|
|
|
|
|
|
Jacques Herold original lithograph, 1974
|
|
$100.00
|
|
|
Medium: original lithograph. This was issued for XXe Siecle (issue No. 43, devoted to the art of Salvador Dali and Surrealism) 1974, published in Paris by San Lazzaro. Sheet size 12 x 8 7/8 inches (305 x 225mm) -- the sheet has been slightly trimmed. Not signed.
|
|
|
|
|
|
|
|
|
|
Henri Harpignies two original drypoints "Paysages"
|
|
$150.00
|
|
|
Medium: original etching and drypoint. Here we have a pair of exquisite little drypoints printed on the same sheet, as shown in the photo. Published in Paris in 1917 by Gazette des Beaux Arts. Plate sizes: 3 1/2 x 2 1/4 inches (89 x 58 mm) and 2 1/4 x 3 3/8 inches (58 x 85 mm) on cream wove paper. Signed in the plate, not by hand.
The Gazette des Beaux Arts was a Parisian art revue founded in 1859. From a print collector's point of view, it is much treasured for the original etchings and lithographs published during the 19th Century and early years of the 20th Century.
Condition: There is age-toning to the paper.
|
|
|
|
|
|
|
|
|
|
Hans Hartung original lithograph, 1964
|
|
$150.00
|
|
|
Medium: original lithograph. Executed by Hans Hartung in 1964 for XXe Siecle, printed by Mourlot and published in Paris by San Lazzaro. Sheet size 12 x 9 1/4 inches (305 x 235 mm). Not signed.
|
|
|
|
|
|
|
|
|
|
Childe Hassam "Woodboats and Dogana" chromolithograph
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This charming antique lithograph was published in a small edition in 1896 to illustrate a rare volume with scenes of Venetian life. Not signed. A beautiful, richly inked impression on cream wove paper. Image size: 4 x 2 1/2 inches; 100 x 63mm.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "A Favorite Corner"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 6 x 3 1/2 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "A Shady Seat"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 3/8 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "From the Doorway"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 4 1/2 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "Hollyhocks in Late Summer"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 x 3 1/2 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "Home of the Humming-bird"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "In the Garden"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 4 1/2 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "Larkspurs and Lilies"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "Poppy Bank in the Early Morning"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 3/8 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "Sunset and the Pinafore"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "The Altar and Shrine"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 4 5/8 x 3 5/8 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "The Bride"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/2 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Childe Hassam chromolithograph "The Garden in its Glory"
|
|
$150.00
|
|
|
Medium: chromolithograph (after the watercolor). This beautiful antique print was published in a small edition (most likely around 500) in 1895 to illustrate a rare Celia Thaxter volume. Celia Thaxter and Childe Hassam were close friends, and some of his loveliest compositions were of her Isle of Shoals garden. Signed in the plate (not by hand). Image size: 5 1/4 x 3 3/4 inches.
This is a rich impression on cream wove paper; although there is minor age-toning and foxing to the margins, the colors remain vivid and fresh.
|
|
|
|
|
|
|
|
|
|
Walter Helbig original woodcut "Vogelpredigt"
|
|
$150.00
|
|
|
Medium: original woodcut. The title means "Sermon for the Birds". Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the image measures 7 7/8 x 5 7/8 inches (200 x 150mm). Not signed. Condition: there is some minor foxing to the paper.
|
|
|
|
|
|
|
|
|
|
Jean Helion original linocut, 1938
|
|
$150.00
|
|
|
Original linoleum cut. A nice impression of this Jean Helion linocut on wove paper, printed in 1938 for the very rare XXe Siecle (No. 4). Sheet size 12 1/2 x 9 3/8 inches. Published in Paris by San Lazzaro. Not signed. Condition: there is some age-toning to the paper.
|
|
|
|
|
|
|
|
|
|
Vlastislav Hofman original linocut "Raskolnikow"
|
|
$150.00
|
|
|
Medium: original linoleum cut. Executed in 1920 for Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenheuer. The total sheet measures 10 3/4 x 8 3/4 inches (275 x 210mm); the image measures 6 1/4 x 4 1/4 inches (160 x 105mm). Not signed. Condition: there is some foxing to the paper.
|
|
|
|
|
|
|
|
|
|
Hans Hartung original lithograph, 1959
|
|
$200.00
|
|
|
Medium: original lithograph. Executed by Hans Hartung in 1959 for XXe Siecle (issue no. 12), printed by Mourlot and published in Paris by San Lazzaro. Sheet size 12 1/8 x 9 1/8 inches (310 x 232 mm). Signed in the plate (not by hand). Condition: the sheet has been trimmed a bit (not compromising the composition).
|
|
|
|
|
|
|
|
|
|
Al Held silkscreen "White Goddess"
|
|
$200.00
|
|
|
Medium: silkscreen / serigraph (after the painting). This silkscreen was printed by Domberger for the rare Formen der Farbe catalogue, published in 1967 by Kunstverein Stuttgart of West Germany. Several important artists contributed compositions to this project, including Al Held, Kenneth Noland, Ellsworth Kelly, Robert Indiana, William Turnbull, Georg Karl Pfahler and Victor Vasarely. Sheet size: 10 1/2 x 10 1/2 inches (270 x 270mm). Not signed. A beautiful, rich impression in vibrant color!
