|
|
|
|
 |
|
Franz Edmund Weirotter original etching "A Cottage"
|
|
$150.00
|
|
|

Medium: original etching. Published in London in 1868 for P. G. Hamerton's Etching and Etchers. Printed from Weirotter's original plate on laid paper. Not signed. Plate size: 3 7/8 x 7 1/8 inches; 98 x 182mm. A good impression.
|
|
 |
|
|
|
|
 |
|
James Whistler lithograph "A Venetian Canal" 1905
|
|
$150.00
|
|
|

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 8 3/4 x 5 1/2 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Not signed.
|
|
 |
|
|
|
|
 |
|
James Whistler lithograph "Bead-Stringers, Venice" 1905
|
|
$150.00
|
|
|

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
|
|
 |
|
|
|
|
 |
|
James Whistler lithograph "The Old Marble Hall, Venice" 1905
|
|
$150.00
|
|
|

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 9 1/4 x 4 3/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
|
|
 |
|
|
|
|
 |
|
Paul Wunderlich original lithograph
|
|
$150.00
|
|
|

Medium: original lithograph. Executed in 1977 for XXe Siecle (No. 77) and printed in Paris. Sheet size 12 1/4 x 9 1/4 inches (310 x 235mm). Not signed.
|
|
 |
|
|
|
|
 |
|
Herman Armour Webster original etching "La place de l'hopital a Strasbourg"
|
|
$150.00
|
|
|

Medium: original etching. Published in Paris in 1920 for Gazette des Beaux-Arts. This is a fine impression on laid paper. Plate size: 6 1/2 x 5 7/8 inches (165 x 149 mm). Signed by Herman Armour Webster in the plate (not by hand).
|
|
 |
|
|
|
|
 |
|
Andy Warhol lithograph multiple construction "Accordian"
|
|
$200.00
|
|
|

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children’s book for hipsters". Size: 10 3/4 x 16 x 2 inches (275 x 400 x 45 mm). Not signed. A classic Warhol work of Pop Art from his Factory period, at the height of the New York psychedelic scene.
|
|
 |
|
|
|
|
 |
|
James Whistler lithograph "The Purple Cap" 1905
|
|
$200.00
|
|
|

Medium: lithograph (after the pastel). The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a now quite rare deluxe portfolio. Printed on smooth wove paper, the lithograph measures 10 1/8 x 6 1/4 inches. This piece is in fine condition as originally published: tipped onto a brown backing sheet, which is itself tipped onto a stiff antique paperboard. Signed in the plate (not by hand).
|
|
 |
|
|
|
|
 |
|
Andy Warhol lithograph multiple construction "Nose"
|
|
$250.00
|
|
|

This is a photolithograph of a nose (possibly Warhol's?) with a movable pink paper cut-out overlaid on top, and several movable rainbow-colored segments overlaid on top of that. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children’s book for hipsters". Size: 10 3/4 x 24 inches (275 x 605 mm).
Published as a folded sheet with two center folds, and Warhol's stamped signature on back (not hand-signed). A classic work of Pop Art from the Factory period, at the height of the New York psychedelic scene.
|
|
 |
|
|
|
|
 |
|
Paul Wunderlich original lithograph "Bubble Gum"
|
|
$250.00
|
|
|

Medium: original lithograph in nine colors. Catalogue reference W-246. Printed in Paris in 1968 by Mourlot and published by Berggruen for the cover of their exhibition catalogue "Maitres-Graveurs Contemporains". Sheet size: 8 5/8 x 9 3/8 inches (220 x 238mm), with the natural center fold in the middle. Signed in the plate (not by hand).
This whimsical piece is an icon from the 60's, during a time of growing Western fascination with Indian culture, with The Beatles, The Rolling Stones and other celebrities traveling to India seeking spiritual enlightenment.
Condition: as this was the actual cover, there is wear around the edges, some creasing and a tear near the top edge (repaired).
|
|
 |
|
|
|
|
 |
|
Andy Warhol lithograph multiple construction "Hunts Tomato Paste"
|
|
$300.00
|
|
|

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children’s book for hipsters". Size: 10 3/4 x 16 x 4 inches (275 x 400 x 105 mm). Not signed. A classic Warhol work of Pop Art from his Factory period, at the height of the New York psychedelic scene. In good condition, although the base of the can has become detached from the sheet on one side and needs to be re-glued.
|
|
 |
|
|
|
|
 |
|
Thomas Waterman Wood "His Own Doctor" original etching
|
|
$300.00
|
|
|

Medium: original etching. Executed in 1883, this is a nice, dark impression on wove paper. Size: 11 1/2 X 7 5/8 inches (plate). Signed in the plate (not by hand).
|
|
 |
|
|
|
|
 |
|
James Whistler etching "Portrait de ma Mere" | Whistler's Mother
|
|
$300.00
|
|
|

