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Louis-Marin Bonnet "Mars et Venus" rare crayon engraving, 1772
$2,000.00
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Medium: engraving in the Crayon Manner (also know as the Chalk Manner). This rare and beautiful engraving by Louis-Marin Bonnet employed a technique used before the advent of lithography, using three plates (black, red chalk and white chalk) to achieve the soft and subtle effect of a chalk drawing. Size: 19 1/2 x 15 inches (plate) with margins; minor repair to the margin and a few areas of minor wear/creasing to the paper (in good condition overall for its age). Printed on laid paper in 1772.
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Albert Belleroche original lithograph "Reverie" trial proof
$2,000.00
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Medium: original lithograph. Signed in pencil at the lower right and numbered in red crayon "x218" at the lower left, and inscribed on verso "Reverie" in the same red crayon. This proof is printed on a thin vellum-finish wove paper and is presumed to have been hand-pulled by Belleroche, as the artist was known to do.
The image measures approximately 18 x 14 inches (455 x 355 mm); some ink intrudes into the margin consistent with hand-printing. The total sheet measures 20 x 16 1/2 inches (510 x 420 mm) with irregularly cut edges. Condition: there is some skinning to the surface of the paper on the left side (possibly occurring during printing); some creasing; two minor repaired tears; and a 1 cm hole can be seen near the top which has been repaired at an earlier date. A rare and magnificent piece!
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Felix Buhot "La Fête Nationale au Boulevard Clichy" original etching
$1,850.00
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Medium: original etching with drypoint and aquatint. Executed in 1878; catalogue reference Bourcard/Goodfriend 127 v/viii. This is a fine impression on chine collé paper. This state was printed before Buhot reworked the plate to add aquatint to the symphonic margins (the decorative sketches surrounding the central composition). Plate size: 12 1/2 x 9 5/16 inches (318 x 238mm). The total sheet measures 20 x 14 inches (515 x 360mm). Signed in the plate (not by hand
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Jan Dirksz Both “Landscape With Ruins And Two Cows” original etching, Environs of Rome
$1,200.00
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Medium: original etching. From the Environs of Rome suite, this is an 18th Century impression on laid paper. Plate size: 8 x 11 inches (205 x 278mm); not including the small margins. Signed in the plate.
Condition: a few stains, and old tape mounts on back, with skinning and loss to the paper in the two upper corners of the plate.
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George Elbert Burr "A Mirage" signed etching / drypoint, trial proof
$1,000.00
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Medium: original etching and drypoint. Catalogue reference: Seeber 194. This impression on japon paper is annotated "trial proof" and pencil-signed and titled in the margin, with George Burr's monogram signature. The published edition consisted of 40 numbered impressions. In excellent condition save for a faint mat stain, and with full original margins. Plate size: 6 7/8 x 9 7/8 inches (175 x 250 mm). American Impressionist George Elbert Burr is best known for Southwestern scenes such as this, and his etchings have become increasingly sought-after.
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Gerald Brockhurst signed etching "By The Window"
$1,000.00
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Medium: original etching. Signed both in the plate and in pencil. Catalogue reference Fletcher 31. Executed in 1922 and issued in an edition of 76. Plate size: 5 1/4 x 3 7/8 inches (135 x 99 mm). A beautiful and lifelike impression on cream wove paper, quite likely an earlier state before the final published state.
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Felix Buhot "Matinée d'Hiver au Quai de l'Hôtel-Dieu" original etching
$850.00
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Medium: original etching with drypoint and roulette. Catalogue reference Bourcard/Goodfriend 123. This impression on cream laid paper is from the edition for "French Etchers", published in New York in 1884. Plate size: 9 1/4 x 12 1/4 inches (237 x 312mm). Signed in the plate (not by hand). Condition: minor foxing to the margin.
