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Saint-Etienne, Francisque Saint-Memin, Charles
Salvatore, Nino Di Saura, Antonio
Savelli, Angelo Scanavino, Emilio
Scharff, Edwin Schinnerer, Adolf
Schlichter, Rudolf Schmidt-Rottluff, Karl
Schoff, Stephen Alonzo Schubert, Otto
Seewald, Richard Segui, Antonio
Seligmann, Kurt Serpan, Jaroslaw
Seurat, Georges Severini, Gino
Shannon, Charles Shirlaw, Walter
Short, Sir Frank Sickert, Walter
Signac, Paul Sisley, Alfred
Skarbina, Franz Sloan, John
Smillie, George Henry Smillie, James D.
Smith, Kimber Soldati, Atanasio
Soyer, Raphael Steinberg, Saul
Steinlen, Theophile Stella, Frank
Sterne, Maurice Stevens, Alfred
Struck, Hermann Stuckgold, Stanislaus
Sugai, Kumi Sutherland, Graham
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John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
John Sloan original etching Of Human Bondage
John Sloan original etching | Of Human Bondage
50.00

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and issued in 1938 in a limited edition of 1500 by the Yale University Press for members of The Limited Editions Club. Printed on laid paper, the plate measures 6 x 4 inches. Signed in the plate, not hand-signed.
Antonio Segui original lithograph
Antonio Segui original lithograph
75.00

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times) -- now scarce. Sheet size: 10 3/4 x 8 1/2 inches (275 x 215 mm). The artist's name appears in text beneath the image. Not hand-signed.
Saul Steinberg original lithograph
Saul Steinberg original lithograph
75.00

Medium: original lithograph. Executed in 1982 for the back cover of Derriere le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Many of the artists who had been regular contributors to DLM throughout its more than thirty years of publication, contributed original prints for this project. Among these were Chagall, Miro, Kelly, Chillida, Palazuelo, Garache, Adami, Fiedler, Ubac, Pol Bury, Alechinsky, Steinberg, Tal-Coat, Riopelle, Tapies, Bram van Velde and several others. Sheet size: 15 x 11 inches (380 x 277mm); there is text on verso, as published. Not signed.

Condition: as this was the actual cover, there is some soiling, and wear around the edges.
Walter Shirlaw original etching "Hilda and the Doves"
Walter Shirlaw original etching "Hilda and the Doves"
75.00

Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 2 5/8 x 3 inches. Signed by Walter Shirlaw in the plate (not by hand).
John Sloan original etching
John Sloan original etching
75.00

Medium: original etching. This impression on wove paper was printed in 1905 in an edition of 1000 and published in New York by Frederick Quinby. The etched image measures 5 x 3 3/4 inches. Plate-signed by John Sloan, not hand-signed.
Stephen Alonzo Schoff etching "The Sea Serpent" Elihu Vedder
Stephen Alonzo Schoff etching "The Sea Serpent" Elihu Vedder
75.00

Medium: etching (etched by Stephen Alonzo Schoff after Elihu Vedder). Published in 1880 by the American Art Review. Plate size: 5 1/2 x 9 inches. Plate-signed; not hand-signed.


Stephen Alonzo Schoff etching Portrait of Mrs Adams
Stephen Alonzo Schoff etching "Portrait of Mrs Adams"
75.00

Medium: etching (etched by Stephen Alonzo Schoff after W. M. Hunt). Published in 1880 by the American Art Review. Image size: 7 1/2 x 6 inches. Not signed.

Franz Skarbina lithograph, 1896
Franz Skarbina lithograph, 1896
100.00

Medium: lithograph (after the drawing). Published in London in 1896 for the scarce Volume 8 of "The Studio". Printed on brown-tinted smooth wove paper with The Studio blindstamp in the margin. Sheet size 11 1/4 x 8 inches (285 x 205 mm). Signed in the stone (not by hand).

Condition: there is some age-toning to the paper.
James Smillie | Frederick Bridgman etching "Lady of Cairo Visiting"
James Smillie | Frederick Bridgman etching "Lady of Cairo Visiting"
100.00

Medium: etching. Etched by James D. Smillie after Frederick Arthur Bridgman. Published in the 1880's by Estes & Lauriat. Image size: 7 3/4 x 6 3/8 inches with good margins. Signed in the plate (not by hand).
Saul Steinberg original lithograph
Saul Steinberg original lithograph
100.00

Medium: original lithograph. Executed in 1982 for the front cover of Derriere le Miroir (issue No. 250), and published in Paris by the Maeght atelier. Many of the artists who had been regular contributors to DLM throughout its more than thirty years of publication, contributed original prints for this project. Among these were Chagall, Miro, Kelly, Chillida, Palazuelo, Garache, Adami, Fiedler, Ubac, Pol Bury, Alechinsky, Steinberg, Tal-Coat, Riopelle, Tapies, Bram van Velde and several others. Sheet size: 15 x 11 inches (380 x 277mm). Signed in the plate, not by hand.