Medium: etching (etched by H. Guerard after Whistler's iconic painting). Printed in Paris by Eudes and published in ca.1883 by Gazette des Beaux Arts. Image size: 5 1/2 x 6 1/2 inches (143 x 165 mm) on laid paper. Signed in the plate, not by hand. Condition: there is some age-toning to the paper.
The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the etchings and lithographs published during the 19th Century and early years of the 20th Century.
|
|
 |
|
|
|
|
 |
|
George Morland / John Cother Webb signed mezzotint "The Benevolent Huntsman"
|
|
$350.00
|
|
|

Medium: mezzotint. Engraved by John Cother Webb after George Morland and signed in pencil by John Cother Webb. Published in 1919 by J. Howell for the Museum Galleries, London. There is age-toning to the paper and a mat stain. Size: 17 1/4 x 20 inches (plate).
|
|
 |
|
|
|
|
 |
|
James Whistler original lithograph "Gants de suede" |Suede gloves
|
|
$350.00
|
|
|

Medium: original lithograph. Catalogue reference: Way 26. This charming portrait is of Ethel Birnie Philip, the sister-in-law of James Whistler. Published in London in 1894 for The Studio. This impression on cream wove paper measures 8 1/4 x 4 inches (image size). Signed in the stone with the Whistler butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
|
|
 |
|
|
|
|
 |
|
James Whistler original lithograph "The Smith's Yard"
|
|
$350.00
|
|
|

Medium: original lithograph. Catalogue reference: Way 88. Published in London in 1895 for The Studio. This impression on cream wove paper measures 7 1/2 x 6 1/2 inches (image size). Signed in the stone with the Whistler butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
|
|
 |
|
|
|
|
 |
|
James Whistler original lithograph "The Long Gallery at the Louvre"
|
|
$350.00
|
|
|

Medium: original lithograph. Catalogue reference: Way 52. Published in London in 1894 for The Studio. This impression on cream wove paper measures 8 3/4 x 6 1/4 inches (image size). Signed in the stone with the Whistler butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
|
|
 |
|
|
|
|
 |
|
J. M. W. Turner | John Cother Webb mezzotint "Regulus leaving Carthage"
|
|
$350.00
|
|
|

Medium: mezzotint. Executed by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed on chine-collé paper (china paper mounted by the publisher onto a heavy wove paper support sheet) and published in London in 1924 by The Museum Galleries; with the publisher's blindstamp in the margin. Image size: 13 1/4 x 17 3/4 inches. Plate size: 16 1/2 x 21 1/2 inches. Sheet size: 21 1/2 x 27 inches.
Condition: there is age-toning to the paper, and a mat stain in the margin. Laid down (mounted) many years ago onto a paperboard backing, although the glue seems to have been applied only along the edges of the sheet, not in the area of the image.
|
|
 |
|
|
|
|
 |
|
James Whistler original lithograph "Savoy Pigeons"
|
|
$400.00
|
|
|

Medium: transfer lithograph. Catalogue reference: Way 118. Executed in 1896; this is one of the compositions drawn by Whistler on lithographic transfer paper. This scene shows the view from Whistler's window at the Savoy Hotel in London. Published in London in 1896 for the scarce Volume 8 of "The Studio" in an edition of approximately 3000. This impression on cream laid paper measures 11 1/8 x 7 3/4 inches (total sheet). Signed in the stone with the butterfly monogram (not by hand). This lithograph bears The Studio blindstamp, impressed into the margin.
|
|
 |
|
|
|
|
 |
|
James Whistler original lithograph "Firelight: Portrait of Joseph Pennell"
|
|
$400.00
|
|
|

Medium: original transfer lithograph. Catalogue reference: Way 104. Executed in 1896 and issued in 1898 as the frontispiece in "Lithography and Lithographers" by Joseph Pennell; this is one of the compositions drawn by Whistler on lithographic transfer paper. It is a portrait of Whistler's friend and fellow artist Joseph Pennell. This impression is printed on laid paper, bearing the watermark of a figure holding a banner while balancing on a ball. The image measures 6 5/8 x 5 1/2 inches; the total sheet is 13 3/4 x 9 5/8 inches. Signed in the stone with the Whistler butterfly monogram (not signed by hand).
|
|
 |
|
|
|
|
 |
|
Andy Warhol 3-D lithograph, 1967
|
|
$500.00
|
|
|

This is a photolithograph with a vinyl veneer calibrated to produce an eye-catching three-dimensional holographic effect. Created by Andy Warhol and published in 1967 by Black Star for Andy Warhol's Index Book, an absurd and revolutionary volume designed as "a children’s book for hipsters". Size: 10 1/2 x 7 1/2 inches (265 x 190 mm). Not signed. This work served as the actual front cover of the Index Book, and is mounted onto hardcover boards (the entire cover is intact and included in the sale; there are a few minor scratches to the vinyl surface and also some wear to the hardcover boards). A classic Warhol piece of Pop Art from his Factory period, at the height of the New York psychedelic scene.
|
|
 |
|
|
|
|
 |
|
Tom Wesselmann original lithograph
|
|
$500.00
|
|
|