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Edmund Blampied pencil-signed "The Tumble" etching and drypoint
$850.00
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Medium: original etching and drypoint. Signed in pencil. Catalogue reference D 61. This Blampied drypoint was executed in 1921 and beautifully printed on cream wove paper, in an edition of only 100. Size: 7 3/4 x 11 5/8 inches (plate) with full original margins; some foxing and staining to the margins (but the image is clean and bright). A rich, dark impression showing burr and plate tone. Although Edmund Blampied is not, strictly speaking, considered as an Expressionist artist, this print does have a nice Expressionist flavor.
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Pierre Bonnard "Nu a la baignoire" original lithograph, edition of 20 on japon
$800.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 8 1/4 x 6 1/4 inches (210 x 160mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
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Jan Dirksz Both "Wooded Landscape" original etching, Environs of Rome
$750.00
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Medium: original etching. From the Environs of Rome suite, this is an 18th Century impression on laid paper. Size: 7 5/8 x 10 5/8 inches (193 x 272mm). Signed in the plate.
Condition: the margins have been trimmed, and there is a (repaired) tear.
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Pierre Bonnard "Interieur" original lithograph, edition of 20 on japon
$700.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 6 3/8 x 4 7/8 inches (163 x 125mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
Note: Unlike the standard edition, this impression on japon paper is completely without printed text. This fact, along with its greater rarity, accounts for the difference in price.
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Pierre Bonnard "Femme au chapeau" original lithograph, edition of 20 on japon
$700.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 x 5 1/2 inches (180 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
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Pierre Bonnard "Buste" original lithograph, edition of 20 on japon
$700.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/8 x 5 3/4 inches (189 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Signed in the plate (not by hand) -- no impressions were hand-signed.
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Pierre Bonnard "Nu assis" original lithograph, edition of 20 on japon
$650.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 4 1/2 x 5 3/4 inches (115 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
Note: unlike the standard edition, this impression on japon paper is completely without printed text. This fact, along with its greater rarity, accounts for the difference in price.
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Felix Buhot "Sous l'averse" original etching and aquatint
$550.00
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Also known as "Le petit enterrement". Medium: original etching and aquatint with drypoint. Catalogue reference Bourcard/Goodfriend 154. Published in 1902 by Revue de l'art ancien et moderne, in a small edition of probably no more than 750 impressions. Plate size: 88 x 112 mm - (3 1/2 x 4 1/2 inches). Signed in the plate with the Buhot owl monogram signature (not hand-signed). A rich impression on wove paper with full margins.
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Georges Braque "Oiseau" original lithograph, 1975
$500.00
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Medium: original lithograph. This is the second printing (deuxième tirage) of this striking Georges Braque composition, for the portfolio "San Lazzaro et ses amis", published in Paris. A number of important artists collaborated together on this project, in homage to Gualtieri di San Lazzaro, founder of the deluxe art revuel XXe Siecle (Chroniques du Jour), and an instrumental figure in the Paris art world, as a publisher, critic and friend to many of the 20th Century's great printmakers. Among the artists represented are Pablo Picasso, Georges Braque, Zao Wou-ki, Joan Miro, Marc Chagall, Graham Sutherland, Rene Magritte, Hans Hartung, Lucio Fontana, Alberto Magnelli, Henry Moore, Serge Poliakoff and Max Bill.
This is a fine impression on quality Arches wove paper, printed in Paris in 1975 by Mourlot Fréres, in a limited edition of 575. The total sheet measures 14 x 10 1/4 inches (355 x 260mm). Not signed. The first printing was published by XXe Siecle in 1958; interestingly, this second impression is more scarce and printed on a finer quality of paper.
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Max Bill original lithograph | Homage to San Lazzaro, 1975
$500.00
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Medium: original lithograph. This is an original print contributed by Max Bill in 1975 for the portfolio "San Lazzaro et ses amis", published in Paris. A number of important artists collaborated together on this project, in homage to Gualtieri di San Lazzaro, founder of the deluxe art revuel XXe Siecle (Chroniques du Jour), and an instrumental figure in the Paris art world, as a publisher, critic and friend to many of the 20th Century's great printmakers. Among the artists represented are Pablo Picasso, Georges Braque, Zao Wou-ki, Joan Miro, Marc Chagall, Graham Sutherland, Max Ernst, Rene Magritte, Alexander Calder, Hans Hartung, Lucio Fontana, Alberto Magnelli, Henry Moore, Serge Poliakoff and Max Bill.