Condition: as this was the actual cover, there is some minor wear around the edges.
Alfred Stevens original etching "Étude"
Alfred Stevens original etching "Etude"
100.00

Medium: original etching. Published in 1878 by Gazette des Beaux Arts. Catalogue reference Sanchez & Seydoux 1878-5. Image size: 7 x 4 1/8 inches (180 x 104 mm) on cream laid paper. Signed in the plate, not by hand.

The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.
Georges-Pierre Seurat lithograph "La banquiste, etude pour la Parade"
Georges-Pierre Seurat lithograph "La banquiste"
100.00

Medium: lithograph (after the drawing). This beautiful impressionist print by the inventor of pointillism Georges-Pierre Seurat was published in Paris by Maeght in 1966 for Derriere le Miroir. The total sheet measures 15 x 11 inches; with printed text on the back, as issued. Not signed.
Walter Shirlaw original etching "Miriam and Donatello"
Walter Shirlaw original etching "Miriam and Donatello"
100.00

Medium: original etching. This etching illustrates a scene from Nathaniel Hawthorne's famous novel "The Marble Fawn" and was executed for "The Hawthorne Portfolio" and published in 1884. Printed on laid paper, the plate size is 5 1/2 x 3 1/8 inches. Signed by Walter Shirlaw in the plate (not by hand).
John Sloan original etching
John Sloan original etching
100.00

Medium: original etching. This impression on wove paper was printed in 1902 in an edition of 1000 and published in New York by Frederick Quinby. The etched image measures 5 x 3 1/2 inches. Plate-signed by John Sloan, not hand-signed.
James Smillie original etching Up the Hill
James D. Smillie original etching "Up the Hill"
100.00

Medium: original etching. A fine impression in excellent condition on cream laid paper, published in 1880 by the American Art Review. Image size: 8 x 5 inches. Signed by Smillie in the plate (not by hand).
Edwin Scharff "Die Brüder" original lithograph
Edwin Scharff "Die Bruder" original lithograph
150.00

Medium: original lithograph. This striking lithograph was published in 1921 for Genius. Sheet size: 13 3/4 x 10 1/4 inches (350 x 260 mm) on wove paper. This original Edwin Scharff lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influence on German art and culture between the Wars. Some of the important artists contributing original prints included: Karl Schmidt-Rottluff, Richard Seewald, Franz Marc, Erich Heckel, Frans Masereel, Max Kaus, Karl Hofer, Alexander Archipenko, and others. This was a major vehicle for the German Expressionists. Not signed.
Jaroslaw Serpan original etching
Jaroslaw Serpan original etching for Paroles Peintes
150.00

Medium: original color etching. Executed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one of 150 printed on Johannot wove paper. The plate size is 6 3/4 x 10 inches (253 x 175 mm) and the full sheet measures 14 3/4 x 11 inches (375 x 285 mm). Not signed.

Condition: there is foxing in the margin.
Saul Steinberg original lithograph
Saul Steinberg original lithograph
150.00

Medium: original lithograph. Printed in Paris in 1966 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 1500 impressions on Chiffon de Mandeure wove paper. Size: 10 x 7 1/4 inches (sheet); there is printed text on the back (as issued) but it doesn't show through or interfere with the image. Not signed.

This original Steinberg lithograph is from the very scarce and lavishly produced limited edition catalogue, published by Maeght and London's Redfern Gallery on the occasion of a major 1966 exposition at the Redfern. The print was executed by the artist as an original contribution expressly for this catalogue.
Frank Stella lithograph "Swan Engraving"
Frank Stella lithograph "Swan Engraving"
150.00

Medium: lithograph (after the etching). This is not the original but is a beautifully-executed smaller size limited edition copy of the full size etching. Printed in 1982 by Tyler Graphics of Bedford Village, New York; Tyler is the same atelier that published the Frank Stella original. Size: 9 5/8 x 7 5/8 inches. Not signed. This is a very nice impression on quality rag paper with deckle edges.
Graham Sutherland original lithograph
Graham Sutherland original lithograph
150.00

Medium: original lithograph. This print was issued for XXe Siecle in 1973, published in Paris by San Lazzaro. Sheet size: 12 1/4 x 9 1/2 inches (310 x 240mm). Not signed.
Francisque de Saint-Etienne original etching Formentera
Francisque de Saint-Etienne original etching "Formentera"
150.00

Medium: original etching. Published in Paris in 1860 by Gazette des Beaux-Arts and beautifully printed by Delatre on chine-colle paper. The catalouge reference is Sanchez and Seydoux 1860-12. Plate size: 4 1/2 x 8 1/4 inches (110 x 208mm). Not signed.