Medium: original lithograph (in two sections). Published in 1964 by Kornfeld for 1 Cent Life, in an edition of 2000 (along with a limited number of signed proofs). This impression is unsigned. Sheet size 16 x 22 3/4 inches (408 x 580mm). There is poetry text (composed by Walasse Ting) beneath the image and on verso, as issued. Note: this work was published on two separate sheets which join together.
This original classic Wesselmann print is from the famous "1 Cent Life" book/portfolio, published in 1964 by E. W. Kornfeld, in a limited edition of 2000. The lithography was executed by Maurice Beaudet, of Paris. 1 Cent Life was a monumental undertaking-- a revolutionary Pop Art and poetry project organized by Walasse Ting and Sam Francis. Among the artists who contributed original lithographs to this project were Andy Warhol, Robert Indiana, Roy Lichtenstein, Pierre Alechinsky, Asger Jorn, Mel Ramos, Jim Dine, Tom Wesselmann, Robert Rauschenberg, Claes Oldenburg, Karel Appel, Antonio Saura, James Rosenquist, Alan Davie, Sam Francis, and Walasse Ting.
|
|
 |
|
|
|
|
 |
|
Tom Wesselmann original lithograph
|
|
$600.00
|
|
|

Medium: Original Lithograph (in two sections). Published in 1964 by Kornfeld for 1 Cent Life, in an edition of 2000 (along with a limited number of signed proofs). This impression is unsigned. Sheet size 16 x 22 3/4 inches (408 x 580mm). There is poetry text (composed by Walasse Ting) beneath the image and on verso, as issued. Note: this work was published on two separate sheets which join together.
This original classic Wesselmann print is from the famous "1 Cent Life" book/portfolio, published in 1964 by E. W. Kornfeld, in a limited edition of 2000. The lithography was executed by Maurice Beaudet, of Paris. 1 Cent Life was a monumental undertaking-- a revolutionary Pop Art and poetry project organized by Walasse Ting and Sam Francis. Among the artists who contributed original lithographs to this project were Andy Warhol, Robert Indiana, Roy Lichtenstein, Pierre Alechinsky, Asger Jorn, Mel Ramos, Jim Dine, Tom Wesselmann, Robert Rauschenberg, Claes Oldenburg, Karel Appel, Antonio Saura, James Rosenquist, Alan Davie, Sam Francis, and Walasse Ting.
|
|
 |
|
|
|
|
 |
|
James Whistler original etching "A Street in London" (Alderney Street)
|
|
$750.00
|
|
|

Medium: original etching. Also called "Alderney Street". Catalogue reference: Kennedy 238. Executed in 1880 and signed in the plate with Whistler's butterfly monogram (not by hand). Plate size: 7 x 4 1/2 inches. A fine impression with wide margins.
|
|
 |
|
|
|
|
 |
|
James Whistler original etching "Billingsgate"
|
|
$850.00
|
|
|

Medium: original etching. Catalogue reference: Kennedy 47. Executed by Whistler in 1859; this is a good impression printed on laid paper. Signed in the plate (not by hand). Plate size: 6 x 8 3/4 inches (152 x 225mm).
Condition: there is some creasing to the paper. Additionally, there is old paper stuck to the margins; this is outside the platemark and away from the etching.
|
|
 |
|
|
|
|
 |
|
J. M. W. Turner | John Cother Webb mezzotint "St. Mark's Basilica, Venice"
|
|
$850.00
|
|
|

Medium: mezzotint. Executed by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed on chine-collé paper (china paper mounted by the publisher onto a heavy wove paper support sheet) and published in 1921 in London by G. J. Howell. The platemark measures 16 1/2 x 21 inches. Although there are a few spots of foxing, the image is in fine condition.
|
|
 |
|
|
|
|
 |
|
J. M. W. Turner | John Cother Webb mezzotint "The Fighting Temeraire"
|
|
$850.00
|
|
|

Medium: mezzotint. Executed by John Cother Webb after the J. M. W. Turner painting and signed in pencil by John Cother Webb. Printed on chine-collé paper (china paper mounted by the publisher onto a heavy wove paper support sheet) and published in London in 1922 by The Museum Galleries; with the publisher's blindstamp in the margin. Image size: 13 x 17 1/2 inches. Plate size: 16 3/4 x 21 1/4 inches. Sheet size: 21 1/4 x 28 inches.
Condition: quite presentable for its age, with minor age-toning to the paper. Laid down (mounted) many years ago onto a paperboard backing, although the glue seems to have been applied only along the edges of the sheet, not in the area of the image.
The Fighting Temeraire is one of J. M. W. Turner's masterpieces, and in this magnificent mezzotint, John Cother Webb beautifully captures the subtleties of light and color found in the original Turner painting. A very lucky find!
|
|
 |