This is a fine impression on quality Arches wove paper, printed in Paris in 1975 by Mourlot Fréres, in a limited edition of 575. The total sheet measures 14 x 10 1/4 inches (355 x 260mm). Not signed.
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Pierre Bonnard "Sunset on the Mediterranean" original lithograph
$500.00
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Medium: original lithograph. Printed by Mourlot Frères in 1940 for Verve (volume 2, number 8), at the start of World War II and just days before the invasion of Paris. According to the publisher, more than half of the edition was lost. Sheet size: 14 1/4 x 21 inches (360 x 540 mm); with center fold and text on verso, as issued. In fine condition with fresh, un-faded color. Not signed.
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Pierre Bonnard "Promenade des chevres" original lithograph, edition of 20 on japon
$500.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 5 1/2 x 5 3/4 inches (140 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
Note: unlike the standard edition, this impression on japon paper is completely without printed text. This fact, along with its greater rarity, accounts for the difference in price.
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Pierre Bonnard "Nu a la baignoire" original lithograph
$500.00
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Medium: original lithograph. This impression is from the edition of 180 printed on Arches cream wove paper (a small edition of 20 were printed on japon paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 8 1/4 x 6 1/4 inches (210 x 160mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
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Pierre Bonnard "La chemise" original lithograph
$500.00
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Medium: original lithograph. This impression is from the edition of 180 printed on Arches cream wove paper (a small edition of 20 were printed on japon paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/4 x 5 3/4 inches (198 x 148mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
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Pierre Bonnard "Buste" original lithograph
$500.00
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Medium: original lithograph. This impression is from the edition of 180 printed on Arches cream wove paper (a small edition of 20 were printed on japon paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 7 3/8 x 5 3/4 inches (189 x 145mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Signed in the plate (not by hand) -- no impressions were hand-signed.
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Otto Henry Bacher original etching "View in Venice"
$500.00
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View in Venice also called "Fondamenta delle Zattere";
Medium: original etching. Executed in 1880, this is a rich, dark impression on laid paper. Size: 7 x 10 1/4 inches (plate). Signed in the plate (not by hand). A well-known Otto Bacher etching.
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Felix Buhot "Gardiens du Logis" original etching and aquatint
$400.00
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Also known as "Les amis du Saltimbanque". Medium: original etching and aquatint with drypoint. Catalogue reference Bourcard/Goodfriend 76. Published in 1902 by Revue de l'art ancien et moderne, in a small edition of probably no more than 750 impressions. Plate size: 85 x 112 mm - (3 3/8 x 4 1/2 inches). Signed in the plate with the Buhot owl monogram signature (not hand-signed). A rich impression on wove paper with full margins.
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Georges Braque "Oiseau" original lithograph, 1958
$400.00
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Medium: original lithograph. A good impression on wove paper for XXe Siecle, published in Paris in 1958 by San Lazzaro. Sheet size 12 3/8 x 9 1/4 inches; 315 x 235mm. Not signed.
XXe Siecle (Chroniques du Jour) was a deluxe art revue that was the source of many outstanding prints. It was published by Gualtieri di San Lazzaro from 1938-1939, and again from 1951 until 1978 (known as the Nouvelle Serie). Many important artists contributed original prints, including Miro, Picasso, Chagall, Braque, Villon, Matta, Indiana, Rosenquist, Lam, Dali, Zao Wou-ki, Matisse, Delaunay, Ernst, Poliakoff, Soulages, Leger, Moore, Kandinsky, Agam, Arp, Calder, Magnelli, Baj, Marini and Vasarely.
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Anna Eva Bergman original lithograph
$350.00
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Medium: original lithograph. This original Anna-Eva Bergman composition was published in 1970 for the deluxe art revue XXe Siecle (issue No. 35). Sheet size: 12 1/4 x 9 1/4 inches (310 x 238mm). Signed in the plate (not by hand).