Condition: there is foxing, mostly to the outer margins, as shown in the second photo.
Adolf Schinnerer original etching "Uberfahrt"
Adolf Schinnerer original etching "Uberfahrt" (Crossing)
150.00

Medium: original etching. Printed in Germany in 1925 for the rare Ganymed "Das funfte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The etching was printed by Franz Hanfstaengle, of Munich. This impression on thin wove paper is from the unsigned edition of 900 (the total edition was 1000, of which 100 were signed). The plate measures 5 x 7 1/4 inches (125 x 185 mm) with full original margins. Signed in the plate (not hand-signed). In fine condition. This piece is in the permanent collection of MoMA (The Museum of Modern Art).
Adolf Schinnerer original etching "Der Kinderhirte"
Adolf Schinnerer original etching "Der Kinderhirte"
150.00

The Children's Shepherd
Medium: original etching and drypoint. Printed in Germany in 1921 for the rare Ganymed "Das dritte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. The etching was printed by Franz Hanfstaengle, of Munich. This impression on wove paper is from the unsigned edition of 900 (the total edition was 1000, of which 100 were signed). The plate measures 5 3/4 x 5 3/4 inches (145 x 145 mm). This piece is in the permanent collection of MoMA (The Museum of Modern Art). Not signed.

Condition: there is foxing to the paper and a water stain (see the second photo); this is in the margins and can be covered with a mat when framed.
Otto Schubert original etching "Winter"
Otto Schubert original etching "Winter"
150.00

Medium: original etching and drypoint. Printed by the artist in 1920 on his own press for the rare Ganymed portfolio of "Das zweite Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This is a rich, dark impression is from the unsigned edition of 1200 printed on wove paper (the total edition was 1300, of which 100 were signed). The plate measures 4 3/4 x 3 1/2 inches (120 x 90 mm); with full original margins. Otto Schubert earned the distinction of being one of the artists included in the "Entarte Kunst" (Degenerate Art) show organized by the Nazis in 1937. Signed in the plate, not hand-signed.
Otto Schubert original etching "Herbst"
Otto Schubert original etching "Herbst" | Autumn
150.00

Medium: original etching and drypoint. Printed by the artist in 1920 on his own press for the rare Ganymed portfolio of "Das zweite Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This is a rich, dark impression is from the unsigned edition of 1200 printed on wove paper (the total edition was 1300, of which 100 were signed). The plate measures 4 1/2 x 3 1/2 inches (116 x 90 mm); with full original margins. Otto Schubert earned the distinction of being one of the artists included in the "Entarte Kunst" (Degenerate Art) show organized by the Nazis in 1937. Signed in the plate, not hand-signed.
Otto Schubert original etching "Sommer"
Otto Schubert original etching "Sommer" | Summer
150.00

Medium: original etching and drypoint. Printed by the artist in 1920 on his own press for the rare Ganymed portfolio of "Das zweite Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This is a rich, dark impression is from the unsigned edition of 1200 printed on wove paper (the total edition was 1300, of which 100 were signed). The plate measures 4 3/4 x 3 1/2 inches (120 x 90 mm); with full original margins. Otto Schubert earned the distinction of being one of the artists included in the "Entarte Kunst" (Degenerate Art) show organized by the Nazis in 1937. Signed in the plate, not hand-signed.
Otto Schubert original etching "Fruhling"
Otto Schubert original etching "Fruhling" | Spring
150.00

Medium: original etching and drypoint. Printed by the artist in 1920 on his own press for the rare Ganymed portfolio of "Das zweite Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This is a rich, dark impression is from the unsigned edition of 1200 printed on wove paper (the total edition was 1300, of which 100 were signed). The plate measures 4 1/2 x 3 1/2 inches (115 x 90 mm); with full original margins. Otto Schubert earned the distinction of being one of the artists included in the "Entarte Kunst" (Degenerate Art) show organized by the Nazis in 1937. Signed in the plate, not hand-signed.
Raphael Soyer rare unpublished lithograph, 1962
Raphael Soyer rare unpublished lithograph, 1962
150.00

Medium: lithograph (after the drawing). A rare and interesting piece, for collectors of Raphael Soyer. This is an actual birth announcement, designed by the artist for his friends. The lithographed inscription reads, "Dr. and Mrs. Arnold Lieber announce the birth of their son David. May 17, 1962". The total sheet measures 9 1/4 x 5 3/4 inches. Not signed.

Condition: there is a natural crease in the center where it was folded, and a small stain near the right edge of the sheet.

Stanislaus Stuckgold original lithograph
Stanislaus Stuckgold original lithograph
150.00

Medium: original lithograph. Printed in 1920 on a light brown tinted wove paper for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 inches (275 x 200 mm). An impression of this same original print can be found in the permanent collection of MoMA (The Museum of Modern Art) in New York. Not signed.

Condition: minor creasing to the paper.


James Smillie original etching At Marblehead Neck
James D. Smillie original etching "At Marblehead Neck"
150.00

Medium: original etching. Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 by Cassell and Company. The plate size is 5 x 11 7/8 inches. In excellent condition with full original margins. Signed in the plate (not by hand).