|
|
|
|
|
|
|
|
|
|
Auguste Herbin pochoir | Temoignages pour l'art abstrait
|
|
$200.00
|
|
|
Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size, including margins: 9 3/8 x 7 3/4 inches (240 x 195mm). This is a splendid and richly inked impression on wove paper, and now quite rare. Not signed (the artist's name is printed in text beneath the image).
|
|
|
|
|
|
|
|
|
|
Auguste Herbin pochoir "Non"
|
|
$200.00
|
|
|
Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size, including margins: 9 3/8 x 7 3/4 inches (240 x 195mm). This is a splendid and richly inked impression on wove paper, and now quite rare. Not signed (the artist's name is printed in text beneath the image).
Condition: a bit of the black ink has joined in with the other colors.
|
|
|
|
|
|
|
|
|
|
Seymour Haden "The Complete Angler" original etching
|
|
$250.00
|
|
|
Medium: original etching. A fine impression on watermarked cream laid paper printed in 1880 for Philip Gilbert Hamerton's very scarce "Etching and Etchers", published in an edition of 1000. Signed in the plate (not by hand). Plate size: 5 1/2 x 7 7/8 inches (140 x 200mm).
|
|
|
|
|
|
|
|
|
|
David Hare original lithograph
|
|
$250.00
|
|
|
Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in a limited edition of 999. Size: 9 3/8 x 8 inches; 240 x 204mm; minor age-toning to the edges of the sheet. Not signed.
|
|
|
|
|
|
|
|
|
|
Auguste Herbin 1929 Cubist pochoir
|
|
$250.00
|
|
|
Medium: pochoir (after the watercolor). Published in Paris in 1929 by Charles Moreau in a limited edition for L'Art Cubiste. This is a magnificent and rich impression printed by pochoir master Daniel Jacomet; it is presumed that no more than 1000 impressions were printed and this edition is now rare. Image size: 6 7/8 x 5 7/8 inches (175 x 150 mm); the artist's name is printed in text beneath the image. Signed in the plate (not by hand).
Condition: there is a small tear to the edge of the sheet, not affecting the image.
|
|
|
|
|
|
|
|
|
|
Auguste Herbin "Oui" pochoir
|
|
$250.00
|
|
|
Medium: pochoir (after the gouache). Printed in Paris for the Temoignages pour l'art abstrait project, published in 1952 by Editions d'Art d'Aujourd'hui, of Boulogne. Sheet size, including margins: 9 1/2 x 7 1/2 inches (240 x 195mm). Printed on wove paper, and now quite rare. Signed by Auguste Herbin in the plate, not hand-signed. Condition: there is some slight irregularity to the color, and creasing to the margin.
|
|
|
|
|
|
|
|
|
|
Seymour Haden original etching "Egham Lock"
|
|
$300.00
|
|
|
Medium: original etching. Catalogue reference: Schneiderman 21. Executed in 1859; this impression on thin laid paper is from the Gazette des Beaux Arts edition of 1864. Plate size: 5 7/8 x 8 7/8 inches. Signed by Seymour Haden in the plate, not by hand.
|
|
|
|
|
|
|
|
|
|
Jacques Herold original lithograph, 1947
|
|
$350.00
|
|
|
Medium: original lithograph. Printed in Paris by Mourlot and published by Pierre à Feu and Maeght Editeur for the Marcel Duchamp / André Breton project Surréalisme en 1947. Issued in a limited edition of 999. Size: 9 3/8 x 8 inches; 240 x 204mm. Not signed.
|
|
|
|
|
|
|
|
|
|
Auguste Herbin "Une" silkscreen | serigraph
|
|
$350.00
|
|
|
Medium: silkscreen / serigraph (after the painting). Printed in Paris at the studio of Arcay and published in 1954 by Editions d'Art d'Aujourd'hui, of Boulogne (Andre Bloc was the founder and editor of this revue). Sheet size, including margins: 9 1/4 x 12 inches (235 x 306 mm). This is a very richly inked impression on wove paper, in fine condition, and now quite rare. Signed by Auguste Herbin in the plate, not hand-signed.
|
|
|
|
|
|
|
|
|
|
Franz Hecht "Aus Dem Leben Des Heiligen Franz (nach Taddeo Gaddi)" signed original woodcut
|
|
$350.00
|
|
|
"From the life of Saint Francis"
Medium: original woodcut. Signed in pencil by Franz Hecht, this scene is after a painting by the Italian Early Renaissance painter Taddeo Gaddi. Printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R. Piper & Co. This impression is one of the deluxe signed edition of 300 printed on thin japon paper. The image measures 6 3/4 x 5 1/2 inches (173 x 138 mm); a fine impression with full original margins.
|
|
|
|
|
|
|
|
|
|
Hans Hartung original lithograph | Homage to San Lazzaro, 1975
|
|
$400.00
|
|
|
Medium: original lithograph. This is an original print contributed by Hans Hartung in 1975 for the portfolio "San Lazzaro et ses amis", published in Paris. A number of important artists collaborated together on this project, in homage to Gualtieri di San Lazzaro, who was founder of the deluxe art revuel XXe Siecle (Chroniques du Jour), and an instrumental figure in the Paris art world, as a publisher, critic and friend to many of the 20th Century's great printmakers. Among the artists represented are Pablo Picasso, Georges Braque, Zao Wou-ki, Joan Miro, Marc Chagall, Graham Sutherland, Max Ernst, Rene Magritte, Alexander Calder, Hans Hartung, Lucio Fontana, Alberto Magnelli, Henry Moore, Serge Poliakoff and Max Bill.