Condition: There is a minor bump to one corner and some scuffing to the black inked surface.
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Georges Braque "La charrue" original lithograph, 1960
$350.00
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Medium: original lithograph. Executed for the "Poetes, Peintres, Sculpteurs" issue of Derrière le Miroir (No. 119) in 1960. Sheet size: 15 x 22 inches (380 x 558mm); with a center fold and printed text on verso, as issued. Not signed.
Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Chillida, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
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Angelo Bozzola original serigraph, 1958
$350.00
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Medium: original serigraph. Published in Milan by Groupe Espace for the very rare 1958 volume of Documenti d'Arte d'Oggi. Sheet size (slightly trimmed): 11 x 8 3/8 inches (282 x 213mm). Signed in the plate, not hand-signed. There is some minor aging to the paper. A magnificent, rich impression!
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Enrico Bordoni original serigraph | Movimento Arte Concreta
$350.00
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Medium: serigraph / silkscreen. This magnificent print was published in Milan in 1954 by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Sheet size 12 1/2 x 8 1/2 inches (318 x 220 mm). Signed in the plate, not hand signed.
The Movimento arte concreta (Concrete Art Movement), also known as MAC, was founded in Milan in 1948 by a group of Italian artists with their own unique aesthetic; principal among them were Atanasio Soldati, Gillo Dorfles, Bruno Munari and Gianni Monnet. The print offered here is a product of this movement, which brought together a number of artists who contributed original lithographs or serigraphs to this 1954 project. Among the artists represented in this portfolio were: Enrico Baj, Enrico Bordoni, Joe Colombo, Nino Di Salvatore, Gillo Dorfles, Asger Jorn, Plinio Mesciulam, Gianni Monnet, Bruno Munari, Bruna Pecciarini, Mauro Reggiani, Atanasio Soldati and Luigi Veronesi. Vintage original prints by many of these artists are rarely encountered today.
Questa stampa è uno degli opere originali -- litografie, serigrafie, xilografie e linoleografie -- che sono stati pubblicato a Milano per Groupe Espace per la rarissima Documenti d'Arte d'Oggi. Le stampe originali in questo portafoglio sono stati creati per il Movimento Arte Concreta.
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Pierre Bonnard "Sunset" original lithograph
$350.00
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Medium: original lithograph. Printed by Mourlot Frères in 1947 for Verve (volume 17-18 "Couleur de Bonnard"). Sheet size: 14 x 10 1/4 inches (353 x 260 mm). In fine condition with fresh, un-faded color. Signed in the plate, not by hand.
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Pierre Bonnard "Nu penché" original lithograph, edition of 20 on japon
$350.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 4 3/4 x 4 1/2 inches (120 x 115mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
Note: unlike the standard edition, this impression on japon paper is completely without printed text. This fact, along with its greater rarity, accounts for the difference in price.
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Pierre Bonnard "Nu debout" original lithograph, edition of 20 on japon
$350.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). Image size: 5 x 2 3/4 inches (130 x 70mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed -- no impressions were hand-signed.
Note: unlike the standard edition, this impression on japon paper is completely without printed text. This fact, along with its greater rarity, accounts for the difference in price.
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Pierre Bonnard "Femme accroupie" original lithograph, edition of 20 on japon
$350.00
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Medium: original lithograph. This impression is from the very small edition of 20 printed on japon paper (180 were printed on Arches wove paper, for a total edition of 200). All were printed by André Clot for the rare "Éloge de Pierre Bonnard" by Léon Werth, published in 1946 by Manuel Bruker.
The lithographs from Éloge are beautiful and subtle -- fine examples of the artist's later work (Bonnard died the next year in 1947). A tiny but beautiful composition: the image measures 2 3/4 x 1 3/4 inches (70 x 45mm); the total sheet measures 12 3/4 x 9 3/4 (325 x 250mm). Not signed.
