Medium: original lithograph. Printed in 1965 by Mourlot, in a limited edition of 1000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches. Signed in the plate (not by hand). This original Calder stone lithograph is from the rarest of the Mourlot catalogues of the mid-sixties, published in conjunction with London's prestigious Redfern Gallery on the occasion of a Mourlot exhibition and as an expression of Franco-English friendship.
Medium: original lithograph. This print was pulled in Paris in 1966 by the legendary atelier of Fernand Mourlot. Published in a limited edition of 1500 impressions on Chiffon de Mandeure wove paper. Mourlot is among the most celebrated of printers, and the excellence of their work is apparent in the quality of this impression. Size: 10 x 7 ½ inches (sheet); text on verso (as issued) but it doesn't show through or interfere with the image. Signed in the plate (not by hand). Provenance: This original Calder lithograph is from the very scarce and lavishly-produced limited edition catalogue, published by Maeght and London's Redfern Gallery on the occasion of a major 1966 exposition at the Redfern. The lithograph was executed by the artist as an original contribution expressly for this catalogue.
Medium: original lithograph. Executed in 1971 for XXe Siecle (No. 37) and printed in Paris by Mourlot Frères. Sheet size 12 1/8 x 9 1/2 inches (317 x 240mm). Not signed. XXe Siecle (Chroniques du Jour) was a deluxe art revue that was the source of many outstanding prints. It was published by Gualtieri di San Lazzaro from 1938-1939, and again from 1951 until 1978 (known as the Nouvelle Serie). Many important artists contributed original prints, including Miro, Picasso, Chagall, Braque, Villon, Matta, Indiana, Rosenquist, Lam, Dali, Zao Wou-ki, Matisse, Delaunay, Ernst, Poliakoff, Soulages, Leger, Moore, Kandinsky, Agam, Arp, Calder, Magnelli, Baj, Marini and Vasarely.
Medium: original lithograph. Executed in 1975 for XXe Siecle (the Homage to Calder special issue) and published in Paris by San Lazzaro. Sheet size 12 1/8 x 9 1/2 inches (312 x 240mm). Not signed.
Medium: silkscreen. A very nice impression printed on laid paper, for a rare 1965 exhibition catalogue published by the Musee National d'Art Moderne of Paris. Sheet size: 12 1/2 x 9 1/4 inches (320 x 235 mm); minor creasing. Not signed.
Medium: silkscreen. A very nice impression printed on laid paper, for a rare 1965 exhibition catalogue published by the Musee National d'Art Moderne of Paris. Sheet size: 12 1/2 x 9 1/4 inches (320 x 235 mm); minor creasing. Not signed.
Medium: lithograph. Issued by Derrière le Miroir (No. 156) in 1966, published in Paris by the Maeght atelier. Sheet size: 14 3/4 x 10 3/4 inches (375 x 275 mm) with text on verso, as published. Not signed. Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: original lithograph. Executed especially the back cover of Derrière le Miroir in 1975, and published in Paris by the Maeght atelier. Sheet size: 15 x 11 inches with text on verso, as published. In good condition with only minor wear. Not signed. Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 15 x 22 inches with a center fold and text on verso, as published. Not signed. Condition: very good except for a small area of skinning to the surface of the paper near the lower right corner (difficult to see).
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 15 x 22 inches with a center fold and text on verso, as published. Not signed. Condition: very good except for a small area of skinning to the surface of the paper near the lower right corner (difficult to see).
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 15 x 11 inches with text on verso, as published. Not signed. Condition: very good except for a small area of skinning to the surface of the paper near the lower right corner (difficult to see).
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 15 x 11 inches with text on verso, as published. Not signed. Condition: very good except for a small area of skinning to the surface of the paper near the lower right corner (difficult to see).
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 15 x 11 inches with text on verso, as published. Not signed. Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.
Medium: original lithograph. Published in 1963 for Derrière le Miroir no. 141. Sheet size: 15 x 11 inches with text on verso, as published. Not signed. Derrière le Miroir was the legendary art revue published in Paris by Aime Maeght, from 1946 through 1982. Some of the artists who contributed original lithographs were Chagall, Miro, Braque, Giacometti, Kelly, Tapies, Riopelle, Pol Bury, Calder, Alechinsky, Ubac and Palazuelo. Often known by collectors simply as DLM, all issues of Derrière le Miroir are now scarce, and many have become quite valuable and highly prized.