|
|
|
|
|
|
Alexander Calder lithograph, 1971
|
|
$75.00
|
|
|
Medium: lithograph (after Calder). Published in 1971 for Derriere le Miroir no. 195. Sheet size: 14 3/4 x 10 3/4 inches with text on verso, as published. Not signed.
|
|
|
|
|
|
|
|
|
|
Marc Chagall lithograph poster, 1959
|
|
$75.00
|
|
|
Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres. The lithograph offered here was printed by Mourlot in 1959, reproducing the Chagall poster in a smaller size. The total sheet measures 12 x 9 inches (approximately 300 x 230mm). Signed in the plate (not by hand).
|
|
|
|
|
|
|
|
|
|
Marc Chagall lithograph poster, 1959
|
|
$75.00
|
|
|
Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres. The lithograph offered here was printed by Mourlot in 1959, reproducing the Chagall poster in a smaller size. The total sheet measures 12 x 9 inches (approximately 300 x 230mm). Signed in the plate (not by hand).
|
|
|
|
|
|
|
|
|
|
Marc Chagall lithograph poster, 1959
|
|
$75.00
|
|
|
Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres. The lithograph offered here was printed by Mourlot in 1959, reproducing the Chagall poster in a smaller size. The total sheet measures 12 x 9 inches (approximately 300 x 230mm). Signed in the plate (not by hand).
|
|
|
|
|
|
|
|
|
|
Marc Chagall lithograph poster, 1959
|
|
$75.00
|
|
|
Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres. The lithograph offered here was printed by Mourlot in 1959, reproducing the Chagall poster in a smaller size. The total sheet measures 12 x 9 inches (approximately 300 x 230mm). Signed in the plate (not by hand).
|
|
|
|
|
|
|
|
|
|
Marc Chagall lithograph poster, 1959
|
|
$75.00
|
|
|
Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres. The lithograph offered here was printed by Mourlot in 1959, reproducing the Chagall poster in a smaller size. The total sheet measures 12 x 9 inches (approximately 300 x 230mm). Signed in the plate (not by hand).
|
|
|
|
|
|
|
|
|
|
Marc Chagall lithograph poster, 1959
|
|
$75.00
|
|
|
Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres. The lithograph offered here was printed by Mourlot in 1959, reproducing the Chagall poster in a smaller size. The total sheet measures 12 x 9 inches (approximately 300 x 230mm). Signed in the plate (not by hand).
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph | Stabiles
|
|
$100.00
|
|
|
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 14 1/2 x 10 1/2 inches with text on verso, as published. Not signed.
Condition: the sheet has been trimmed slightly, not affecting the composition.
Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph, 1975
|
|
$100.00
|
|
|
Medium: original lithograph. Executed for Derrière le Miroir in 1975, and published in Paris by the Maeght atelier. Sheet size: 15 x 22 inches with center fold and printed text on back of the sheet, as published. Not signed. Condition: there is some age-toning to the paper and areas of offsetting from the back.
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph, 1975
|
|
$100.00
|
|
|
Medium: original lithograph. Executed especially the back cover of Derrière le Miroir in 1975, and published in Paris by the Maeght atelier. Sheet size: 15 x 11 inches with text on verso, as published. In good condition with only minor wear. Not signed.
Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph, 1976
|
|
$100.00
|
|
|
Medium: original lithograph. Executed for Derriere le Miroir (no. 221) in 1976, and published in Paris by the Maeght atelier. Sheet size: 15 x 22 inches with center fold and other Calder lithographs printed on back of the sheet, as published. Not signed. Condition: there are minor handling creases and some offsetting from the images on back.
|
|
|
|
|
|
|
|
|
|
Jacques Callot "The Virgin Mary" etching
|
|
$100.00
|
|
|
The Virgin Mary from the "Large Apostles"
Medium: etching. Printed by Israel on 18th century laid paper. Size: 5 7/8 x 3 3/4 inches (plate). With thread margins and old glue residue on verso at the four corners.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Asher" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Benjamin" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Dan" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Gad" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Issachar" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Joseph" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Judah" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Levi" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Naphtali" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Reuben" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Simeon" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Marc Chagall "Tribe of Zebulun" Jerusalem Windows lithograph
|
|
$100.00
|
|
|
Medium: lithograph (after the watercolor); first color sketch for the "Jerusalem Windows" series. Executed by Chagall in preparation for his famous stained-glass windows for the Synagogue at the Hadassah-Hebrew University Medical Center in the Judaean Hills; a different composition was created for each of the Twelve Tribes of Israel. Image size: 8 x 6 inches (203 x 150mm); with another litho on verso, as published. Not signed. The lithography was done under the direction of Marc Chagall and printed by Mourlot in 1962.