Note: unlike the standard edition, this impression on japon paper is completely without printed text. This fact, along with its greater rarity, accounts for the difference in price.
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Albert Belleroche original lithograph "Etude"
$350.00
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Medium: original lithograph. Published in Paris in 1904 by Revue de l'art ancien et moderne. Beautifully printed on china paper, and tipped (lightly mounted along the top edge) by the published onto a backing sheet. Image size: 9 1/2 x 7 1/4 inches (242 x 185mm). Signed in the plate (not by hand).
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Giacomo Balla Italian Futurist pochoir "Canto patriottico a Villa Borghese"
$350.00
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Medium: original pochoir. Published in Paris in 1950 by Christian Zervos for the front cover of his deluxe revue Cahiers d'Art. Giacomo Balla contributed this original design especially for this issue. Image size: 6 x 8 inches (153 x 200mm). Signed in the plate (not by hand). As the cover of Cahiers d'Art, there is text both above and beneath the image. Overall in very good condition, with some age-toning and minor wear (mostly outside the image). A beautiful and richly inked impression, rarely found on the market.
Cahiers d'Art was published in Paris from 1926-1960 by Greek art collector, writer and art critic Christian Zervos. From a print collector's viewpoint, this art revue is most famous for the pochoirs which were commissioned for some of the issues. Zervos had high technical standards, and these works are stunning.
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Georges Braque original lithograph "Le Pigeon"
$300.00
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Medium: original lithograph. Printed in Paris by Mourlot for Verve in 1952, published by Teriade. Sheet size: 14 x 10 1/4 inches; 355 x 260mm; another Georges Braque lithograph on verso (in black and white). Not signed.
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Georges Braque original lithograph
$300.00
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Medium: original lithograph. Published in 1963 as the frontispiece of the "Braque Lithographe" catalogue raisonné, and printed in Paris by Mourlot Frères. The total sheet measures 12 3/8 x 9 3/8 inches (314 x 240mm). Signed in the plate (not by hand).
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Enrico Bordoni original serigraph | Documenti d'Arte d'Oggi
$300.00
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Medium: serigraph / silkscreen. This magnificent print was published in Milan in 1954 by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Sheet size 12 1/2 x 8 1/2 inches (318 x 220 mm). Signed in the plate, not hand signed.
The Movimento arte concreta (Concrete Art Movement), also known as MAC, was founded in Milan in 1948 by a group of Italian artists with their own unique aesthetic; principal among them were Atanasio Soldati, Gillo Dorfles, Bruno Munari and Gianni Monnet. The print offered here is a product of this movement, which brought together a number of artists who contributed original lithographs or serigraphs to this 1954 project. Among the artists represented in this portfolio were: Enrico Baj, Enrico Bordoni, Joe Colombo, Nino Di Salvatore, Asger Jorn, Plinio Mesciulam, Gianni Monnet, Bruno Munari, Bruna Pecciarini, Mauro Reggiani, Atanasio Soldati and Luigi Veronesi. Vintage original prints by many of these artists are rarely encountered today.
Questa stampa è uno degli opere originali -- litografie, serigrafie, xilografie e linoleografie -- che sono stati pubblicato a Milano per Groupe Espace per la rarissima Documenti d'Arte d'Oggi. Le stampe originali in questo portafoglio sono stati creati per il Movimento Arte Concreta.
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Pierre Bonnard "Jeune fille dans une barque" lithograph
$300.00
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Medium: lithograph (after the watercolor and mixed media). Beautifully printed in Paris by Mourlot Frères for the deluxe art revue Verve (Vol. 2, No. 5-6) in 1939, and published by Teriade. Sheet size: 14 x 10 1/4 inches (355 x 263mm); with another lithograph on the back, as issued. Not signed.
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Georges Braque "Nature morte" pochoir
$250.00
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Medium: pochoir (after the watercolor). Published in Paris in 1933 by Christian Zervos, and now very scarce. Image size: 6 1/2 x 8 1/8 inches (168 x 208mm). Signed in the plate (not by hand).
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