Miro, Picasso, Chagall, Braque, Villon, Matta, Indiana, Rosenquist, Lam, Dali, Zao Wou-ki, Matisse, Delaunay, Ernst, Poliakoff, Soulages, Leger, Moore, Kandinsky, Agam, Arp, Calder, Magnelli, Baj, Marini and Vasarely.
Medium: pochoir (after the oil). Published in Paris in 1929 by Charles Moreau in a limited edition for L'Art Cubiste. This is a magnificent and rich impression printed by pochoir master Daniel Jacomet; it is presumed that no more than 1000 impressions were printed and this edition is now rare. Image size: 7 1/2 x 6 inches (195 x 150 mm); the artist's name is printed in text beneath the image. There is a small stain in the margin. Not signed.
Medium: lithograph (after the maquette for the stained glass window at the Chapelle St. Bernard). Executed for Derrière le Miroir (No. 148) in 1964, and published in Paris by Maeght. This lithograph was published on the occasion of the inauguration of the Fondation Marguerite et Aime Maeght. Sheet size: 15 x 10 3/4 inches (380 x 272mm). Signed in the plate (not by hand).
Medium: lithograph. Printed in Paris by Mourlot for the deluxe art revue Verve (Vol. 2, No. 5-6) in 1939, and published by Teriade. Sheet size: 14 x 10 1/4 inches (354 x 264mm). Not signed.
Medium: lithograph (after the original). Executed for Derrière le Miroir (No. 138 -- Papiers Colles Cubistes) in 1963, and published in Paris by Maeght. Sheet size: 14 1/2 x 10 1/2 inches (370 x 268 mm); with text on verso, as published. Not signed. Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: lithograph. Executed for Derrière le Miroir in 1956, and published in Paris by Maeght. Signed by Braque in the stone (not by hand). Sheet size: 15 x 11 inches; text on verso, as published; a few minor stains.
Medium: lithograph (after the original). Executed for Derrière le Miroir in 1963, and published in Paris by Maeght. Not signed. Sheet size: 15 x 22 inches; there is printed text on verso with a center fold, as published. A richly inked impression; there is some minor wear along the center crease.
Medium: lithograph (after the original). Executed for Derrière le Miroir (No. 138 -- Papiers Colles Cubistes) in 1963, and published in Paris by Maeght. Sheet size: 14 1/2 x 10 1/2 inches (370 x 268 mm); with text on verso, as published. Not signed. Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: lithograph (after the original). Executed for Derrière le Miroir in 1963, and published in Paris by Maeght. Not signed. Sheet size: 15 x 22 inches; there is printed text on verso with a center fold, as published.
Medium: lithograph (after the etching). Printed in Paris in 1966 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 1500 impressions on Chiffon de Mandeure wove paper. Sheet size: 10 x 15 inches (sheet) with center fold and pinholes from the stitches, as published. There is some minor age-toning to the paper. Signed in the plate (not by hand). This Georges Braque lithograph is from the very scarce and lavishly produced limited edition catalogue, published by Maeght and London's Redfern Gallery on the occasion of a major 1966 exposition at the Redfern.
Medium: pochoir. A re-interpretation of the earlier Georges Braque Cubist painting, executed for XXe Siecle in 1956 under Braque's supervision. Sheet size: 12 1/8 x 9 inches; 310 x 230mm. Not signed. XXe Siecle (Chroniques du Jour) was a deluxe art revue that was the source of many outstanding prints. It was published by Gualtieri di San Lazzaro from 1938-1939, and again from 1951 until 1978 (known as the Nouvelle Serie). Many important artists contributed original prints, including Miro, Picasso, Chagall, Braque, Villon, Matta, Indiana, Rosenquist, Lam, Dali, Zao Wou-ki, Matisse, Delaunay, Ernst, Poliakoff, Soulages, Leger, Moore, Kandinsky, Agam, Arp, Calder, Magnelli, Baj, Marini and Vasarely.