This is a fine impression on quality Arches wove paper, printed in Paris in 1975 by Mourlot Fréres, in a limited edition of 575. The total sheet measures 14 x 10 1/4 inches (355 x 260mm). Not signed.
|
|
|
|
|
|
|
|
|
|
Seymour Haden original etching "Battersea Reach"
|
|
$400.00
|
|
|
Medium: original etching. Catalogue reference: Schneiderman 48. Executed in 1863; this is a rich, dark impression on thin laid paper from the Gazette des Beaux Arts edition of 1864. Plate size: 6 x 8 7/8 inches (150 x 225 mm). This etching is titled in the plate "Old Chelsea Out of Whistler's Window" and one can see similarities of style between the two artists. Signed by Seymour Haden in the plate, not by hand.
|
|
|
|
|
|
|
|
|
|
Seymour Haden pencil-signed etching "The Village Ford"
|
|
$500.00
|
|
|
Medium: original etching. Signed both in the plate and in pencil. Catalogue reference Schneiderman 202. Executed in 1881, and printed on laid paper with full margins. Plate size: 7 x 10 1/4 inches (262 x 180 mm). A rich impression with plate tone.
|
|
|
|
|
|
|
|
|
|
Paul Cesar Helleu original drypoint "Femme lisant -- de profil"
|
|
$500.00
|
|
|
(Woman Reading, in Profile)
Medium: original etching and drypoint. This beautiful impression on wove paper was printed in Paris in 1892 for Gazette des Beaux-Arts. Plate size: 9 1/4 x 6 inches (235 x 155mm) with a narrow left margin. Not signed. This is a portrait of the artist's wife, Madame Helleu.
|
|
|
|
|
|
|
|
|
|
Paul César Helleu original drypoint (Femme au chapeau)
|
|
$500.00
|
|
|
Medium: original etching and drypoint in black, red and brown. This beautiful composition is printed on wove paper. Plate size: 7 5/8 x 5 1/2 inches (195 x 140mm); there is some minor foxing. Signed in the plate.
|
|
|
|
|
|
|
|
|
|
Childe Hassam pencil-signed etching "Bowling on the Green"
|
|
$500.00
|
|
|
Medium: original etching. Signed in pencil with Childe Hassam's monogram signature; the number "20" is annotated at the lower left. Executed in 1932 for a portfolio of etchings commemorating the life of George Washington. Printed on watermarked laid paper, with full margins. Size: 8 1/4 x 13 3/8 inches (plate); 217 x 340mm.
Condition: very good, except for a few spots of foxing; please note that this print has been mounted (laid down) by a previous collector onto a cardboard backing sheet.
|
|
|
|
|
|
|
|
|
|
Seymour Haden pencil-signed "Mytton Hall" etching and drypoint
|
|
$1,000.00
|
|
|
Medium: original etching and drypoint. Signed both in the plate and in pencil. Catalogue reference S 19. Executed in 1859, this is a very rich, dark impression on Japan paper. Plate size: 4 7/8 x 10 5/8 inches (122 x 263 mm). This etching is one of Seymour Haden's most charming compositions
|
|
|
|
|
|
|
|
|
|
Erich Heckel "Fruhlingslandschaft" original woodcut
|
|
$1,000.00
|
|
|
Medium: original woodcut. The English title is "Spring Landscape". Catalogue reference: Dube 225. This powerful German Expressionist woodcut was published in Weimar, Germany in 1918 for Das Kunstblatt. Printed on wove paper. The image measures 10 1/8 x 8 1/4 inches (260 x 210 mm); the total sheet measures 11 1/4 x 8 1/2 inches (285 x 217 mm). Not signed.
Condition: minor age-toning to the paper with a few handling creases near the edges. The entire issue of Das Kunstblatt is included with the sale with the woodcut intact.
|
|
|
|
|
|
|
|
|
|
Erich Heckel "Manner am Strand" original woodcut
|
|
$1,000.00
|
|
|
Medium: original woodcut. Catalogue reference: Dube 319 II b. Printed in Germany in 1919 for Das Kestnerbuch, one of the most important collections of original prints published during the height of the German Expressionist movement. This woodcut was printed on wove paper. The image measures 7 x 5 1/4 inches (175 x 133mm); the total sheet measures 11 x 8 1/2 inches (280 x 220mm) with full original margins. Not signed. A rich, dark impression!
|
|
|
|