|
|
|
|
|
|
|
|
|
|
Eduardo Chillida lithograph, 1968
|
|
$100.00
|
|
|
Medium: lithograph (after the woodcut). Executed for Derriere le Miroir in 1968, and published in Paris by Maeght, and printed on quality cream wove paper. Image size 8 x 5 1/2 inches (200 x 140mm). Total sheet size: 15 x 11 inches (280 x 380mm); text on verso, as published. Not signed.
|
|
|
|
|
|
|
|
|
|
Eduardo Chillida lithograph, 1968
|
|
$100.00
|
|
|
Medium: lithograph (after the woodcut). Executed for Derriere le Miroir in 1968, and published in Paris by Maeght, and printed on quality cream wove paper. Total sheet size: 15 x 11 inches (280 x 380mm); with text on verso, as published. Not signed.
|
|
|
|
|
|
|
|
|
|
Frederick Stuart Church original etching "A Dissertation upon Roast Pig"
|
|
$100.00
|
|
|
Medium: original etching. Published in 1884 by G. P. Putnam and Sons, New York. Printed on laid paper. Size: 4 1/4 x 6 1/4 inches (plate); 110 x 160mm with margins. Signed in the plate (not by hand). This Frederick Stuart Church composition depicts the ancient Chinese fable about the discovery of cooking
|
|
|
|
|
|
|
|
|
|
Frederick Stuart Church original etching "Snow Image"
|
|
$100.00
|
|
|
Medium: original etching. This impression on laid paper was published in Boston in 1884 by James Osgood & Co. Image size: 5 3/8 x 2 3/4 inches. Signed in the plate (not by hand). This delightful piece is beautifully printed in green ink.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "A Sea Beach"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 5 1/2 x 8 1/2 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "A Summerland"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 6 x 9 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "Gillingham Mill"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 7 1/2 x 5 1/2 inches, with full original margins.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "Hampstead Road"
|
|
$100.00
|
|
|
(Sir Richard Steele's Cottage). This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 5 1/4 x 7 1/4 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "Mill Stream"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 5 1/2 x 7 1/2 inches, with full original margins.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "Noon"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 5 1/2 x 8 1/2 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "River Stour, Suffolk"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 5 3/4 x 8 3/4 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "View of the Orwell"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 5 3/4 x 7 1/4 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Sir John Constable / David Lucas mezzotint "Willy Lott's House"
|
|
$100.00
|
|
|
This beautiful mezzotint engraving was composed by John Constable and engraved by David Lucas. It is from the much sought-after "English Landscape" series; this impression on cream wove paper is from the Bohn edition of 1855. Image size (not including the platemark) is approximately 6 3/4 x 6 inches, with full original margins. This piece in excellent condition, without foxing or age-toning.
Constable and Lucas collaborated very closely in the making of these prints-- in fact, Lucas was known as "Constable's Engraver", as the great painter would work with no other.
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph, 1973
|
|
$100.00
|
|
|
Medium: original lithograph. Published in 1973 for Derriere le Miroir no. 201 ("Calder - Retour au mobile"). Sheet size: 15 x 11 inches with text on verso, as published. Not signed.
Derriere le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derriere le Miroir are now scarce, and many have become quite valuable and highly prized.
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph, 1975
|
|
$100.00
|
|
|
Medium: original lithograph. Published in 1975 for Derrière le Miroir no. 212. Sheet size: 15 x 11 inches with text on verso, as published. Not signed.
Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
|
|
|
|
|
|
|
|
|
|
Alexander Calder original lithograph, 1975
|
|
$100.00
|
|
|
Medium: original lithograph. Published in 1975 for Derrière le Miroir (No. 212). Sheet size: 15 x 22 inches; with a center fold and text on back of the sheet, as issued. Not signed.
Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
|
|
|
|
